Something bad happened to Agnes. But life goes on… for everyone around her, at least.
Credits:
US 2025, 103 Min., engl. OmU Regie: Eva Victor Kamera: Mia Cioffi Henry Schnitt: Randi Atkins, Alex O’Flinn mit: Eva Victor, Naomi Ackie, Louis Cancelmi, Kelly McCormack, Lucas Hedges, John Carroll Lynch
Audiodeskriptionen, Untertitel und Hörverstärkung mit der Greta App
Fifteen-year-old Leo has grown up in Germany without a father. When she discovers his identity, she immediately sets out to track him down. She finds Paolo in a boarded-up beach bar on the wintry coast of northern Italy. The reunion leaves Paolo overwhelmed and conflicted. After Leo’s sudden appearance in his life, he struggles to balance his relationship between her and the family he has now. At first, Leo just wants answers. But soon, she starts to long for a place in Paolo’s life. With no money nor plans, she stays on in the small town. As they spend more time together, Leo and Paolo tentatively begin to bond and discover they have much in common. But reality inevitably catches up with them. When Paolo prioritises his younger daughter over Leo again, the latter is left hurt and angry. A confrontation lays bare their pain, apparently shattering their fragile connection. But, amid the turmoil, father and daughter begin to acknowledge their respective truths and take a small but meaningful step towards acceptance.
1961 – South Tyrol, a minority region in Northern Italy, becomes staging ground for a bombing campaign against Italian rule. The lives of aspiring artist Paul, his hardliner brother Anton, and Anton’s wife, Anna, spiral out of control..
Credits:
DE/IT/AT 2025, 112 Min., Regie & Schnitt: Michael Kofler Kamera: Felix Wiedemann Schnitt: Florian Miosge mit: Thomas Prenn, Aenne Schwarz, Laurence Rupp, Francesco Acquaroli
Trailer:
Zweitland | Trailer Deutsch HD | Ab 04.12. im Kino
Winner of the Grand Prix at this year’s Cannes Festival, the sprawling intergenerational drama AFFEKSJONSVERDI sees writer-director Joachim Trier teaming up once more with Renate Reinsve, the breakout star of his celebrated existential rom-com VERDENSVERSTEMENNESKE (2021). Reinsve plays Nora, a gifted stage and television actress we first see having an uproarious backstage breakdown before her opening night performance of Chekhov’s The Seagull. When her estranged father, Gustav (Stellan Skarsgård), reappears, he offers her a part in film he’s written about his mother, who was tortured by Nazis and died by suicide. Nora refuses, leading Gustav to cast a Hollywood actress (Elle Fanning) in her stead. By turning their Oslo family home into his own film set, Gustav upends not just Nora’s life but that of her more well-adjusted sister (Inga Lilleaas), a former child actor who starred in one of Gustav’s early films. Brimming with familial resentments and artistic anxieties yet distinguished by an awkward, understated sense of humour, AFFEKSJONSVERDI is an absorbing ensemble piece about exploitation, memory and legacy—and the power of artistic creation to both heal past wounds and defer hard truths. (Beatrice Loayza)
Credits:
Affeksjonsverdi DK/DE/FR/NO 2025, 132 Min., Norwegisch mit deutschen Untertiteln Regie & Schnitt: Joachim Trier Kamera: Kasper Tuxen Schnitt: Olivier Bugge Coutté mit: Renate Reinsve, Stellan Skarsgård, Elle Fanning, Inga Ibsdotter Lilleaas
Ursula and Neda, an East German waitress with a broken heart and an Iranian YouTuber with a broken arm, both feel trapped and lonely in their precarious lives. The winding paths of chance draw the two women together on an unexpected ghost hunt in the mountains. A romantic adventure film about an unlikely friendship and the yearning for another life.
Credits:
DE 2025, 90 Min., Deutsch mit englischen Untertiteln Regie & Schnitt: Julian Radlmaier Kamera: Faraz Fesharaki mit: Clara Schwinning, Maral Keshavarz, Henriette Confurius, Paula Schindler, Ghazal Shojaei, Kyung-Taek Lie, Buksori Lie, u.a.
Zum dritten Mal bei uns zu Gast ist ab 13.11. das Afrikamera-Festival, diesmal mit vier ausgesuchten Filmen. My Father’s Shadow[13.11. Tickets], der erste nigerianische Film, der jemals in der offiziellen Auswahl von Cannes gezeigt wurde, ist eine semi-autobiografische, impressionistische Erinnerung an eine prägende Erfahrung und eine Zeit in Lagos. Ebenfalls dort kämpft Jawu in The Legend of the Vagabond Queen of Lagos [14.11. mit Q&A Tickets] für die Rettung der Gemeinschaft in den sogenannten Waterfront-Communities. In ihrer Emanzipationsgeschichte Les Invertueuses [15.11., mit Q&A Tickets] konfrontiert Regisseurin Aicha Chloé Boro die Teenagerin Nadie vor dem Hintergrund des Vormarsches der Dschihadisten in Burkina Faso mit den Normen einer konservativen Gesellschaft. Der Krieg im Sudan erforderte eine neue Form für den Dokumentarfilm über fünf Bewohner der titelgebenden Stadt Khartoum [16.11. Tickets]. “… ein lyrisches, emotionales Porträt verschiedener Menschen aus Khartum in einem Schlüsselmoment der afrikanischen Geschichte.” Berlinale
“I’m not Stiller!” When an American named James Larkin White tries to enter Switzerland, he’s suspected of being Anatol Stiller, a sculptor who had gone into hiding. Even Stiller’s wife Julika initially believes that this man is her husband. Yet he insists that he is someone else and starts telling a different story.
Credits:
CHDE 2025, 99 Min., Deutschmit englischen Untertiteln Regie: Stefan Haupt Kamera: Michael Hammon Schnitt: Franziska Koeppel mit: Paula Beer, Albrecht Schuch, Marie Leuenberger, Sven Schelker, Max Simonischek
Ángela, a deaf woman, and Héctor, her hearing partner, are expecting a child. They are excited about the pregnancy, although they do not yet know whether the baby will be deaf or hearing. Despite both claiming they can handle whatever comes, their underlying concerns are evident. After a complicated and emotionally intense labour, Ángela gives birth to their daughter, but the pair will have to wait a couple of months to learn if the baby is hearing or not. During this time, Héctor struggles to fully grasp the challenges Ángela is facing, while she must come to terms with raising a daughter who may not share her experience of the world. This journey forces both of them to question their roles as partners and parents, as Ángela grapples with her identity in a society that does not fully accept or understand her.
Credits:
ES 2025, 99 Min., Spanisch, span. Gebärden mit deutschen Untertiteln Regie, Buch: Eva Libertad Kamera: Gina Ferrer García Schnitt: Marta Velasco mit: Miriam Garlo, Álvaro Cervantes, Elena Irureta, Joaquín Notario
Trailer:
Trailer SORDA, von Eva Libertad (OV/de), ab 6. November im Kino
The former table tennis pro Dmitrij Mazunov is the coach at the newly founded TTC Neu-Ulm, home to a world class international team centred around the ping pong superstar Dimitrij Ovtcharov. In 2022, the club gets off to a flying start in the Bundesliga and Champions League but, later, match bans are imposed. Can the club be saved? Superbly filmed and extremely exciting. (Ysabel Fantou, DOK.fest München)
Credits:
DE 2025, 111 Min., English, German, Russian with German subtitles Director: Jonas Egert
There are several films about Kafka and adaptations of his works, mountains of Kafka biographies and other secondary literature, humorously illustrated in ‘Franz K.’ during one of the excursions into the bizarre present. Agnieszka Holland and author Marek Epstein have chosen a very lively approach for their film version, which appears like a collection of short stories. The film repeatedly jumps through time, showing excerpts and fragments of what is known about the life of the highly sensitive author. With a great willingness to experiment, it allows us to partake in his private and professional life and visually interprets excerpts from his work without, however, overusing ‘Kafkaesque’ imagery. It tells of family, friendship, pressure and fear, inner and outer constraints, often in a playful manner, but also with appropriate seriousness, as in its treatment of the increasingly threatening situation of Jews in Europe.
Credits:
DECZ 2025, 127 Min. Deutsch, Tschechisch OmdU Regie: Agnieszka Holland Drehbuch: Marek Epstein Kamera :Tomasz Naumiuk mit: Idan Weiss, Peter Kurth, Jenovéfa Boková, Ivan Trojan, Sandra Korzeniak, Katharina Stark
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