fsk Kino am Oranienplatz

The fsk cine­ma is an inde­pen­dent art­house thea­ter in Berlin Kreuzberg … more

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Funeral Casino Blues

His film, which plun­ges into the neon-dren­ched Thai capi­tal, Bangkok, like a noc­turnal elegy, tells of tho­se dri­ven by eco­no­mic forces, of anony­mi­ty in urban tur­bo-capi­ta­lism, and of dis­ap­pearance – and in doing so comes across as a ghost its­elf: the film is elu­si­ve and yet utter­ly fasci­na­ting. (Taz)
Funeral Casino Blues
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Everytime

Sandra Wollner’s film, which won the top pri­ze in the Un Certain Regard sec­tion at Cannes, pres­ents a stu­dy of grief and an explo­ra­ti­on of memo­ries unli­ke any­thing pre­vious­ly seen on the big screen. (epd)
Everytime
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Bitteres Fest

The new Almodóvar film, Bitteres Fest is a gre­at, at times enig­ma­tic pie­ce of fun. (SZ)
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The lives of the women fea­tured in To My Sisters have been shaped by war, vio­lence and extre­mist ideo­lo­gies. Against a back­drop of war­ti­me expe­ri­en­ces, memo­ry and respon­si­bi­li­ty, the film explo­res three fema­le per­spec­ti­ves.
To my Sisters
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Ingeborg Bachmann – Jemand, der einmal ich war

The fea­ture film Ingeborg Bachmann – Jemand, der ein­mal ich war star­ring Sandra Hüller, blends dra­ma­tis­ed sce­nes with docu­men­ta­ry foo­ta­ge of the wri­ter. It’s a ris­ky and auda­cious move, but it works powerful­ly. (Der Spiegel)
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