Category: archiv

A film by Alissa Jung. In German, English and Italian with German subtitles.

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Fifteen-year-old Leo has grown up in Germany wit­hout a father. When she dis­co­vers his iden­ti­ty, she imme­dia­te­ly sets out to track him down. She finds Paolo in a board­ed-up beach bar on the win­try coast of nor­t­hern Italy. The reuni­on lea­ves Paolo over­whel­med and con­flic­ted. After Leo’s sud­den appearance in his life, he strug­gles to balan­ce his rela­ti­onship bet­ween her and the fami­ly he has now. At first, Leo just wants ans­wers. But soon, she starts to long for a place in Paolo’s life. With no money nor plans, she stays on in the small town. As they spend more time tog­e­ther, Leo and Paolo ten­ta­tively begin to bond and dis­co­ver they have much in com­mon. But rea­li­ty ine­vi­ta­b­ly cat­ches up with them. When Paolo prio­ri­ti­ses his youn­ger daugh­ter over Leo again, the lat­ter is left hurt and angry. A con­fron­ta­ti­on lays bare their pain, appar­ent­ly shat­te­ring their fra­gi­le con­nec­tion. But, amid the turm­oil, father and daugh­ter begin to ack­now­ledge their respec­ti­ve truths and take a small but meaningful step towards acceptance.

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DE/IT 2025, 113 Min., dt.,engl. ital. OmU
Regie & Schnitt: Alissa Jung
Kamera: Carolina Steinbrecher
Schnitt: Heike Parplies, David Maria Vogel
mit: TJuli Grabenhenrich, Luca Marinelli, Arturo Gabbriellini, Joy Falletti Cardillo, Gaia Rinaldi

Audiodeskriptionen, Untertitel und Hörverstärkung mit der Greta App

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A film by Michael Kofler. In German and Italian with German subtitles.

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1961 – South Tyrol, a mino­ri­ty regi­on in Northern Italy, beco­mes sta­ging ground for a bom­bing cam­paign against Italian rule. The lives of aspi­ring artist Paul, his hard­li­ner brot­her Anton, and Anton’s wife, Anna, spi­ral out of control..

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DE/IT/AT 2025, 112 Min.,
Regie & Schnitt: Michael Kofler
Kamera: Felix Wiedemann
Schnitt: Florian Miosge
mit: Thomas Prenn, Aenne Schwarz, Laurence Rupp, Francesco Acquaroli

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A film by Joachim Trier. In Norwegian with German subtitles.

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Winner of the Grand Prix at this year’s Cannes Festival, the spraw­ling inter­ge­ne­ra­tio­nal dra­ma AFFEKSJONSVERDI sees wri­ter-direc­tor Joachim Trier team­ing up once more with Renate Reinsve, the brea­kout star of his cele­bra­ted exis­ten­ti­al rom-com VERDENS VERSTE MENNESKE (2021). Reinsve plays Nora, a gifted stage and tele­vi­si­on actress we first see having an uproa­rious back­stage break­down befo­re her ope­ning night per­for­mance of Chekhov’s The Seagull. When her estran­ged father, Gustav (Stellan Skarsgård), reap­pears, he offers her a part in film he’s writ­ten about his mother, who was tor­tu­red by Nazis and died by sui­ci­de. Nora refu­ses, lea­ding Gustav to cast a Hollywood actress (Elle Fanning) in her stead. By tur­ning their Oslo fami­ly home into his own film set, Gustav upen­ds not just Nora’s life but that of her more well-adjus­ted sis­ter (Inga Lilleaas), a for­mer child actor who star­red in one of Gustav’s ear­ly films. Brimming with fami­li­al resent­ments and artis­tic anxie­ties yet distin­gu­is­hed by an awk­ward, under­sta­ted sen­se of humour, AFFEKSJONSVERDI is an absor­bing ensem­ble pie­ce about explo­ita­ti­on, memo­ry and legacy—and the power of artis­tic crea­ti­on to both heal past wounds and defer hard truths. (Beatrice Loayza)

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Affeksjonsverdi
DK/DE/FR/NO 2025, 132 Min., Norwegisch mit deut­schen Untertiteln
Regie & Schnitt: Joachim Trier
Kamera: Kasper Tuxen
Schnitt: Olivier Bugge Coutté
mit: Renate Reinsve, Stellan Skarsgård, Elle Fanning, Inga Ibsdotter Lilleaas

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A film by Julian Radlmaier. In German with English subtitles.

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Ursula and Neda, an East German wai­tress with a bro­ken heart and an Iranian YouTuber with a bro­ken arm, both feel trap­ped and lonely in their pre­ca­rious lives. The win­ding paths of chan­ce draw the two women tog­e­ther on an unex­pec­ted ghost hunt in the moun­ta­ins. A roman­tic adven­ture film about an unli­kely fri­end­ship and the year­ning for ano­ther life.

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DE 2025, 90 Min., Deutsch mit eng­li­schen Untertiteln
Regie & Schnitt: Julian Radlmaier
Kamera: Faraz Fesharaki
mit: Clara Schwinning, Maral Keshavarz, Henriette Confurius, Paula Schindler, Ghazal Shojaei, Kyung-Taek Lie, Buksori Lie, u.a.

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Sorry, this ent­ry is only available in Deutsch.

Zum drit­ten Mal bei uns zu Gast ist ab 13.11. das Afrikamera-Festival, dies­mal mit vier aus­ge­such­ten Filmen. My Father’s Shadow [13.11. Tickets], der ers­te nige­ria­ni­sche Film, der jemals in der offi­zi­el­len Auswahl von Cannes gezeigt wur­de, ist eine semi-auto­bio­gra­fi­sche, impres­sio­nis­ti­sche Erinnerung an eine prä­gen­de Erfahrung und eine Zeit in Lagos. Ebenfalls dort kämpft Jawu in The Legend of the Vagabond Queen of Lagos [14.11. mit Q&A Tickets] für die Rettung der Gemeinschaft in den soge­nann­ten Waterfront-Communities. In ihrer Emanzipationsgeschichte Les Invertueuses [15.11., mit Q&A Tickets] kon­fron­tiert Regisseurin Aicha Chloé Boro die Teenagerin Nadie vor dem Hintergrund des Vormarsches der Dschihadisten in Burkina Faso mit den Normen einer kon­ser­va­ti­ven Gesellschaft. Der Krieg im Sudan erfor­der­te eine neue Form für den Dokumentarfilm über fünf Bewohner der titel­ge­ben­den Stadt Khartoum [16.11. Tickets]. “… ein lyri­sches, emo­tio­na­les Porträt ver­schie­de­ner Menschen aus Khartum in einem Schlüsselmoment der afri­ka­ni­schen Geschichte.” Berlinale

A film by Stefan Haupt. In German with English subtitles.

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“I’m not Stiller!” When an American named James Larkin White tri­es to enter Switzerland, he’s suspec­ted of being Anatol Stiller, a sculp­tor who had gone into hiding. Even Stiller’s wife Julika initi­al­ly belie­ves that this man is her hus­band. Yet he insists that he is someone else and starts tel­ling a dif­fe­rent story.

Credits:

CH DE 2025, 99 Min., Deutschmit eng­li­schen Untertiteln
Regie: Stefan Haupt
Kamera: Michael Hammon
Schnitt: Franziska Koeppel
mit: Paula Beer, Albrecht Schuch, Marie Leuenberger, Sven Schelker, Max Simonischek

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A film by Eva Libertad. Spanish and Spanish Sign Language with German Subtitles

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Ángela, a deaf woman, and Héctor, her hea­ring part­ner, are expec­ting a child. They are exci­ted about the pregnan­cy, alt­hough they do not yet know whe­ther the baby will be deaf or hea­ring. Despite both clai­ming they can hand­le wha­te­ver comes, their under­ly­ing con­cerns are evi­dent. After a com­pli­ca­ted and emo­tio­nal­ly inten­se labour, Ángela gives birth to their daugh­ter, but the pair will have to wait a cou­ple of months to learn if the baby is hea­ring or not. During this time, Héctor strug­gles to ful­ly grasp the chal­lenges Ángela is facing, while she must come to terms with rai­sing a daugh­ter who may not share her expe­ri­ence of the world. This jour­ney forces both of them to ques­ti­on their roles as part­ners and par­ents, as Ángela grapp­les with her iden­ti­ty in a socie­ty that does not ful­ly accept or under­stand her.

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ES 2025, 99 Min.,
Spanisch, span. Gebärden mit deut­schen Untertiteln
Regie, Buch: Eva Libertad
Kamera: Gina Ferrer García
Schnitt: Marta Velasco
mit: Miriam Garlo, Álvaro Cervantes, Elena Irureta, Joaquín Notario

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A film by Jonas Egert. In German, English and Russian with German subtitles.

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The for­mer table ten­nis pro Dmitrij Mazunov is the coach at the new­ly foun­ded TTC Neu-Ulm, home to a world class inter­na­tio­nal team cent­red around the ping pong super­star Dimitrij Ovtcharov. In 2022, the club gets off to a fly­ing start in the Bundesliga and Champions League but, later, match bans are impo­sed. Can the club be saved? Superbly film­ed and extre­me­ly exci­ting. (Ysabel Fantou, DOK.fest München)

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DE 2025, 111 Min., English, German, Russian with German sub­tit­les
Director: Jonas Egert 

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A film by Agnieszka Holland. In German and Czech with German subtitles.

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There are seve­ral films about Kafka and adapt­a­ti­ons of his works, moun­ta­ins of Kafka bio­gra­phies and other secon­da­ry lite­ra­tu­re, humo­rous­ly illus­tra­ted in ‘Franz K.’ during one of the excur­si­ons into the bizar­re pre­sent. Agnieszka Holland and aut­hor Marek Epstein have cho­sen a very lively approach for their film ver­si­on, which appears like a coll­ec­tion of short sto­ries. The film repea­ted­ly jumps through time, show­ing excerp­ts and frag­ments of what is known about the life of the high­ly sen­si­ti­ve aut­hor. With a gre­at wil­ling­ness to expe­ri­ment, it allows us to par­ta­ke in his pri­va­te and pro­fes­sio­nal life and visual­ly inter­prets excerp­ts from his work wit­hout, howe­ver, ove­ru­sing ‘Kafkaesque’ imagery. It tells of fami­ly, fri­end­ship, pres­su­re and fear, inner and outer cons­traints, often in a playful man­ner, but also with appro­pria­te serious­ness, as in its tre­at­ment of the incre­asing­ly threa­tening situa­ti­on of Jews in Europe.

Credits:

DE CZ 2025, 127 Min. Deutsch, Tschechisch OmdU
Regie: Agnieszka Holland
Drehbuch: Marek Epstein
Kamera :Tomasz Naumiuk
mit: Idan Weiss, Peter Kurth, Jenovéfa Boková, Ivan Trojan, Sandra Korzeniak, Katharina Stark

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A film by Max Ahrens & Maik Lüdemann

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When, at the begin­ning of 2025, a moti­on on migra­ti­on poli­cy is pas­sed in the Bundestag with the sup­port of the AfD, a par­ty clas­si­fied as right-wing extre­mist, the poli­ti­cal land­scape is shaken and a nati­on­wi­de wave of pro­tests is trig­ge­red. Nevertheless, the so-cal­led ‘migra­ti­on deba­te’ is in full swing and is incre­asing­ly domi­na­ted by right-wing posi­ti­ons that stir up fears and end­an­ger not only human lives at Europe’s exter­nal bor­ders. KEIN LAND FÜR NIEMAND (No Country for Anyone) sets out to inves­ti­ga­te the cau­ses of this development.

The film crew accom­pa­nies a civi­li­an res­cue mis­si­on in the Mediterranean, pro­vi­des insight into the tigh­tening of European asyl­um law, lets refu­gees descri­be their per­spec­ti­ves and, in dia­lo­gue with acti­vists, sci­en­tists and publi­cists, ana­ly­ses the dyna­mics behind the shift to the right.

Credits:

DE 2025, 111 Min., OmU
Regie: Max Ahrens & Maik Lüdemann
Kamera: Nils Kohstall, Maik Lüdemann
Schnitt: Lino Thaesler

Trailer:

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