SUNCHILDREN is the story of 12-year-old ALI and his three friends. Together they work hard to survive and support their families, doing small jobs in a garage and committing petty crimes to make fast money. In a turn of events that seems miraculous, Ali is entrusted to find a hidden treasure underground. He recruits his gang, but first, to gain access to the tunnel, the children must enroll at the Sun School, a charitable institution that tries to educate street kids and child laborers, close to where the treasure is located.
SUNCHILDREN is the story of 12-year-old ALI and his three friends. Together they work hard to survive and support their families, doing small jobs in a garage and committing petty crimes to make fast money. In a turn of events that seems miraculous, Ali is entrusted to find a hidden treasure underground. He recruits his gang, but first, to gain access to the tunnel, the children must enroll at the Sun School, a charitable institution that tries to educate street kids and child laborers, close to where the treasure is located.
Das Filmfestival Achtung Berlin!, bei dem wir mittlerweile zum vierten Mal Spielort sind, präsentiert zwar Produktionen aus Berlin, ist aber nicht an den Ort gebunden. Wir beginnen unsere Auswahl z.B. auf Usedom, und sehen in ZWISCHENSAISON [Tickets] mit Regisseurin Tina Tripp vier Auszubildenden im Gastgewerbe, zwei Köchen, zwei Servicekräften, bis zur Prüfung über die Schultern. DE 2022, 105 Min., So. 24.4. 18:30 Dann kommen wir nach Berlin, wo in Florian Hoffmanns Debut-Spielfilm STILLEPOST[Tickets] ein Paar verzweifelt versucht, mediale Aufmerksamkeit für die Situation der Kurden in der Türkei und den Krieg gegen sie zu erlangen. DE 2021, 94 Min., So. 24.4. 21:00 Ein paar Schritte zurück, und wir sind in einem Bulgarischen Bergdorf. Hier porträtiert Eliza Petkova in MAYOR, SHEPHERD, WIDOW, DRAGON [Tickets] einige der noch verbliebenen Bewohner, außerdem gibt es hier auch noch einen Drachen. DEBG 2020, 97 Min., Mo. 25.4. 18:30 Weiter westlich in Wien bekommt die junge und talentierte fast-Architektin Eva einen begehrten Job bei einem Star-Architekten. InRISSEIMFUNDAMENT (Foto oben) [Tickets] erzählen Genia Leis und Gerald Sommerauer von ganz alltäglichen Machtspielen und Zuschreibungen, zu denen Eva Position beziehen muss. DE 2022, 84 Min., Mo. 25.4. 21:00 In VORZEIT [Tickets] macht sich ein alter-Ego von Regisseurin Juliane Henrich in Polen auf die Suche nach Spuren der Vergangenheit und findet Hinweise auf Migrations- und Fluchtbewegungen, die auf die Gegenwart zielen. DE 2021, 80 Min., Di. 26.4. 18:30 Rebeca Ofeks Spielfilm JESSY[Tickets] beruht auf einer eigenen Erfahrung. Die 13-jährige Jessica lebt allein mit ihrer Mutter in Berlin, als ihr Vater nach 7 Jahren aus dem Knast zurück nach Hause kommt und nichts mehr ist, wie es war. DE 2021 79 Min., Di. 26.4. 21:00 Am Modell seiner ehemaligen Schule in Brandenburg und der eigenen Biografie zeigt Christian Bäucker in HEIMATKUNDE [Tickets] ein differenziertes Bild des DDR-Schulsystems und spürt dem Einfluss ostdeutscher Schulerziehung auf Schülerinnen und Schüler nach. DE 2021, 89 Min., Mi. 27.4. 18:30 Das Anwerbeabkommen mit der Türkei 1961 brachte mit den Menschen auch ihre Kultur nach Deutschland. Die Musik war die Verbindung zur „alten“ Heimat, die sich hier im Exil zu neuen Formen und Verbindungen fand. Cem Kayas Dokumentarfilmessay LIEBE, D‑MARKUNDTOD [Tickets], den wir zum Abschluss zeigen, ist eine Nachhilfestunde in türkisch-deutscher Zeitgeschichte.DE 2022, 96 Min., Mi. 27.4. 21:00 (Bitte beachten Sie die Epilepsiewarnung für diesen Film!)
Stille PostJessyZwischensaisonHeimatkundeZwischensaisonLIEBE, D‑MARKUNDTODMAYOR, SHEPHERD, WIDOW, DRAGONVor ZeitVor Zeit
To get through his one-week probationary contract, a young Moroccan plumber must deal with equally eccentric colleagues and customers. Valero, his superior, doubts Moha has what it takes, or that customers will accept a Moroccan worker. Maybe six days is not enough time for someone to overcome their prejudices. But it might be enough to discover that we must live together.
My father is a plumber. I have heard all kinds of weird stories about his job. Over the years, I have been struck by the prejudices and complexities these daily-life situations revealed.
Credits:
Sis dies corrents ES, FR 2021, 85 Min., span, katalan., berber OmU Regie: Neus Ballús Kamera: Anna Molins Schnitt: Neus Ballús, Ariadna Ribas mit: Mohamed Mellali, Valero Escolar, Pep Sarrà, Paqui Becerra, Pere Codorniu
Trailer:
SECHSTAGEUNTERSTROM – UNTERWEGSINBARCELONA – Trailer OmU German | Deutsch
A biography set in East and West Berlin about the life of a defiant woman who unites the political and the private in the poetry of her song lyrics. Bettina Wegner is often reduced to just one of her many songs, “Sind so kleine Hände” (“Children”) and her collaboration with Joan Baez. But here in Lutz Pehnert’s portrait she is given the space she deserves. Taken to court at the age of 21 for protesting against the violent end of the Prague Spring, she soon became part of the lively music and literature scene around Thomas Brasch and her husband Klaus Schlesinger, all the while pursuing her critical stance as an individual and as an artist. In her husky voice, she describes – even humorously – her inner turmoil and her determination not to give up her home in the GDR, even when she was no longer wanted there. Written in 1980, her song “Über Gebote” (“About Rules”) serves Pehnert as a narrative thread while he uses archive material from East and West Germany, audio recordings from her trial as well as Wegner’s own words and music to guide us through her life. In this way, the film gives a new audience the chance to discover singer-songwriter Bettina Wegner – who really only ever wanted to sing love songs.
Credits:
DE 2022, 107 Min., deutsche Fassung mit englischen Untertiteln Regie, Buch: Lutz Pehnert Kamera: Anne Misselwitz Montage: Thomas Kleinwächter
A look at two cities located far apart – Bochum and Detroit – where the departure of the automobile industry has left behind enormous challenges. The industry disappears, and what remains are the people. Ultimately, it is a journey into the hearts of each city’s inhabitants, who are in search of a new identity following the end of the industrial age. Despite all their differences, what unites them is the desire for a dignified and happy life.
Credits:
DE 2021, 118 Min., deutsch, englische OmU Regie: Ulrike Franke, Michael Loeken Kamera: Uwe Schäfer, Philip Hallay, Fabrizio Costantini, Michael Loeken, Michael Chauvistré, Jörg Adams Schnitt: Guido Krajewski, Bert Schmidt
Trailer:
WEAREALLDETROIT – Vom Bleiben und Verschwinden [TRAILER german]
Apichatpong Weerasethakul crosses the globe and changes languages in his latest feature – but Colombia turns out to be something like a spiritual double for his home turf of Thailand, as we’re in very familiar Apichatpong territory here. Speaking Spanish most of the time, Tilda Swinton is an ideal fit for the director’s imaginative universe and is perfectly attuned to his characteristic pacing and tone. She plays Jessica, an orchid specialist working in Medellín who finds herself haunted and baffled by strange banging sounds – are they in the world outside, or inside her head? Attempting to solve the riddle, she consults a sound specialist, who proves oddly elusive, then later heads off into the countryside, where she meets a man who – like the hero of Borges’s story Funes the Memorious – claims never to forget anything. With a surprising modern jazz interlude and an altogether breathtaking payoff, MEMORIA is a poetic inquiry into sound, time, and memory, and another of Apichatpong’s essays on our interaction with the strangeness of the natural world; it’s also, incidentally, a reminder that Colombia is traditionally the home of Latin American magical realism. Jeanne Balibar and ZAMA’s Daniel Gimenez Cacho co-star. (Jonathan Romney)
MEMORIA
Credits:
CO, TH, GB, MX, FR, CN, TW 2021, 136 Min., spanisch, englische OmU Regie : Apichatpong Weerasethakul Kamera: Sayombhu Mukdeeprom Schnitt: Lee Chatametikool mit: Tilda Swinton, Elkin Díaz, Jeanne Balibar, Juan Pablo Urrego, Daniel Giménez Cacho, Agnes Brekke
What and how much do we need for a good life? Not much, says Knut Thomsen from Dithmarschen Something to eat, something to drink, and the freedom to take time for whatever you’re doing at that moment. His wife Berit and him have opened a village store together – a 40-square-meter, fun-loving universe of regional vegetables, carefully arranged shelves, chitchat and cohesion. And an island in a sea of discounters that have long since displaced the small stores in the countryside. For two years, Antje Hubert and her team travel through northern German villages and tell stories of people who dare to try something new in a vacuum of traditions that have almost been lost.
Credits:
DE 2021, 98 Min. Regie : Antje Hubert Kamera: Henning Brümmer Montage: Magdolna Rokob
Raf (Valéria Bruni Tedeschi) and Julie (Marina Foïs), a couple on the verge of breaking up, find themselves in an Emergency Department close to asphyxiation on the evening of a major ‚yellow vests‘ protest in Paris. Their encounter with Yann (Pio Marmaï), an injured and angry demonstrator, will shatter their certainties and prejudices. Outside, the tension escalates and soon, the hospital has to close its doors and the staff is overwhelmed. The night will be long…
Credits:
La fracture FR 2021, 98 Min., frz. OmU Regie : Catherine Corsini Kamera: Jeanne Lapoirie Schnitt: Frédéric Baillehaiche mit : Valeria Bruni-Tedeschi, Marina Foïs, Pio Marmaï, Aissatou Diallo Sagna
KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots. All of them originate from villages in eastern Turkey and live in Berlin. Against the background of the political changes in Turkey, Serpil Turhan held intense discussions over a period of three years. KÖY captures each woman’s emotional world and shows fragments of the ordinary. Hêvîn, Saniye and Neno do not meet, but their stories are linked when it comes to self-determination and belonging.
Credits:
DE 2021, 90 Min., Regie: Serpil Turhan, Kamera: Ute Freund Schnitt: Simon Quack & Eva Hartmann
Access to abortion, now considered an inalienable human right in the Western world, was only made possible by the courageous struggles carried out by women from the late 1960s onward. L’EVÉNEMENT takes place at the dawn of this crucial collective awareness, at a time when abortion was still considered a criminal offense in France. Audrey Diwan brings Annie Ernaux’s autobiographical novel (2000) to life on the screen with a sober, sensitive touch. Student Annie, the film’s heroine, is the prototype of a young woman determined to take her destiny into her own hands, to do what she wants with her body and consequently her life. Shifting with a dreamy fluidity between ensemble scenes – Annie lives in a student house and shares her everyday life with a large group of girls – and the solitary wanderings of her protagonist, the director subtly expresses the troubles and vital decisions that this increasingly lonely girl must contend with. In this constantly tense but never melodramatic chronicle, actress Anamaria Vartolomei – the film’s great revelation – embodies Annie’s fate with passionate determination. In the intensity of her gaze, we can sense the entire future of female emancipation. (Maria Giovanna Vagenas)
Credits:
L‘ Evénement FR 2021, 100 min., frz. OmU Regie: Audrey Diwan Kamera: Laurent Tangy Schnitt: Géraldine Mangenot mit: Anamaria Vartolomei, Kacey Mottet-Klein, Luàna Bajrami, Louise Orry Diquero, Louise Chevillotte, Pio Marmaï, Sandrine Bonnaire, Anna Mouglalis, Leonor Oberson, Fabrizio Rongione
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