A film by  Emanuel Pârvu. In Romanian with German subtitles.

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Adi (17) is spen­ding the sum­mer in his home vil­la­ge in the Danube Delta. One night he is bru­t­ally atta­cked on the street, the next day his world is tur­ned upsi­de-down. His par­ents no lon­ger look at him as they did, and the see­ming tran­qui­li­ty of the vil­la­ge starts to crack.

Credits:

TREI KILOMETRI PÂNĂ LA CAPĂTUL LUMII
RO 2024, 105 Min., rumä­ni­sche OmU
Regie: Emanuel Pârvu
Kamera: Silviu Stavilã
Schnitt: Mircea Olteanu
mit: Ciprian Chiujdea) · Bogdan Dumitrache · Laura Vasiliu · Valeriu Andriutâ · Ingrid Micu-Berescu 

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A film by Mascha Schilinski. In German.

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Four girls, Alma, Erika, Angelika, and Lenka, each spend their youth on the same farm in nor­t­hern Germany. As the home evol­ves over a cen­tu­ry, echo­es of the past lin­ger in its walls. Though sepa­ra­ted by time, their lives begin to mir­ror each other.

Cannes 2025 – Jury Prize

Credits:

DE 2024, 149 Min.,
Regie: Mascha Schilinski
Kamera: Fabian Gamper
Schnitt: Evelyn Rack
Darsteller*innen: Luise Heyer, Lena Urzendowsky, Claudia Geisler-Bading, Lea Drinda, Hanna Heckt

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A film by Scandar Copti. In Arabic and Hebrew with German subtitles.

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A midd­le-class Palestinian fami­ly in Haifa sees life spi­ral out of con­trol under the oppres­si­ve rea­li­ty of con­tem­po­ra­ry Israeli society.

The daugh­ter, Fifi, is stu­dy­ing in Jerusalem and gets into a car acci­dent; the son, Toufic, is invol­ved in secret roman­tic liai­sons and must con­t­end with an unwan­ted pregnan­cy; and the father is embroi­led in what could amount to insu­rance fraud. 

Oscar nomi­nee Scandar Copti (Ajami, 2009) pres­ents a grip­ping fami­ly dra­ma as his second fea­ture film. Led by an ensem­ble of non-pro­fes­sio­nal actors, it inter­wea­ves the sto­ries of mul­ti­ple cha­rac­ters who­se fates are unde­ni­ably – and res­entful­ly – inter­lin­ked. The cha­rac­ters in this mas­terful­ly writ­ten screen­play, groun­ded in inti­ma­te por­tra­yals of moral rela­ti­vism, walk a fine line bet­ween con­ce­ding to and resis­ting the sta­tus quo of Israeli sta­te vio­lence. The film pre­mie­red at the Venice Film Festival in 2024 and won the Horizons Award for Best Screenplay.

Credits:

PS/DE/FR/IT/QT 2025, 123 Min., Arabisch, Hebräisch OmU
Regie & Schnitt: Scandar Copti
Kamera: Tim Kuhn
mit: Manar Shehab, Wafaa Aoun, Meirav Memorsky, Toufic Danial

Trailer:

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A film by Marcin Wierzchowski. In various lan­guages with German subtitles.

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The film tells the sto­ry of the 2020 racist attack in the city of Hanau in the German sta­te of Hesse from the per­spec­ti­ve of the bere­a­ved rela­ti­ves and the sur­vi­vors. Within the space of just a few minu­tes, the per­pe­tra­tor shot nine young peo­p­le dead becau­se he did not con­sider them to be German. What are the direct and long-term con­se­quen­ces of such an attack on peo­p­le and their city? Director Marcin Wierzchowski accom­pa­nied the prot­ago­nists for four years as they faced their grief and stri­ved to come to terms with the loss of a loved one. But the film also reve­als their strugg­le for reco­gni­ti­on and a sen­se of belon­ging in the coun­try they call home. The rela­ti­ves feel aban­do­ned by the aut­ho­ri­ties and poli­ti­ci­ans ali­ke becau­se, despi­te many words of sym­pa­thy, they them­sel­ves are left to unco­ver the cir­cum­s­tances of the crime. In the pro­cess, they encoun­ter the cold bureau­cra­cy of a sys­tem that is woeful­ly unpre­pared for such an attack – even though right-wing ter­ror is a tra­gi­cal­ly com­mon­place part of German history.

Credits:

DE 2025, 132 Min., Deutsch, Rumänisch, Türkisch, Englisch OmU
Regie: Marcin Wierzchowski
Schnitt: Stefan Oliveira-Pita
Kamera: Marcin Wierzchowski, Peter Peiker

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A film by Christian Petzold. In German with English subtitles.

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On a weekend trip to the coun­try­si­de, Laura mira­cu­lous­ly sur­vi­ves a car crash. Physically unhurt but deep­ly shaken, she is taken in by a local woman who wit­nessed the acci­dent and now cares for Laura with mother­ly devo­ti­on. When her hus­band and adult son also give up their initi­al resis­tance to Laura’s pre­sence, the four of them slow­ly build up some fami­ly-like rou­ti­ne. But soon they can no lon­ger igno­re their past…

Credits:

DE 2025, 86 Min., deut­sche OmeU
Regie: Christian Petzold
Schnitt:  Bettina Böhler
Kamera: Hans Fromm
mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs

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A film by Martina Priessner. In German and Turkish with German and Turkish subtitles.

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In November 1992, a racist arson attack in Mölln shat­te­red the lives of İbrahim Arslan and his fami­ly. At just seven years old, İbrahim sur­vi­ved, but he lost his sis­ter, his cou­sin and his grand­mo­ther. In the after­math of the attacks, the city recei­ved hundreds of let­ters of soli­da­ri­ty which were igno­red for near­ly three deca­des. Woven into İbrahim’s poignant jour­ney of dis­co­very and his encoun­ters with three let­ter wri­ters, the­se redis­co­ver­ed let­ters form a visu­al and emo­tio­nal bridge bet­ween past and pre­sent. The film fol­lows İbrahim and his siblings, pain­ting a com­plex por­trait of the las­ting trau­ma that con­ti­nues to affect them to this day. While İbrahim has found a way to cope by fight­ing against racism and advo­ca­ting for a remem­brance cul­tu­re cent­red on the vic­tims’ per­spec­ti­ves, his brot­her Namik is still at the begin­ning of his jour­ney to come to terms with the trau­ma­tic expe­ri­en­ces.
The film not only ampli­fies the per­spec­ti­ves of the vic­tims and sur­vi­vors but also unco­vers the vibrant soli­da­ri­ty that once exis­ted – a soli­da­ri­ty of which the vic­tims and sur­vi­vors were pre­vious­ly una­wa­re. It offers a new per­spec­ti­ve on remem­brance – one that takes the voices of sur­vi­vors and their expe­ri­en­ces serious­ly and pro­vi­des them with the space and reco­gni­ti­on that they deserve.

Credits:

DE 2025, 96 Min., deutsch, tür­ki­sche Originalfassung mit deut­schen und tür­ki­schen Untertiteln
Regie: Martina Priessner 
Schnitt: Maja Tennstedt
Kamera: Ayşe Alacakaptan, Julia Geiß

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A film by François Ozon. In French with German subtitles.

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Michelle, a model grand­mo­ther, is enjoy­ing peaceful reti­re­ment in a Burgundy vil­la­ge, clo­se to her best fri­end Marie-Claude. On All Saints‘ Day, her daugh­ter Valérie arri­ves to drop off her grand­son Lucas for the school holi­day week. But not­hing will go to plan.

Credits:

Quand vient l’au­t­om­ne
FR 2024, 102 Min., frz. OmU
Regie: François Ozon
Kamera: Jérôme Alméras
Schnitt: Anita Roth
mit: Hélène Vincent, Josiane Balasko, Ludivine Sagnier

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A film by Oliver Laxe. In Spanish and French with German subtitles.

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A father (Sergi López) and his son arri­ve at a rave deep in the moun­ta­ins of sou­thern Morocco. They’re sear­ching for Mar — daugh­ter and sis­ter — who vanis­hed months ago at one of the­se end­less, slee­p­less par­ties. Surrounded by elec­tro­nic music and a raw, unfa­mi­li­ar sen­se of free­dom, they hand out her pho­to again and again. Hope is fading but they push through and fol­low a group of ravers hea­ding to one last par­ty in the desert. As they ven­ture deeper into the bur­ning wil­der­ness, the jour­ney forces them to con­front their own limits.

Credits:

ES/FR 2025, 120 Min., span., frz. OmU
Regie: Oliver Laxe
Kamera:  Mauro Herce
Schnitt: Cristóbal Fernández
Musik: Kangding Ray
mit: Sergi López, Bruno Núñez, Stefania Gadda, Joshua Liam Henderson

Trailer:

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