A film by Jean-Luc Godard. Starts June 22nd at the fsk. In French with German subtitles.

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A 1963 French New Wave dra­ma film writ­ten and direc­ted by Jean-Luc Godard, based on the 1954 Italian novel Il disprez­zo (A Ghost at Noon) by Alberto Moravia.[6] It stars Brigitte Bardot, Michel Piccoli, Jack Palance, and Giorgia Moll.
Plot

Paul Javal, a young French play­w­right who has found com­mer­cial suc­cess in Rome, accepts an offer from vul­gar American pro­du­cer Jeremy Prokosch to rework the script for German direc­tor Fritz Lang’s screen adapt­a­ti­on of the Odyssey.

Paul’s wife, Camille Javal, joins him on the first day of the pro­ject at Cinecittà. As the first dis­cus­sions are com­ple­ted, Prokosch invi­tes the crew to join him at his vil­la, offe­ring Camille a ride in his two-seat sports­car. Camille looks to Paul to decli­ne the offer, but he sub­mis­si­ve­ly with­draws to fol­low by taxi, lea­ving Camille and Prokosch alo­ne. Paul does not catch up with them until 30 minu­tes later, explai­ning that he was delay­ed by a traf­fic acci­dent. Camille grows unea­sy, secret­ly doubting his hones­ty and suspec­ting that he is using her to cement his ties with Prokosch. Her mis­gi­vings are heigh­ten­ed when she sees Paul gro­pe Prokosch’s secre­ta­ry, Francesca. Back at their apart­ment, Paul and Camille dis­cuss the subt­le unea­si­ness that has come bet­ween them in the first few hours of the pro­ject, and Camille sud­den­ly announ­ces to her bewil­de­red hus­band that she no lon­ger loves him.

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Credits:

FR. 1963, 105 Min., frz. OmU
Regie: J.-L. Godard
Kamera: Raoul Coutart
mit: Michel Piccoli, Brigitte Bardot, Jack Palance, Fritz Lang, Francesca Vanini, Georgia Moll

Trailer:

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A film by Maysoon Pachachi. Starts July 6th at the fsk. In Arabic with German subtitles

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In a resi­den­ti­al neigh­bour­hood in Baghdad, ordi­na­ry peo­p­le try to live their lives amidst the thre­at of unpre­dic­ta­ble violence.

Credits:

UK, FR, DE, KW 2021, 117 Min., arab.OmU
Regie: Maysoon Pachachi
Schnitt:Alexandre Donot
Kamera: Jonathan Bloom
mit: Darina Al Joundi, Zainab Joda, Basim Hajar, Labwa Arab, Amed Hashim

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A film by Corinna Belz. Starts June 29th at the fsk. In German, English and French with German subtitles.

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Setting: a work­shop. When it comes to Thomas Schütte’s lar­ger than life sculp­tures, the work is hands on – and on an impres­si­ve sca­le. Sanding, sawing and mil­ling are the order of the day. The artist, with a ciga­ret­te han­ging out of his mouth, moulds the eyes of a figu­re with his own hands or some­ti­mes uses com­pu­ter simu­la­ti­on. Regardless of the machi­nery, tech­no­lo­gy or mate­ri­al, it beco­mes clear: art is hard work. Anja Klauck

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DE 2023, 94 Min., engl., franz. deut­sche OmU
Regie: Corinna Belz
Schnitt: Rudi Heinen
Kamera: David Wesemann, Jule Katinka v. Cramer

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A film by Mario Martone. In Italian with German subtitles.

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After 40 years of abs­cence, Felice returns to his home­town : Naples.
He redis­co­vers the places, the rules of the city and a past that haunts him.

Credits:

IT / FR 2022, 118 Min., ital. OmU
Regie: Mario Martone
Kamera: Carmine Guarino
Schnitt: Jacopo Quadri
mit: Pierfrancesco Favino, Francesco Di Leva, Tommaso Ragno

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A film by Daniel Goldhaber. In English with German subtitles.

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Based on the epony­mous novel by Andreas Malm, this thril­ler revol­ves around the sabo­ta­ge car­ri­ed out by a group of mili­tant eco­lo­gi­cal acti­vists. People are gathe­ring in the desert. They’re the­re to prepa­re a mis­si­on: some have alre­a­dy felt the effects of envi­ron­men­tal pol­lu­ti­on, others are frus­tra­ted cli­ma­te acti­vists for whom radi­cal methods appear the only means of pro­test­ing against the cli­ma­te cata­stro­phe. Their plan is to sabo­ta­ge a pipe­line to knock the oil busi­ness off balan­ce and thus ensu­re chan­ge, whe­re other forms of resis­tance have alre­a­dy exhaus­ted their useful­ness. The film is a varia­ti­on on a heist thril­ler and a psy­cho­lo­gi­cal stu­dy of acti­vists bet­ween per­so­nal con­cern, radi­cal­i­sa­ti­on and doubt.

Credits:

US 2022, 106 Min., engl. OmU,
Regie: Daniel Goldhaber
mit Ariela Barer, Kristine Froseth, Lukas Gage, Forrest Goodluck, Sasha Lane, Jayme Lawson , Marcus Scribner, Jake Weary, Irene Bedard, Olive Jane Lorraine 

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A film by Christoph Hochhäusler. Starts June 22nd at the fsk. In German with English subtitles.

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Robert wears a lea­ther jacket and his hair rather long. He is by no means your avera­ge cop – at least not the kind to be found in most German movies. As an under­co­ver inves­ti­ga­tor, he is tas­ked with gai­ning the trust of a cri­mi­nal, Victor, by faking a rela­ti­onship with Leni who has been released on paro­le to play along. They mana­ge to make cont­act with Victor at a dance class: Robert and Leni – he gay, she trans – make a gre­at cou­ple and soon have the cri­mi­nal on the hook. Or is it he who has ent­rap­ped them? And ulti­m­ate­ly, are the­re not more fee­lings at play in this sup­po­sedly fake love affair? We would not be in a film by Christoph Hochhäusler if the­re were any simp­le ans­wers or truths. His cle­ver plot is pure oscil­la­ti­on, and the result is an inge­nious por­trait of the emo­tio­nal intellect that is as wit­ty as it is tou­ch­ing. The film is a (not enti­re­ly drug-free) trip along the director’s trade­mark Möbius strip of gen­re and auteur cine­ma. Added into the mix is one of the most beau­tiful­ly nost­al­gic sound­tracks of the year, a worse-for-wear roman­tic atmo­sphe­re with a Fassbinder-like charm and, final­ly, an ensem­ble cast that brea­thes life into all of pup­pet mas­ter Hochhäusler’s decep­ti­ve mano­eu­vres, death wish included.

Credits:

DE 2023, 123 min, Deutsch OmeU
Regie: Christoph Hochhäusler
Schnitt: Stefan Stabenow
Kamera: Reinhold Vorschneider
mit: Timocin Ziegler, Thea Ehre, Michael Sideris, Ioana Iacob, Rosa Enskat

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A film by Anna Kazejak. In Polish and Danish with German subtitles.

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On the Danish island of Bornholm, two fami­lies spend their tra­di­tio­nal short vaca­ti­on tog­e­ther. The cam­pers park at a prime beach loca­ti­on and pitch tent for the three boys – so far, so good. But an inci­dent with the child­ren upsets the idyll: What beg­ins as an imma­tu­re quar­rel gra­du­al­ly deve­lo­ps into a full-blown fight. Soon the pit­falls of rai­sing child­ren, mid­life cri­ses and marital pro­blems are ruthl­ess­ly expo­sed – and the ori­gi­nal­ly rela­xing vaca­ti­on turns into a puri­fy­ing pur­ga­to­ry. Director Anna Kazejak allows bour­geois fami­ly ide­als to col­l­i­de with for­mal sove­reig­n­ty in her come­dy dra­ma FUCKING BORNHOLM.

Credits:

PL 2022, 96 min, poln. dän. OmU
Regie: Anna Kazejak
Kamera: Jakub Stolecki
Schnitt: Maciej Pawlinski
mit Agnieszka Grochowska, Maciej Stuhr, Grzegorz Damięcki, Jasmina Polak and Magus Krepper

Trailer:

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