Heute oder Morgen

A Film by Tho­mas-Moritz Helm. In Ger­man and Eng­lish with  Eng­lish and Ger­man sub­tit­les.

[Credits] [Ter­mi­ne] [Trai­ler]

Sum­mer in Ber­lin. Two Ber­li­ners, Maria and Niels, and one Bri­tish stu­dent, Chloë, are three twen­ty-some­things. Drif­ting libi­din­ous­ly through Ber­lin, they plun­ge head­long into a care­free and chao­tic love affair with each other. Bois­te­rous­ly living life to the full, they grasp ever­ything and anything they plea­se. Their only com­pass seems to be the plea­su­re they expe­ri­ence tog­e­ther – which works per­fec­t­ly well until Chloë unin­ten­tio­nal­ly falls pregnant. Inse­cu­ri­ty and anger, jea­l­ou­sy and doubt now break out. An abor­ti­on is plan­ned, and rejec­ted. Who is allo­wed to have a say, and when, and about what? Their unusu­al tri­ni­ty dis­sol­ves and their once balan­ced rela­ti­ons­hip muta­tes into shif­ting con­stel­la­ti­ons of two – until it seems it might be pos­si­ble to res­to­re a pre­ca­rious equi­li­bri­um, at least for a moment. Is their uto­pia wit­hin reach or is this just the calm befo­re the storm? To love dif­fer­ent­ly is hard work. The world is not pre­pa­red for Maria, Niels and Chloë. And neit­her are they.

 
Credits:

DE 2018, 93 Min.
Regie & Buch: Tho­mas-Moritz Helm
Kame­ra: Ste­fan Neu­ber­ger
Schnitt: Ele­na Wei­he
Dar­stel­ler: Pau­la Knü­pling, Maxi­mi­li­an Hil­de­brandt, Tala Gou­veia, Roland Bon­jour, Nora Decker, Car­rie Get­man

Ter­mi­ne:

Fri., 20. Sep.:Sat., 21. Sep.:Sun., 22. Sep.:Mon., 23. Sep.:Tue., 24. Sep.:Wed., 25. Sep.:Thu., 26. Sep.:Fri., 27. Sep.:Sat., 28. Sep.:Sun., 29. Sep.:Mon., 30. Sep.:Tue., 1. Oct.:Wed., 2. Oct.: