A film by Paul Schra­der.

[Credits] [Ter­mi­ne] [Trai­ler]

The film sets in on Novem­ber 25, 1970, the last day in Mishima’s life. He is shown finis­hing a manu­script. Then, he puts on a uni­form he desi­gned for hims­elf and meets with four of his most loy­al fol­lo­wers from his pri­va­te army.

In flash­backs high­ligh­t­ing epi­so­des from his past life, the view­er sees Mishima’s pro­gres­si­on from a sick­ly young boy to one of Japan’s most acc­lai­med wri­ters of the post-war era (who in adult­hood trains hims­elf into the acme of mus­cu­lar disci­pli­ne, owing to a mor­bid and mili­ta­ris­tic obses­si­on with mas­cu­lini­ty and phy­si­cal cul­tu­re). His loat­hing for the mate­ria­lism of modern Japan has him turn towards an extre­mist tra­di­tio­na­lism. He sets up his own pri­va­te army and pro­c­laims the rein­sta­ting of the emperor as head of sta­te.

The bio­gra­phi­cal sec­tions are inter­wo­ven with short dra­ma­tiz­a­ti­ons of three of Mishima’s novels: In The Temp­le of the Gol­den Pavi­li­on, a stut­te­ring aspi­rant sets fire to the famous Zen Bud­dhist temp­le becau­se he feels infe­ri­or at the sight of its beau­ty. Kyoko’s House depicts the sado­ma­so­chistic (and ulti­mate­ly fatal) rela­ti­ons­hip bet­ween a midd­le-aged woman and her young lover, who is in her finan­cial debt. In Runa­way Hor­ses, a group of young fana­tic natio­na­lists fails to over­throw the government, with its lea­der sub­se­quent­ly com­mit­ting sui­ci­de. Dra­ma­tiz­a­ti­ons, frame sto­ry, and flash­backs are seg­men­ted into the four chap­ters of the film’s tit­le, named Beau­ty, Art, Action, and Har­mo­ny of Pen and Sword.

The film cul­mi­na­tes in Mishi­ma and his fol­lo­wers taking hos­ta­ge a Gene­ral of the Japan Self-Defen­se For­ces. He addres­ses the garrison’s sol­di­ers, asking them to join him in his strugg­le to rein­sta­te the Emperor as the nation’s sov­er­eign. His speech is lar­ge­ly igno­red and ridi­cu­led. Mishi­ma then returns to the General’s office and com­mits seppu­ku.



JP/US 1985, 121 Min., Regie: Paul Schra­der, mit: Ken Oga­ta, Masayu­ki Shio­no­ya, Hiro­shi Mika­mi, Junya Fuku­da


  • noch kei­ne oder kei­ne mehr