Leviathan

The Kola Peninsula on the Barents Sea – this is whe­re Kolya lives with Lilya, his second wife, and Roma, his son from his first mar­ria­ge, in a house with a work­shop offe­ring a won­derful view across the bay. The land has been in his family’s pos­ses­si­on for gene­ra­ti­ons, but now the cur­rent mayor of the vil­la­ge has rea­li­sed its value. He wants to buy it and threa­tens expro­pria­ti­on when Kolya refu­ses. The car mecha­nic turns to his old army fri­end Dmitri, a suc­cessful lawy­er from Moscow. Should the court case pro­ve unsuc­cessful, Dmitri still has some infor­ma­ti­on about the mayor up his slee­ve. But not­hing goes accor­ding to plan for Kolya here.

Through striking imagery and small doses of gal­lows humour, Zvyagintsev (The Return, Golden Lion at Venice 2003) explo­res cor­rup­ti­on, dis­il­lu­sionment and alco­ho­lism – and, of cour­se, the harsh con­se­quen­ces the­se have on people’s pri­va­te lives. However, he express­ly does not wish to limit this to Russia: “Replace the Orthodox Church with the Catholic Church, and you’re in Italy. A Mexican cri­tic told me, ‘Swap the vod­ka for tequi­la, and it’s a Mexican sto­ry.’ In fact, the direc­tor was inspi­red to make the film fol­lo­wing an inci­dent in Colorado, in which a car mecha­nic, who­se land had been unlawful­ly sei­zed, used a bull­do­zer to flat­ten the town hall and the mayor’s house befo­re taking his own life. However, the win­ner of the 2015 Golden Globe is Russian enough that Culture Minister Medinsky, refer­ring to *Leviathan*, war­ned that he would no lon­ger fund films that cri­ti­cise tho­se in power and “even spit on them”, as well as films that “spread the spi­rit of hope­l­ess­ness and meanin­g­less­ness in our lives” – and this despi­te the fact that the film had pre­vious­ly been sel­ec­ted as Russia’s ent­ry for the ‘Foreign Language Oscar’. ‘Leviathan is not mere­ly a pes­si­mi­stic assess­ment of con­tem­po­ra­ry Russia, but also a tho­rough­ly mas­terful nar­ra­ti­ve that grows even richer with every detour it takes.’ critic.de

Russland 2014, 141 Min.,  russ. OmU

Regie: Andrey Zvyagintsev

Kamera: Mikhail Krichaman
Schnitt: Anna Mass
Musik: Phillip Glass

mit:   Aleksey Serebryakov  Elena Lyadova,  Vladimir Vdovitchenkov, Roman Madyanov,  Anna Ukolova
Filmwebseite

Cannes 2014

LEVIATHAN (2014) – Official HD Trailer – A film by Andrey Zvyagintsev