Fernando, a young ballet dancer from Mexico, dreams of international fame and a life in the USA. Hoping that his lover Jennifer, a wealthy socialite heiress and philanthropist, will support him financially, he leaves everything behind and nearly loses his life whilst crossing the border. But his arrival throws the world Jennifer has so carefully built around herself into disarray. She will do anything to save their future together – but also the life she has built for herself.
Credits:
MX 2025, 100 mins, English, Spanish with English subtitles, Director: Michel Franco Cinematography: Yves Cape Editing: Michel Franco, Oscar Figueroa Jara starring Jessica Chastain, Isaac Hernández, Rupert Friend, Marshall Bell, Eligio Meléndez, Mercedes Hernández
A young Kurdish woman in Syria leads a women’s unit into battle against ISIS—fighting for freedom and women’s rights. Her struggle is narrated by a Yazidi survivor who was enslaved by ISIS as a child and makes clear what is at stake if this fight is lost. And while she survived the horror, a German woman voluntarily joined ISIS—and is now at the mercy of the consequences of her decision. Three women, three decisions, a reflection of courage, suffering, and dangerous delusion.
Whilst preparing for her appearance on a television talent show, Lea (Frida Hornemann) is asked why she thinks she is something quite special. She doesn’t have an answer. Her parents are separated. Whilst her father Matze (Max Riemelt) supports her dream of a stage career, she regularly clashes with her mother Rieke (Gina Henkel). Lea lives with her grandparents Christel (Rahel Ohm) and Friedrich (Peter René Lüdicke), who run a guesthouse on their farm in the heart of idyllic Thuringia. Guests are few and far between. Instead, a right-wing populist party wants to book the place for a conference, which particularly displeases Lea’s rebellious brother. The 16-year-old’s only true confidante is her aunt Kati (Eva Löbau), who has moved back to her hometown from the West to run the newly renovated City Palace as a GDR museum. When Kati walks through the exhibition with her mother in tow as part of the funding committee, and Christel sees her life on display, it is one of the film’s most powerful scenes. How can it be that millions are being spent on this past – which she would dearly love to forget – whilst she herself is on the brink of bankruptcy? The writer and director Eva Trobisch, who was born and raised in East Berlin, carefully arranges her cast of characters to play out the conflicts between the generations. With keen observation and sharp dialogue, she portrays German-German sensibilities.” Indiekino
“It is never the really big dramas, the truly terrible tragedies, that Eva Trobisch tells of, but rather the stories that simply happen to someone, even though everything was actually planned quite differently. This casual tone, which incorporates many small observations and a keen eye for detail, may seem a little unfocused at first glance; yet beneath the lightly sketched episodes and storylines, and the film’s meandering gaze, there is more than one might initially think.” Joachim Kurz | Kinozeit
Credits:
DE 2026, 116 mins, original German version with English subtitles Director: Eva Trobisch Cinematography: Adrian Campean Editing: Laura Lauzemis starring Frida Hornemann, Max Riemelt, Eva Löbau, Gina Henkel, Rahel Ohm, Peter René Lüdecke, Florian Geißelmann, Yvon Sable Moltzen, Ida Fischer, Florian Lukas, Thomas Schubert, Kara Schröder, Anne Kulbatzki, Nairi Hadodo
Sandra Hüller portrays Ingeborg Bachmann on an imaginary day in Rome. Regina Schilling’s hybrid film weaves together reenactments, archival footage, and Bachmann’s own writings into a portrait that offers a refreshing new perspective on the author and positions her writings as a reference point in current debates on gender relations and power. P.B (DOKFest München)
Credits:
DE/AT 2026, 95 Min., German OV with English subtitles Regie: Regina Schilling Kamera: Johann Feindt Schnitt: Carina Mergens mit: Sandra Hüller
Trailer:
Ingeborg Bachmann – Jemand, der einmal ich war | Offizieller Trailer | Ab 25. Juni im Kino
Wir verwenden Cookies, um unsere Website und unseren Service zu optimieren.
Funktionale Cookies
Always active
Die technische Speicherung oder der Zugang ist unbedingt erforderlich für den rechtmäßigen Zweck, die Nutzung eines bestimmten Dienstes zu ermöglichen, der vom Teilnehmer oder Nutzer ausdrücklich gewünscht wird, oder für den alleinigen Zweck, die Übertragung einer Nachricht über ein elektronisches Kommunikationsnetz durchzuführen.
Vorlieben
Die technische Speicherung oder der Zugriff ist für den rechtmäßigen Zweck der Speicherung von Präferenzen erforderlich, die nicht vom Abonnenten oder Benutzer angefordert wurden.
Statistiken
Die technische Speicherung oder der Zugriff, der ausschließlich zu statistischen Zwecken erfolgt.Die technische Speicherung oder der Zugriff, der ausschließlich zu anonymen statistischen Zwecken verwendet wird. Ohne eine Vorladung, die freiwillige Zustimmung deines Internetdienstanbieters oder zusätzliche Aufzeichnungen von Dritten können die zu diesem Zweck gespeicherten oder abgerufenen Informationen allein in der Regel nicht dazu verwendet werden, dich zu identifizieren.
Marketing
Die technische Speicherung oder der Zugriff ist erforderlich, um Nutzerprofile zu erstellen, um Werbung zu versenden oder um den Nutzer auf einer Website oder über mehrere Websites hinweg zu ähnlichen Marketingzwecken zu verfolgen.
![[:de]fsk Kino Logo[:]](https://fsk-kino.peripherfilm.de/wp-content/uploads/2022/08/kino-fsk-logo-dark.png){kind=logo}
