Moria Six

A film by enni­fer Mallmann. In Greek, Farsi, German, English with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

There was an eery silence after a fire had des­troy­ed the Moria camp com­ple­te­ly in September 2020. Not just local­ly, but in public dis­cour­se. The world did not seem par­ti­cu­lar­ly con­cer­ned with the inhu­ma­ne con­di­ti­ons in other camps on Europe’s exter­nal bor­ders or the count­less push­backs in the Mediterranean. Nor did the arrest of six ado­le­s­cents who were accu­sed of arson reso­na­te in any audi­ble way – though even a second glan­ce at the cir­cum­s­tances of the inves­ti­ga­ti­on and the cri­mi­nal pro­cee­dings reve­a­led the actions of the Greek judi­cia­ry to be ques­tionable. Not to men­ti­on the under­ly­ing refu­gee poli­cy of the European Union.
Jennifer Mallmann dares to take this second glan­ce with her film. At its cent­re is her cor­re­spon­dence with Hassan, one of the con­vic­ted youths, who tells her of his ever­y­day life, his desi­res and fears from pri­son. Calm, pre­cis­e­ly framed images docu­ment “nor­ma­li­ty” on the frin­ges of Fortress Europe. They show how stra­te­gi­cal iso­la­ti­on and the ensuing struc­tu­ral exclu­si­on work. If you want to know how our com­mu­ni­ty of nati­ons ima­gi­nes its future you only need to look at the new­ly-built futu­ristic high-secu­ri­ty camps, whe­re new arri­vals are trea­ted like peo­p­le who have com­mit­ted serious cri­mes. Luc-Carolin Ziemann

Credits:

DE 2024, 82 Min., OmU,
Regie: Jennifer Mallmann
Kamera: Sina Diehl
Schnitt: Maxie Borchert

Trailer:
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