Once married to each other, Lucas and Edith have been estranged for ten years, ever since Lucas left. At Edith’s request, they meet at the cemetery where their only child is buried. During a long wait, their conversation progresses, revisiting their shared past and raising new prospects for their future. .
Once married to each other, Lucas and Edith have been estranged for ten years, ever since Lucas left. At Edith’s request, they meet at the cemetery where their only child is buried. During a long wait, their conversation progresses, revisiting their shared past and raising new prospects for their future. .
A Real Pain follows mismatched cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the odd couple’s old tensions resurface against the backdrop of their family history.
Credits:
US/PL 2024, 90 Min., engl. OmU Regie: Jesse Eisenberg Kamera: Michael Dymak Schnitt: Robert Nassau mit Jesse Eisenberg, Kieran Culkin, Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, Daniel Oreskes
Trailer:
A REALPAIN | Official Teaser | Searchlight Pictures
A Real Pain follows mismatched cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the odd couple’s old tensions resurface against the backdrop of their family history.
Credits:
US/PL 2024, 90 Min., engl. OmU Regie: Jesse Eisenberg Kamera: Michael Dymak Schnitt: Robert Nassau mit Jesse Eisenberg, Kieran Culkin, Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, Daniel Oreskes
Trailer:
A REALPAIN | Official Teaser | Searchlight Pictures
In 1980, two biographies cross paths in a Paris cinema: those of young cinema-goer Alexander Horwath and the actor Henry Fonda. Horwath recognised early on that the popular view of Fonda as a “typical American” and the “conscience of the USA” in his acting roles doesn’t paint the full picture. It is the more convoluted paths of Fonda’s biography and how he played roles and embodied attitudes extending beyond individual characters that truly interest Horwath. Thrillingly edited with Michael Palm, his essay film follows them across the history of film into an imaginary republic of places, times, characters: “The United States of Fonda”. Fonda becomes the link between an old and a new America, the thoughtful face of the alleged transition from the law of the jungle to civilisation as well as a critic of an American self-image that only serves itself. Paradoxically, it’s the magic of cinema invoked in the film that contributes to this (self-)disenchantment of America via its own specific techniques and the help of one of its greatest magicians. And in doing so creates a wonderfully complex cinematic memorial to both the USA and storyteller and actor Fonda – the president that never was.
Credits:
AT/DE 2024, 184 Min., engl./dt. Originalfassung mit deutschen und englischen Untertiteln Regie: Alexander Horwath Kamera & Schnitt: Michael Palm
Trailer:
Henry Fonda for President (2024) | Trailer | Regie: Alexander Horwath
Once married to each other, Lucas and Edith have been estranged for ten years, ever since Lucas left. At Edith’s request, they meet at the cemetery where their only child is buried. During a long wait, their conversation progresses, revisiting their shared past and raising new prospects for their future. .
Once married to each other, Lucas and Edith have been estranged for ten years, ever since Lucas left. At Edith’s request, they meet at the cemetery where their only child is buried. During a long wait, their conversation progresses, revisiting their shared past and raising new prospects for their future. .
Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art. An intellectual and poetic ping pong game evolves between researchers from the Max Planck Institute in Erlangen and the “Extreme Light Group” of the University of Glasgow as well as internationally renowned artists such as Ruth Jarman, Joe Gerhardt, Julie Brook, Johannes Brunner and Raimund Ritz. In its course, the various perspectives on light lead to new insights on all sides that would hardly have been achieved without this methodical cross-over: about laser power and colour pigments, about black holes and floating sculptures. In brief moments, the uninitiated may even get some idea of the laws of quantum physics, generally considered impossible to visualise.
Luc-Carolin Ziemann
Credits:
DE/GB 2024, 99 Min., engl./dt. Originalfassung mit deutschen und englischen Untertiteln Regie, Kamera, Schnitt: Thomas Riedelsheimer Musik: Fred Frith, gabby fluke-mogul
A Real Pain follows mismatched cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the odd couple’s old tensions resurface against the backdrop of their family history.
Credits:
US/PL 2024, 90 Min., engl. OmU Regie: Jesse Eisenberg Kamera: Michael Dymak Schnitt: Robert Nassau mit Jesse Eisenberg, Kieran Culkin, Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, Daniel Oreskes
Trailer:
A REALPAIN | Official Teaser | Searchlight Pictures
Formed in Melbourne, Australia in the late 1970s The Birthday Party were one of the most influential acts of their time. From humble beginnings in suburban Melbourne they grew to command a level of respect around the world which remains undiminished to this day. Fuelled by the incendiary relationship between vocalist Nick Cave and guitarist Rowland S. Howard, The Birthday Party were frequently described as the most dangerous band in the world.
Nick Cave – Vocals
Phill Calvert – Drums
Mick Harvey – Guitar, Drums
Rowland S. Howard – Guitar
Tracy Pew – Bass
Having emerged from the ashes of Cave and Harvey’s first punk-pop band, The Boys Next Door and morphed into The Birthday Party, they quickly rose to become one of the most lauded post-punk bands in the country. Motivated, ambitious and riding high on their success, the group decided to relocate to London – where a totally different reality awaited them. Scorned by the British music press and unable to obtain more than a handful of gigs, the band’s fortunes collapsed as they froze and starved in a series of ever more squalid bedsits and squats.
Nick Cave and the Birthday Party in a pub in Kilburn, London, UK on 22 October 1981. (Photo by David Corio/Redferns)
Credits:
AU 2023, 99 Min, engl. OmU Regie: Ian White Kamera: Craig Johnston Schnitt: Aaron J. March mit: Phil Calvert, Nick Cave, Mick Harvey, Rowland S. Howard, Tracy Pew
Once married to each other, Lucas and Edith have been estranged for ten years, ever since Lucas left. At Edith’s request, they meet at the cemetery where their only child is buried. During a long wait, their conversation progresses, revisiting their shared past and raising new prospects for their future. .
Wir verwenden Cookies, um unsere Website und unseren Service zu optimieren.
Funktionale Cookies
Always active
Die technische Speicherung oder der Zugang ist unbedingt erforderlich für den rechtmäßigen Zweck, die Nutzung eines bestimmten Dienstes zu ermöglichen, der vom Teilnehmer oder Nutzer ausdrücklich gewünscht wird, oder für den alleinigen Zweck, die Übertragung einer Nachricht über ein elektronisches Kommunikationsnetz durchzuführen.
Vorlieben
Die technische Speicherung oder der Zugriff ist für den rechtmäßigen Zweck der Speicherung von Präferenzen erforderlich, die nicht vom Abonnenten oder Benutzer angefordert wurden.
Statistiken
Die technische Speicherung oder der Zugriff, der ausschließlich zu statistischen Zwecken erfolgt.Die technische Speicherung oder der Zugriff, der ausschließlich zu anonymen statistischen Zwecken verwendet wird. Ohne eine Vorladung, die freiwillige Zustimmung deines Internetdienstanbieters oder zusätzliche Aufzeichnungen von Dritten können die zu diesem Zweck gespeicherten oder abgerufenen Informationen allein in der Regel nicht dazu verwendet werden, dich zu identifizieren.
Marketing
Die technische Speicherung oder der Zugriff ist erforderlich, um Nutzerprofile zu erstellen, um Werbung zu versenden oder um den Nutzer auf einer Website oder über mehrere Websites hinweg zu ähnlichen Marketingzwecken zu verfolgen.