A film by Koya Kamura. Starts February 5th at the fsk. In French and Korean with German subtitles.

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Soo-Ha isn’t too busy in win­ter, as hard­ly anyo­ne visits her coas­tal town of Sokcho in South Korea. But this time it’s dif­fe­rent: French comic-book artist Yan Kerrand has che­cked into the hotel whe­re she works. She dutiful­ly looks after him. But in the pro­cess, the boun­da­ries bet­ween per­so­nal and pro­fes­sio­nal mat­ters beco­me blur­red as he unwit­tingly trig­gers an unp­lea­sant memory. 

Credits:

FR 2024, 105 Min., Französisch, Koreanisch, Englisch OmU
Regie: Koya Kamura
Kamera: Élodie Tahtane
Schnitt: Antoine Flandre
mit: Bella Kim & Roschdy Zem

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A film by Sarah Miro Fischer. Starts January 8th at the fsk. In German and English with German subtitles.

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Rose is very clo­se to her older brot­her Sam. When he is accu­sed of rape, Rose is asked to testi­fy against him as part of the inves­ti­ga­ti­on. This tests both their rela­ti­onship and Rose’s moral inte­gri­ty.
In Schwesterherz, direc­tor Sarah Miro Fischer explo­res an inti­ma­te sibling rela­ti­onship and how it is that the clo­ser we are to ano­ther per­son, the har­der it might be to see them cle­ar­ly. What kind of events have the power to des­troy even the clo­sest of bonds? When working on her film with the actors, she pla­ced par­ti­cu­lar empha­sis on phy­si­cal expres­si­on in order to be able to tell sto­ries bey­ond the spo­ken word.

Credits:

DE/ES 2025, 96 Min., Deutsch, Englisch OmU
Regie: Sarah Miro Fischer
Kamera: Selma von Polheim Gravesen
Schnitt: Elena Weihe
mit: Marie Bloching, Anton Weil, Proschat Madani, Laura Balzer, Jane Chirwa

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A film by Elsa Kremser and Levin Peter. Starts Januar 29th at the fsk. In Russian, Belarusian, English, Mandarin with German subtitles.

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A Belarusian model dre­a­ming of a care­er in China finds hers­elf drawn to a mys­te­rious loner who works the night shift at a mor­gue. Their encoun­ter unsett­les her sen­se of body, beau­ty, and mor­ta­li­ty. The fra­gi­le love sto­ry of two out­si­ders who turn each other’s worlds upsi­de down and dis­co­ver that they are not alone.

Credits:

DE/AT 2025, 115 Min., Russian, Belarusian, English, Mandarin OmU
Regie: Elsa Kremser, Levin Peter
Kamera: Mikhail Khursevich
Schnitt: Stephan Bechinger
mit: Marya Imbro, Mikhail Senkov

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A film by Ildikó Enyedi. Starts January 15th at the fsk. In German and English with German subtitles.

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In the heart of a bota­ni­cal gar­den in a medieval uni­ver­si­ty town in Germany stands a maje­s­tic gink­go tree. This silent wit­ness has obser­ved over a cen­tu­ry the quiet rhyth­ms of trans­for­ma­ti­on across three human lives.
2020, a neu­ro­sci­en­tist from Hong Kong, explo­ring the mind of babies, beg­ins an unex­pec­ted expe­ri­ment with the old tree.
1972, a young stu­dent is pro­found­ly chan­ged by the simp­le act of obser­ving and con­nec­ting with a gera­ni­um.
1908, the university’s first fema­le stu­dent dis­co­vers, through the lens of pho­to­gra­phy, sacred pat­terns of the uni­ver­se hid­den within the hum­blest of plants.
We fol­low their clum­sy, awk­ward attempts to con­nect — each one of them deep­ly roo­ted in their own pre­sent — as they are trans­for­med by the quiet, endu­ring, and mys­te­rious power of natu­re. The anci­ent gink­go tree brings us clo­ser to what it means to be human — to our lon­ging to belong.

Credits:

DE/HU/FR 2025, 147 Min., deutsch, eng­li­sche OmU
Regie: Ildikó Enyedi
Kamera: Gergely Pálos
Schnitt: Károly Szala
mit: Tony Leung Chiu-wai, Luna Wedler, Enzo Brumm, Sylvester Groth, Martin Wuttke, Johannes Hegemann, Rainer Bock, Marlene Burow, Léa Seydoux

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A film by Jafar Panahi. Starts January 1st at the fsk. In Farsi with German subtitles.

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Vahid, who was once impri­so­ned and tor­tu­red by the Iranian aut­ho­ri­ties, meets a man he belie­ves to have been his most sadi­stic tor­tu­rer. He can’t be sure though, as he was blind­fold­ed during the inter­ro­ga­ti­ons. Intent on vio­lent reven­ge but afraid of hur­ting an inno­cent per­son, he kid­naps the man and asks ano­ther for­mer inma­te to cor­rob­ora­te his sus­pi­ci­on. Neither abso­lut­e­ly con­fi­dent, they deci­de to track down other sur­vi­vors. The group keeps gro­wing as they dri­ve around in Vahid’s van with their pri­soner in tow, despera­te­ly pur­suing a cer­tain­ty that remains just bey­ond reach. A taut thril­ler nuan­ced by an under­cur­rent of absur­dist far­ce, YEK TASADOF‑E SADEH, win­ner of this year’s Palme d’Or, is Jafar Panahi’s most out­spo­ken and expli­cit­ly poli­ti­cal film to date. That it was made after he was hims­elf released from Tehran’s noto­rious Evin Prison gives the sto­ry an obvious auto­bio­gra­phi­cal dimen­si­on. Yet its moral impli­ca­ti­ons extend bey­ond the per­so­nal to encom­pass all of Iranian socie­ty in the wake of the Woman, Life, Freedom pro­tests. Now that new free­doms have been achie­ved, ope­ning an unpre­ce­den­ted win­dow of oppor­tu­ni­ty, the film sets the desi­re for ven­ge­an­ce against the impe­ra­ti­ve to keep pushing for­ward. (Giovanni Marchini Camia)

Credits:

Yek tasa­def sadeh یک تصادف ساده,
IR/FR/LU 2025, 102 Min., far­si OmU
Regie: Jafar Panahi
Kamera: Amin Jafari
Schnitt: Amir Etminan
mit: Vahid Mobasseri, Maryam Afshari, Ebrahim Azizi, Hadis Pakbaten

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A film by François Ozon. Starts January 1st. at the fsk. In French with German subtitles.

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Algiers, 1938. Meursault, a quiet and unas­sum­ing employee in his ear­ly thir­ties, attends his mother’s fun­e­ral wit­hout shed­ding a tear. The next day, he beg­ins a casu­al affair with Marie, a work col­le­ague, and quick­ly slips back into his usu­al rou­ti­ne.
However, his dai­ly life is soon dis­rupt­ed by his neigh­bour, Raymond Sintès, who draws Meursault into his shady dealings — until, on one blis­te­rin­gly hot day, a tra­gic event occurs on a beach.

Credits:

L’Étranger
FR 2025, 120 Min., fran­zö­si­sche OmU
Regie: François Ozon
Kamera: Manu Dacosse
Schnitt: Clément Selitzki
mit: Benjamin Voisin, Rebecca Marder, Pierre Lottin, Denis Lavant, Swann Arlaud

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A film by Edward Yang. Re-release. In Mandarin and Japanese with German subtitles.

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The Taiwanese film­ma­ker Edward Yang shows in his film Yi Yi – A One and a Two the life of a fami­ly in modern Taipei. NJ is a man in his mid-for­ties. He is mar­ried, a father of two child­ren and suc­cessful in his job – still he is no lon­ger hap­py with hims­elf and with his life.

While NJ starts seing his old fla­me again his mother-in-law is in a coma. It is NJ’s eight year old son who gui­des us through ever­y­day life of the fami­ly and who asks cri­ti­cal ques­ti­ons and sur­pri­ses the spec­ta­tors with his expe­ri­ments in the water. The older sis­ter has her first expe­ri­en­ces with love and lear­ns that one can not force felicity.

Credits:

Yi Yi – A One and a Two
TW/JP 2000, 173 Min., Taiwanesisches Mandarin, Japanisch OmU
Regie: Edward Yang
Kamera: Weihan Yang
Schnitt: Bowen Chen
mit Kelly Lee, Jonathan Chang, Niazhen Wu, Elaine Jin, Issey Ogata

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A film by Hafsia Herzi. In French and Arabic with German subtitles.

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Fatima, 17, the youn­gest of three daugh­ters, treads careful­ly as she sear­ches for her own path, grap­pling with emer­ging desi­res, her attrac­tion to women, and her loyal­ty to her caring French-Algerian fami­ly. Starting uni­ver­si­ty in Paris, she dates, makes fri­ends, and explo­res a who­le new world, all while con­fron­ting a tim­e­l­ess and heart­ren­ding dilem­ma: How can one stay true to ones­elf when recon­ci­ling dif­fe­rent parts of one’s iden­ti­ty feels impossible?

Credits:

La peti­te der­niè­re
DE/FR 2025, 106 Min., Französisch, Arabisch OmU
Regie: Hafsia Herzi
Kamera: Jérémie Attard
Schnitt: Géraldine Mangenot
mit Nadia Melliti, Ji-Min Park, Aloïse Sauvage, Nemo Schiffman, Sophie Garagnon

Audiodeskriptionen, Untertitel und Hörverstärkung mit der Greta App

Trailer:

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