A Real Pain follows mismatched cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the odd couple’s old tensions resurface against the backdrop of their family history.
Credits:
US/PL 2024, 90 Min., engl. OmU Regie: Jesse Eisenberg Kamera: Michael Dymak Schnitt: Robert Nassau mit Jesse Eisenberg, Kieran Culkin, Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, Daniel Oreskes
Trailer:
A REALPAIN | Official Teaser | Searchlight Pictures
A Real Pain follows mismatched cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the odd couple’s old tensions resurface against the backdrop of their family history.
Credits:
US/PL 2024, 90 Min., engl. OmU Regie: Jesse Eisenberg Kamera: Michael Dymak Schnitt: Robert Nassau mit Jesse Eisenberg, Kieran Culkin, Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, Daniel Oreskes
Trailer:
A REALPAIN | Official Teaser | Searchlight Pictures
Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art. An intellectual and poetic ping pong game evolves between researchers from the Max Planck Institute in Erlangen and the “Extreme Light Group” of the University of Glasgow as well as internationally renowned artists such as Ruth Jarman, Joe Gerhardt, Julie Brook, Johannes Brunner and Raimund Ritz. In its course, the various perspectives on light lead to new insights on all sides that would hardly have been achieved without this methodical cross-over: about laser power and colour pigments, about black holes and floating sculptures. In brief moments, the uninitiated may even get some idea of the laws of quantum physics, generally considered impossible to visualise.
Luc-Carolin Ziemann
Credits:
DE/GB 2024, 99 Min., engl./dt. Originalfassung mit deutschen und englischen Untertiteln Regie, Kamera, Schnitt: Thomas Riedelsheimer Musik: Fred Frith, gabby fluke-mogul
Family man Justin Kemp who, while serving as a juror in a high profile murder trial, finds himself struggling with a serious moral dilemma…one he could use to sway the jury verdict and potentially convict-or free-the wrong killer.
Credits:
US 2024, 114 Min., engl. OmU Regie: Clint Eastwood Kamera: Yves Bélanger Schnitt: Joel Cox, David Cox mit: Nicholas Hoult, Toni Collette, J.K. Simmons, Zoey Deutch, Kiefer Sutherland, Francesca Eastwood, Chris Messina
Once married to each other, Lucas and Edith have been estranged for ten years, ever since Lucas left. At Edith’s request, they meet at the cemetery where their only child is buried. During a long wait, their conversation progresses, revisiting their shared past and raising new prospects for their future. .
A Real Pain follows mismatched cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the odd couple’s old tensions resurface against the backdrop of their family history.
Credits:
US/PL 2024, 90 Min., engl. OmU Regie: Jesse Eisenberg Kamera: Michael Dymak Schnitt: Robert Nassau mit Jesse Eisenberg, Kieran Culkin, Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, Daniel Oreskes
Trailer:
A REALPAIN | Official Teaser | Searchlight Pictures
A Real Pain follows mismatched cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the odd couple’s old tensions resurface against the backdrop of their family history.
Credits:
US/PL 2024, 90 Min., engl. OmU Regie: Jesse Eisenberg Kamera: Michael Dymak Schnitt: Robert Nassau mit Jesse Eisenberg, Kieran Culkin, Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, Daniel Oreskes
Trailer:
A REALPAIN | Official Teaser | Searchlight Pictures
In 1980, two biographies cross paths in a Paris cinema: those of young cinema-goer Alexander Horwath and the actor Henry Fonda. Horwath recognised early on that the popular view of Fonda as a “typical American” and the “conscience of the USA” in his acting roles doesn’t paint the full picture. It is the more convoluted paths of Fonda’s biography and how he played roles and embodied attitudes extending beyond individual characters that truly interest Horwath. Thrillingly edited with Michael Palm, his essay film follows them across the history of film into an imaginary republic of places, times, characters: “The United States of Fonda”. Fonda becomes the link between an old and a new America, the thoughtful face of the alleged transition from the law of the jungle to civilisation as well as a critic of an American self-image that only serves itself. Paradoxically, it’s the magic of cinema invoked in the film that contributes to this (self-)disenchantment of America via its own specific techniques and the help of one of its greatest magicians. And in doing so creates a wonderfully complex cinematic memorial to both the USA and storyteller and actor Fonda – the president that never was.
Credits:
AT/DE 2024, 184 Min., engl./dt. Originalfassung mit deutschen und englischen Untertiteln Regie: Alexander Horwath Kamera & Schnitt: Michael Palm
Trailer:
Henry Fonda for President (2024) | Trailer | Regie: Alexander Horwath
Once married to each other, Lucas and Edith have been estranged for ten years, ever since Lucas left. At Edith’s request, they meet at the cemetery where their only child is buried. During a long wait, their conversation progresses, revisiting their shared past and raising new prospects for their future. .
Once married to each other, Lucas and Edith have been estranged for ten years, ever since Lucas left. At Edith’s request, they meet at the cemetery where their only child is buried. During a long wait, their conversation progresses, revisiting their shared past and raising new prospects for their future. .
Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art. An intellectual and poetic ping pong game evolves between researchers from the Max Planck Institute in Erlangen and the “Extreme Light Group” of the University of Glasgow as well as internationally renowned artists such as Ruth Jarman, Joe Gerhardt, Julie Brook, Johannes Brunner and Raimund Ritz. In its course, the various perspectives on light lead to new insights on all sides that would hardly have been achieved without this methodical cross-over: about laser power and colour pigments, about black holes and floating sculptures. In brief moments, the uninitiated may even get some idea of the laws of quantum physics, generally considered impossible to visualise.
Luc-Carolin Ziemann
Credits:
DE/GB 2024, 99 Min., engl./dt. Originalfassung mit deutschen und englischen Untertiteln Regie, Kamera, Schnitt: Thomas Riedelsheimer Musik: Fred Frith, gabby fluke-mogul
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