Holding Liat

Holding Liat

A film by Brandon Kramer. In English and Hebrew with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

A film that is shot tru­ly open-endedly, in the thick of it, even though – at the out­set – it was impos­si­ble to pre­dict what would hap­pen. Liat is for­ci­b­ly abduc­ted from her kib­butz by mem­bers of Hamas on 7 October 2023 and short­ly after­wards Brandon Kramer starts film­ing with her fami­ly. He’s right the­re with them, up clo­se, as the par­ents Yehuda and Chaya try to deal with their fear – or to sway the fate of their adult daugh­ter and her hus­band in dia­lo­gue with the aut­ho­ri­ties. As a US citi­zen, Yehuda flies to the USA, accom­pa­nied by Liat’s son, who is bur­den­ed by more than the public atten­ti­on, and Liat’s sis­ter, who will try to cushion Yehuda’s tem­per and anger. Because even within this fami­ly views are pola­ri­sed: despi­te his pain, the father takes a cri­ti­cal view of Israel’s role in the Middle East con­flict. He is a paci­fist and will not be dis­sua­ded from the path of recon­ci­lia­ti­on, even at the geo­po­li­ti­cal epi­cent­re of diplo­ma­cy and trau­ma. He per­sis­t­ent­ly swims against the tide, takes issue with hims­elf and ever­yo­ne else and bera­tes the Israeli govern­ment. A can­did film of the hour. Insights don’t come from poli­tics, but from Liat’s family.

Credits:

US 2025, 97 Min., Englisch, Hebräisch OmU
Regie: Brandon Kramer
Kamera: Yoni Brook, Omer Manor
Schnitt: Jeff Gilbert

Trailer:
Holding Liat Official Trailer

Im Kino mit deut­schen Untertiteln.

nach oben

Archives: Events

  • Holding Liat

    Holding Liat

    A film by Brandon Kramer. In English and Hebrew with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    A film that is shot tru­ly open-endedly, in the thick of it, even though – at the out­set – it was impos­si­ble to pre­dict what would hap­pen. Liat is for­ci­b­ly abduc­ted from her kib­butz by mem­bers of Hamas on 7 October 2023 and short­ly after­wards Brandon Kramer starts film­ing with her fami­ly. He’s right the­re with them, up clo­se, as the par­ents Yehuda and Chaya try to deal with their fear – or to sway the fate of their adult daugh­ter and her hus­band in dia­lo­gue with the aut­ho­ri­ties. As a US citi­zen, Yehuda flies to the USA, accom­pa­nied by Liat’s son, who is bur­den­ed by more than the public atten­ti­on, and Liat’s sis­ter, who will try to cushion Yehuda’s tem­per and anger. Because even within this fami­ly views are pola­ri­sed: despi­te his pain, the father takes a cri­ti­cal view of Israel’s role in the Middle East con­flict. He is a paci­fist and will not be dis­sua­ded from the path of recon­ci­lia­ti­on, even at the geo­po­li­ti­cal epi­cent­re of diplo­ma­cy and trau­ma. He per­sis­t­ent­ly swims against the tide, takes issue with hims­elf and ever­yo­ne else and bera­tes the Israeli govern­ment. A can­did film of the hour. Insights don’t come from poli­tics, but from Liat’s family.

    Credits:

    US 2025, 97 Min., Englisch, Hebräisch OmU
    Regie: Brandon Kramer
    Kamera: Yoni Brook, Omer Manor
    Schnitt: Jeff Gilbert

    Trailer:
    Holding Liat Official Trailer

    Im Kino mit deut­schen Untertiteln.

    nach oben
  • Briefe aus der Wilcza – Listy z Wilczej

    Briefe aus der Wilcza – Listy z Wilczej

    A film by Arjun Talwar. In Polish with German and English subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    A street in cen­tral Warsaw is the focus of this wit­ty and per­so­nal por­trait of Poland. Filmmaker Arjun Talwar immi­gra­ted to the coun­try a deca­de ago but still strug­gles to fit in. Ulica Wilcza, the street whe­re he lives, has not real­ly hel­ped mat­ters. In an attempt to acce­le­ra­te his inte­gra­ti­on, he beg­ins film­ing his neigh­bours, sound­ing out his rela­ti­onships with them and see­king ways to over­co­me his own fee­lings of ali­en­ati­on. With the help of his fri­end Mo, ano­ther immi­grant-tur­ned-film­ma­ker, Arjun unco­vers the hid­den secrets of the street, reve­al­ing a host of char­ming inha­bi­tants. He finds other peo­p­le like hims­elf who are living bet­ween the past and pre­sent, bet­ween an ima­gi­ned home­land and the real one. The street con­nects them all like an invi­si­ble thread, offe­ring solace in the melan­cho­ly of ever­y­day life. Along this kilo­met­re-long stretch, a pic­tu­re of modern Europe emer­ges, expo­sing a kalei­do­scope of con­tra­dic­tions and anxie­ties as a for­eign film­ma­ker holds up a mir­ror to a coun­try that is often per­cei­ved as homo­ge­neous, unwel­co­ming and poli­ti­cal­ly right-wing.

    Credits:

    PL/DE 2025, 97 Min., pol­ni­sche Originalfassung mit deut­schen und eng­li­schen Untertiteln
    Regie & Kamera: Arjun Talwar
    Schnitt: Bigna Tomschin, Arjun Talwar & Sabina Filipowicz

    Trailer:
    nach oben
  • Franz K.

    Franz K.

    A film by Agnieszka Holland. Starts October 23th at the fsk. In German and Czech with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    There are seve­ral films about Kafka and adapt­a­ti­ons of his works, moun­ta­ins of Kafka bio­gra­phies and other secon­da­ry lite­ra­tu­re, humo­rous­ly illus­tra­ted in ‘Franz K.’ during one of the excur­si­ons into the bizar­re pre­sent. Agnieszka Holland and aut­hor Marek Epstein have cho­sen a very lively approach for their film ver­si­on, which appears like a coll­ec­tion of short sto­ries. The film repea­ted­ly jumps through time, show­ing excerp­ts and frag­ments of what is known about the life of the high­ly sen­si­ti­ve aut­hor. With a gre­at wil­ling­ness to expe­ri­ment, it allows us to par­ta­ke in his pri­va­te and pro­fes­sio­nal life and visual­ly inter­prets excerp­ts from his work wit­hout, howe­ver, ove­ru­sing ‘Kafkaesque’ imagery. It tells of fami­ly, fri­end­ship, pres­su­re and fear, inner and outer cons­traints, often in a playful man­ner, but also with appro­pria­te serious­ness, as in its tre­at­ment of the incre­asing­ly threa­tening situa­ti­on of Jews in Europe.

    Credits:

    DE CZ 2025, 127 Min. Deutsch, Tschechisch OmdU
    Regie: Agnieszka Holland
    Drehbuch: Marek Epstein
    Kamera :Tomasz Naumiuk
    mit: Idan Weiss, Peter Kurth, Jenovéfa Boková, Ivan Trojan, Sandra Korzeniak, Katharina Stark

    Trailer:
    FRANZ K. | Trailer | ab 23. Oktober 2025 im Kino
    nach oben
  • The Mastermind

    The Mastermind

    A film by Kelly Reichardt. In English with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    In a seda­te cor­ner of Massachusetts cir­ca 1970, JB Mooney (Josh O’Connor) an unem­ploy­ed car­pen­ter tur­ned ama­teur art thief, plans his first big heist. When things go hay­wire, his life unravels.

    Credits:

    US 2025, 110 Min., engl. OmU
    Regie & Schnitt: Kelly Reichardt
    Kamera: Christopher Blauvelt
    mit: Josh O’Connor, Alana Haim, Hope Davis, John Magaro, Gaby Hoffmann, Bill Camp

    Trailer:
    THE MASTERMIND | Offizieller Trailer | Ab 16. Oktober im Kino
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