Category: Vorstellung

A film by Bruno Dumont. In French with German subtitles.

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The Opal Coast, nor­t­hern France. In a quiet and pic­tures­que fishing vil­la­ge, some­thing final­ly hap­pens: a spe­cial baby is born. A child so uni­que and pecu­li­ar that it unleas­hes a secret war bet­ween extra­ter­restri­al forces of good and evil.

Ausgezeichnet mit dem Silbernen Bären — Preis der Jury auf der Berlinale 2024

Credits:

L’Empire
FR/ DE/ IT/ BE/ PT 2024, 110 Min. fran­zö­si­sche OmU
Regie: Bruno Dumont
Kamera: David Chambille
Schnitt: Desideria Rayner, Bruno Dumont
mit: Camille Cottin, Lyna Khoudri, Fabrice Luchini, Anamaria Vartolomei, Bernard Pruvost

Trailer:

nach oben

A film by Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor. In Arabic, Hebrew and English with German subtitles.

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Basel Adra, a young Palestinian acti­vist from Masafer Yatta on the West Bank, has been fight­ing the mass expul­si­on of his com­mu­ni­ty by Israel’s occu­pa­ti­on sin­ce child­hood. He docu­ments the slow-moti­on era­di­ca­ti­on of the vil­la­ges in his home regi­on whe­re sol­diers deploy­ed by the Israeli govern­ment are gra­du­al­ly demo­li­shing hou­ses and dri­ving out their resi­dents. At some point, he meets Yuval, an Israeli jour­na­list, who sup­ports him in his efforts. An unli­kely alli­ance deve­lo­ps. But the rela­ti­onship bet­ween the two is strai­ned by the enorm­ous ine­qua­li­ty bet­ween them: Basel lives under mili­ta­ry occu­pa­ti­on while Yuval lives free­ly and wit­hout rest­ric­tions.
This film by a Palestinian-Israeli coll­ec­ti­ve of four young acti­vists has been made as an act of crea­ti­ve resis­tance on the path to grea­ter justice.

Credits:

PS/NO 2024, 95 Min., Arabisch, Hebräisch, Englisch OmU
Regie & Schnitt: Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor
Kamera: Rachel Szor 

Trailer:

nach oben

A film by Jürgen Ellinghaus.

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Following in the foot­s­teps of the Hamburg film direc­tor Hans Schomburgk who tra­vel­led through the German colo­ny of Togo from Lomé to the north with his com­pa­n­ion and actress Meg Gehrts in 1913, Jürgen Ellinghaus screens the foo­ta­ge shot then at its loca­ti­ons in modern-day Togo. Schomburgk’s affir­ma­ti­ve images show slave labour, humi­lia­ti­on and the arro­gan­ce of the colo­ni­al power. The mate­ri­al is con­tras­ted by Gehrts’ roman­ti­cis­ing dia­ry ent­ries and other colo­ni­al reports which often testi­fy to a hor­ri­fy­ing coldness.

The scree­nings of this mate­ri­al, which has never been shown in Togo befo­re, prompt the audi­en­ces to reflect on tra­di­ti­on, ste­reo­ty­pes, the “white gaze.” In the vil­la­ges, the colo­ni­al images con­ju­re up memo­ries of han­ded down sto­ries. In the metro­po­lis of Lomé, young film enthu­si­asts deplo­re that the­se images were kept from them until today and dis­cuss in which con­texts they should be scree­ned. But “Togoland Projections” not only shows how much the­se pain­ful docu­ments and texts are nee­ded in con­tem­po­ra­ry Togo, becau­se they are part of the country’s histo­ry. The film also demons­tra­tes that they are nee­ded in Germany so we can take respon­si­bi­li­ty for our sup­pres­sed histo­ry and face our own racism – past and pre­sent.
Christoph Terhechte

Credits:

DE 2023, 96 Min., div. OmU
Regie: Jürgen Ellinghaus
Kamera: Rémi Jennequin
Schnitt: Nina Khada 

Trailer:

nach oben

A film by Min Bahadur Bham. In Tibetian and Nepali with German and English subtitles

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In the heart of the Nepalese Himalayas, the spi­ri­ted Pema embraces a poly­and­rous mar­ria­ge with Tashi and his two youn­ger brot­hers. They initi­al­ly lead a har­mo­nious life, but when Tashi fails to return from a tra­ding trip to Lhasa, the legi­ti­ma­cy of Pema’s unborn child is ques­tio­ned by her com­mu­ni­ty. Determined to pro­ve her love and puri­ty, she embarks on a quest to find Tashi. Accompanied by her brot­her-in-law, her now de fac­to spou­se Karma, she goes into the wil­der­ness. Karma is a monk. After initi­al­ly resis­ting giving up his monastic life, he gra­du­al­ly comes to app­re­cia­te the simp­le exis­tence of a secu­lar life. However, urgent duties call him back to the monas­tery and Pema is left alo­ne. As she navi­ga­tes the harsh Himalayan ter­rain, her quest tran­s­cends the search for her miss­ing hus­band. Pema beco­mes incre­asing­ly immer­sed in a spi­ri­tu­al search for mea­ning in which every step brings her clo­ser to self-dis­co­very and liberation.

Credits:

NP/FR/NO/HK/CN/TK/TW/US/QA 2024, 150 Min.,
Tibetisch, Nepali Originalfassung mit deut­schen und eng­li­schen Untertiteln
Regie: Min Bahadur Bham
Kamera: Aziz Zhambakiyev
Schnitt: Liao Ching Sung, Kiran Shrestha
mit: Thinley Lhamo, Sonam Topden, Tenzin Dalha, Karma Wangyal Gurung, Karma Shakya, Loten Namling, Tsering Lhamo Gurung, Janga Bahadur Lama 

Trailer:

nach oben

A film by Bruno Dumont. In French with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

The Opal Coast, nor­t­hern France. In a quiet and pic­tures­que fishing vil­la­ge, some­thing final­ly hap­pens: a spe­cial baby is born. A child so uni­que and pecu­li­ar that it unleas­hes a secret war bet­ween extra­ter­restri­al forces of good and evil.

Ausgezeichnet mit dem Silbernen Bären — Preis der Jury auf der Berlinale 2024

Credits:

L’Empire
FR/ DE/ IT/ BE/ PT 2024, 110 Min. fran­zö­si­sche OmU
Regie: Bruno Dumont
Kamera: David Chambille
Schnitt: Desideria Rayner, Bruno Dumont
mit: Camille Cottin, Lyna Khoudri, Fabrice Luchini, Anamaria Vartolomei, Bernard Pruvost

Trailer:

nach oben

A film by Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor. In Arabic, Hebrew and English with German subtitles.

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Basel Adra, a young Palestinian acti­vist from Masafer Yatta on the West Bank, has been fight­ing the mass expul­si­on of his com­mu­ni­ty by Israel’s occu­pa­ti­on sin­ce child­hood. He docu­ments the slow-moti­on era­di­ca­ti­on of the vil­la­ges in his home regi­on whe­re sol­diers deploy­ed by the Israeli govern­ment are gra­du­al­ly demo­li­shing hou­ses and dri­ving out their resi­dents. At some point, he meets Yuval, an Israeli jour­na­list, who sup­ports him in his efforts. An unli­kely alli­ance deve­lo­ps. But the rela­ti­onship bet­ween the two is strai­ned by the enorm­ous ine­qua­li­ty bet­ween them: Basel lives under mili­ta­ry occu­pa­ti­on while Yuval lives free­ly and wit­hout rest­ric­tions.
This film by a Palestinian-Israeli coll­ec­ti­ve of four young acti­vists has been made as an act of crea­ti­ve resis­tance on the path to grea­ter justice.

Credits:

PS/NO 2024, 95 Min., Arabisch, Hebräisch, Englisch OmU
Regie & Schnitt: Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor
Kamera: Rachel Szor 

Trailer:

nach oben

A film by Kazuhiro Soda. In Japanese with German subtitles.

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Steep steps lead up to the Gokogu Shinto shri­ne in Ushimado. The local child­ren play on them and the older resi­dents attend to their upkeep, even plan­ting mint on eit­her side. Kazuhiro Soda pres­ents the­se steps as a site of tran­si­ti­on that also forms a key ele­ment of this tiny set-up. For this ele­va­ted shri­ne isn’t just some­whe­re to visit for spi­ri­tu­al pur­po­ses – Ushimado’s feline com­mu­ni­ty has also set up home here, an occa­sio­nal­ly dyna­mic coll­ec­ti­ve con­sis­ting of cats aban­do­ned by their owners and their sub­se­quent off­spring. They need to be cared for, even as their popu­la­ti­on must be kept in check. Kazuhiro Soda’s docu­men­ta­ries – many of them which have alre­a­dy scree­ned at the Forum – always fol­low his own set of rules and show the see­mingly inno­cuous, yet still weigh­ty requi­re­ments of co-exis­tence. Slowly, yet per­sis­t­ent­ly, The Cats of Gokogu Shrine expands his gaze; the focus on details, ever­y­day ten­der­nes­ses and disci­pli­ne gives this chro­nic­le of a year a dimen­si­on that is at once down-to-earth and uni­ver­sal. And the pre­sence of Kazuhiro Soda hims­elf, who has lived in Ushimado for seve­ral years, can also be expe­ri­en­ced first-hand in a res­trai­ned, honest manner.

Credits:

Gokogu no Neko
JP 2024, 119 Min., japa­ni­sche OmU
Regie, Kamera, Schnitt: Kazuhiro Soda 

Trailer:

Im Kino mit deut­schen Untertiteln

nach oben

A film by Min Bahadur Bham. In Tibetian and Nepali with German and English subtitles

[Credits] [Tickets & Termine] [Trailer]

In the heart of the Nepalese Himalayas, the spi­ri­ted Pema embraces a poly­and­rous mar­ria­ge with Tashi and his two youn­ger brot­hers. They initi­al­ly lead a har­mo­nious life, but when Tashi fails to return from a tra­ding trip to Lhasa, the legi­ti­ma­cy of Pema’s unborn child is ques­tio­ned by her com­mu­ni­ty. Determined to pro­ve her love and puri­ty, she embarks on a quest to find Tashi. Accompanied by her brot­her-in-law, her now de fac­to spou­se Karma, she goes into the wil­der­ness. Karma is a monk. After initi­al­ly resis­ting giving up his monastic life, he gra­du­al­ly comes to app­re­cia­te the simp­le exis­tence of a secu­lar life. However, urgent duties call him back to the monas­tery and Pema is left alo­ne. As she navi­ga­tes the harsh Himalayan ter­rain, her quest tran­s­cends the search for her miss­ing hus­band. Pema beco­mes incre­asing­ly immer­sed in a spi­ri­tu­al search for mea­ning in which every step brings her clo­ser to self-dis­co­very and liberation.

Credits:

NP/FR/NO/HK/CN/TK/TW/US/QA 2024, 150 Min.,
Tibetisch, Nepali Originalfassung mit deut­schen und eng­li­schen Untertiteln
Regie: Min Bahadur Bham
Kamera: Aziz Zhambakiyev
Schnitt: Liao Ching Sung, Kiran Shrestha
mit: Thinley Lhamo, Sonam Topden, Tenzin Dalha, Karma Wangyal Gurung, Karma Shakya, Loten Namling, Tsering Lhamo Gurung, Janga Bahadur Lama 

Trailer:

nach oben

A film by Nora Fingscheidt. In English with German subtitles.

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After an absence of more than ten years, Rona returns to her home on the remo­te Orkney Islands in Scotland. As she redis­co­vers the uni­que, wild land­scape in which she grew up, her child­hood memo­ries ming­le with tho­se from her more recent times as an addict. Her depar­tu­re for the city and sub­se­quent dis­so­lu­te years in London resul­ted in a pain­ful fall. But litt­le by litt­le, her encoun­ter with the enchan­ted, wind-bat­te­red coasts of the islands beco­mes a chan­ce for a new life.
Nora Fingscheidt’s adapt­a­ti­on of Amy Liptot’s auto­bio­gra­phi­cal best­sel­ler uses har­ro­wing flash­backs to depict Rona’s down­ward spi­ral in London and her time in a strict rehab pro­gram­me. However, the focus of the film is on her libe­ra­ti­on from per­so­nal demons through a con­nec­tion with the natu­re of her child­hood home.

Credits:

GB/DE 2024, 117 Min., engl. OmU
Regie: Nora Fingscheidt
Kamera: Yunus Roy Imer
Schnitt: Stephan Bechinger
mit Saoirse Ronan, Paapa Essiedu, Stephen Dillane, Saskia Reeves, Nabil Elouahabi, Izuka Hoyle, Lauren Lyle 

Trailer:

nach oben

A film by Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor. In Arabic, Hebrew and English with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

Basel Adra, a young Palestinian acti­vist from Masafer Yatta on the West Bank, has been fight­ing the mass expul­si­on of his com­mu­ni­ty by Israel’s occu­pa­ti­on sin­ce child­hood. He docu­ments the slow-moti­on era­di­ca­ti­on of the vil­la­ges in his home regi­on whe­re sol­diers deploy­ed by the Israeli govern­ment are gra­du­al­ly demo­li­shing hou­ses and dri­ving out their resi­dents. At some point, he meets Yuval, an Israeli jour­na­list, who sup­ports him in his efforts. An unli­kely alli­ance deve­lo­ps. But the rela­ti­onship bet­ween the two is strai­ned by the enorm­ous ine­qua­li­ty bet­ween them: Basel lives under mili­ta­ry occu­pa­ti­on while Yuval lives free­ly and wit­hout rest­ric­tions.
This film by a Palestinian-Israeli coll­ec­ti­ve of four young acti­vists has been made as an act of crea­ti­ve resis­tance on the path to grea­ter justice.

Credits:

PS/NO 2024, 95 Min., Arabisch, Hebräisch, Englisch OmU
Regie & Schnitt: Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor
Kamera: Rachel Szor 

Trailer:

nach oben