Something bad happened to Agnes. But life goes on… for everyone around her, at least.
Credits:
US 2025, 103 Min., engl. OmU Regie: Eva Victor Kamera: Mia Cioffi Henry Schnitt: Randi Atkins, Alex O’Flinn mit: Eva Victor, Naomi Ackie, Louis Cancelmi, Kelly McCormack, Lucas Hedges, John Carroll Lynch
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Something bad happened to Agnes. But life goes on… for everyone around her, at least.
Credits:
US 2025, 103 Min., engl. OmU Regie: Eva Victor Kamera: Mia Cioffi Henry Schnitt: Randi Atkins, Alex O’Flinn mit: Eva Victor, Naomi Ackie, Louis Cancelmi, Kelly McCormack, Lucas Hedges, John Carroll Lynch
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Vahid, who was once imprisoned and tortured by the Iranian authorities, meets a man he believes to have been his most sadistic torturer. He can’t be sure though, as he was blindfolded during the interrogations. Intent on violent revenge but afraid of hurting an innocent person, he kidnaps the man and asks another former inmate to corroborate his suspicion. Neither absolutely confident, they decide to track down other survivors. The group keeps growing as they drive around in Vahid’s van with their prisoner in tow, desperately pursuing a certainty that remains just beyond reach. A taut thriller nuanced by an undercurrent of absurdist farce, YEKTASADOF‑E SADEH, winner of this year’s Palme d’Or, is Jafar Panahi’s most outspoken and explicitly political film to date. That it was made after he was himself released from Tehran’s notorious Evin Prison gives the story an obvious autobiographical dimension. Yet its moral implications extend beyond the personal to encompass all of Iranian society in the wake of the Woman, Life, Freedom protests. Now that new freedoms have been achieved, opening an unprecedented window of opportunity, the film sets the desire for vengeance against the imperative to keep pushing forward. (Giovanni Marchini Camia)
Credits:
Yek tasadef sadeh یک تصادف ساده, IR/FR/LU 2025, 102 Min., farsi OmU Regie: Jafar Panahi Kamera: Amin Jafari Schnitt: Amir Etminan mit: Vahid Mobasseri, Maryam Afshari, Ebrahim Azizi, Hadis Pakbaten
Rose is very close to her older brother Sam. When he is accused of rape, Rose is asked to testify against him as part of the investigation. This tests both their relationship and Rose’s moral integrity. In Schwesterherz, director Sarah Miro Fischer explores an intimate sibling relationship and how it is that the closer we are to another person, the harder it might be to see them clearly. What kind of events have the power to destroy even the closest of bonds? When working on her film with the actors, she placed particular emphasis on physical expression in order to be able to tell stories beyond the spoken word.
Credits:
DE/ES 2025, 96 Min., Deutsch, Englisch OmU Regie: Sarah Miro Fischer Kamera: Selma von Polheim Gravesen Schnitt: Elena Weihe mit: Marie Bloching, Anton Weil, Proschat Madani, Laura Balzer, Jane Chirwa
Ursula and Neda, an East German waitress with a broken heart and an Iranian YouTuber with a broken arm, both feel trapped and lonely in their precarious lives. The winding paths of chance draw the two women together on an unexpected ghost hunt in the mountains. A romantic adventure film about an unlikely friendship and the yearning for another life.
Credits:
DE 2025, 90 Min., Deutsch mit englischen Untertiteln Regie & Schnitt: Julian Radlmaier Kamera: Faraz Fesharaki mit: Clara Schwinning, Maral Keshavarz, Henriette Confurius, Paula Schindler, Ghazal Shojaei, Kyung-Taek Lie, Buksori Lie, u.a.
Fatima, 17, the youngest of three daughters, treads carefully as she searches for her own path, grappling with emerging desires, her attraction to women, and her loyalty to her caring French-Algerian family. Starting university in Paris, she dates, makes friends, and explores a whole new world, all while confronting a timeless and heartrending dilemma: How can one stay true to oneself when reconciling different parts of one’s identity feels impossible?
Credits:
La petite dernière DE/FR 2025, 106 Min., Französisch, Arabisch OmU Regie: Hafsia Herzi Kamera: Jérémie Attard Schnitt: Géraldine Mangenot mit Nadia Melliti, Ji-Min Park, Aloïse Sauvage, Nemo Schiffman, Sophie Garagnon
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Trailer:
DIEJÜNGSTETOCHTER | Trailer OmU | Ab 25.12. im Kino!
Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother’s funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague, and quickly slips back into his usual routine. However, his daily life is soon disrupted by his neighbour, Raymond Sintès, who draws Meursault into his shady dealings — until, on one blisteringly hot day, a tragic event occurs on a beach.
Credits:
L’Étranger FR 2025, 120 Min., französische OmU Regie: François Ozon Kamera: Manu Dacosse Schnitt: Clément Selitzki mit: Benjamin Voisin, Rebecca Marder, Pierre Lottin, Denis Lavant, Swann Arlaud
Vahid, who was once imprisoned and tortured by the Iranian authorities, meets a man he believes to have been his most sadistic torturer. He can’t be sure though, as he was blindfolded during the interrogations. Intent on violent revenge but afraid of hurting an innocent person, he kidnaps the man and asks another former inmate to corroborate his suspicion. Neither absolutely confident, they decide to track down other survivors. The group keeps growing as they drive around in Vahid’s van with their prisoner in tow, desperately pursuing a certainty that remains just beyond reach. A taut thriller nuanced by an undercurrent of absurdist farce, YEKTASADOF‑E SADEH, winner of this year’s Palme d’Or, is Jafar Panahi’s most outspoken and explicitly political film to date. That it was made after he was himself released from Tehran’s notorious Evin Prison gives the story an obvious autobiographical dimension. Yet its moral implications extend beyond the personal to encompass all of Iranian society in the wake of the Woman, Life, Freedom protests. Now that new freedoms have been achieved, opening an unprecedented window of opportunity, the film sets the desire for vengeance against the imperative to keep pushing forward. (Giovanni Marchini Camia)
Credits:
Yek tasadef sadeh یک تصادف ساده, IR/FR/LU 2025, 102 Min., farsi OmU Regie: Jafar Panahi Kamera: Amin Jafari Schnitt: Amir Etminan mit: Vahid Mobasseri, Maryam Afshari, Ebrahim Azizi, Hadis Pakbaten
Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother’s funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague, and quickly slips back into his usual routine. However, his daily life is soon disrupted by his neighbour, Raymond Sintès, who draws Meursault into his shady dealings — until, on one blisteringly hot day, a tragic event occurs on a beach.
Credits:
L’Étranger FR 2025, 120 Min., französische OmU Regie: François Ozon Kamera: Manu Dacosse Schnitt: Clément Selitzki mit: Benjamin Voisin, Rebecca Marder, Pierre Lottin, Denis Lavant, Swann Arlaud
Winner of the Grand Prix at this year’s Cannes Festival, the sprawling intergenerational drama AFFEKSJONSVERDI sees writer-director Joachim Trier teaming up once more with Renate Reinsve, the breakout star of his celebrated existential rom-com VERDENSVERSTEMENNESKE (2021). Reinsve plays Nora, a gifted stage and television actress we first see having an uproarious backstage breakdown before her opening night performance of Chekhov’s The Seagull. When her estranged father, Gustav (Stellan Skarsgård), reappears, he offers her a part in film he’s written about his mother, who was tortured by Nazis and died by suicide. Nora refuses, leading Gustav to cast a Hollywood actress (Elle Fanning) in her stead. By turning their Oslo family home into his own film set, Gustav upends not just Nora’s life but that of her more well-adjusted sister (Inga Lilleaas), a former child actor who starred in one of Gustav’s early films. Brimming with familial resentments and artistic anxieties yet distinguished by an awkward, understated sense of humour, AFFEKSJONSVERDI is an absorbing ensemble piece about exploitation, memory and legacy—and the power of artistic creation to both heal past wounds and defer hard truths. (Beatrice Loayza)
Credits:
Affeksjonsverdi DK/DE/FR/NO 2025, 132 Min., Norwegisch mit deutschen Untertiteln Regie & Schnitt: Joachim Trier Kamera: Kasper Tuxen Schnitt: Olivier Bugge Coutté mit: Renate Reinsve, Stellan Skarsgård, Elle Fanning, Inga Ibsdotter Lilleaas
Vahid, who was once imprisoned and tortured by the Iranian authorities, meets a man he believes to have been his most sadistic torturer. He can’t be sure though, as he was blindfolded during the interrogations. Intent on violent revenge but afraid of hurting an innocent person, he kidnaps the man and asks another former inmate to corroborate his suspicion. Neither absolutely confident, they decide to track down other survivors. The group keeps growing as they drive around in Vahid’s van with their prisoner in tow, desperately pursuing a certainty that remains just beyond reach. A taut thriller nuanced by an undercurrent of absurdist farce, YEKTASADOF‑E SADEH, winner of this year’s Palme d’Or, is Jafar Panahi’s most outspoken and explicitly political film to date. That it was made after he was himself released from Tehran’s notorious Evin Prison gives the story an obvious autobiographical dimension. Yet its moral implications extend beyond the personal to encompass all of Iranian society in the wake of the Woman, Life, Freedom protests. Now that new freedoms have been achieved, opening an unprecedented window of opportunity, the film sets the desire for vengeance against the imperative to keep pushing forward. (Giovanni Marchini Camia)
Credits:
Yek tasadef sadeh یک تصادف ساده, IR/FR/LU 2025, 102 Min., farsi OmU Regie: Jafar Panahi Kamera: Amin Jafari Schnitt: Amir Etminan mit: Vahid Mobasseri, Maryam Afshari, Ebrahim Azizi, Hadis Pakbaten
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