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A film by Payal Kapadia. In Malayalam and Hindi with German subtitles.

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In Mumbai, Nurse Prabha’s rou­ti­ne is trou­bled when she recei­ves an unex­pec­ted gift from her estran­ged hus­band. Her youn­ger room­ma­te, Anu, tri­es in vain to find a spot in the city to be inti­ma­te with her boy­fri­end. A trip to a beach town allows them to find a space for their desi­res to manifest.

Competition Cannes Filmfestival 2024: Grand Prix.

Credits:

IN, FR, NL, LU 2024, 114 Min., Malayalam, Hindi OmU
Regie: Payal Kapadia
Kamera: Rabadir Das
Schnitt: Clément Pinteaux
mit Kani Kusruti, Divya Prabha, Chhaya Kadam, Hridhu Haroon 

Trailer:

nach oben

A film by Mohammad Rasoulof. In Farsi with German subtitles.

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A tar­get of Iran’s hard­li­ne con­ser­va­ti­ve govern­ment for his films’ cri­ti­cism of the sta­te, direc­tor Mohammad Rasoulof fled his home coun­try to avo­id an eight-year pri­son sen­tence, though he hadn’t finis­hed editing his latest film yet. His sea­ring dra­ma The Seed of the Sacred Fig won a Special Prize from the jury and three other awards on its pre­mie­re at the Cannes Film Festival. The film is every bit as urgent and grip­ping as its real-life back­story would por­tend: long­time govern­ment worker Iman (Missagh Zareh) has just recei­ved a major pro­mo­ti­on to the role of judge’s inves­ti­ga­tor, to the hop­eful delight of his wife Najmeh (Soheila Golestani); at the same moment, a series of stu­dent pro­tests against the govern­ment have explo­ded in the streets, sto­king the sym­pa­thies of their inde­pen­dent-min­ded daugh­ters Rezvan (Mahsa Rostami) and Sana (Setareh Maleki). The gro­wing wedge bet­ween pro­gres­si­ve child­ren and tra­di­tio­nal par­ents inten­si­fies through a series of unsett­ling events that put Iman’s future in jeo­par­dy. Both para­noia thril­ler and dome­stic dra­ma, The Seed of the Sacred Fig is abo­ve all an epic of anti-patri­ar­chal poli­ti­cal conviction.

Credits:

IR, DE, FR 2024, 168 Min., far­si OmU
Regie: Mohammad Rasoulof
Kamera: Pooyan Aghababaei
Schnitt: Andrew Bird
mit Missagh Zareh, Soheila Golestani, Mahsa Rostami, Setareh Maleki, Niousha Akhshi

Trailer:

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A film by Nora Fingscheidt. In English with German subtitles.

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After an absence of more than ten years, Rona returns to her home on the remo­te Orkney Islands in Scotland. As she redis­co­vers the uni­que, wild land­scape in which she grew up, her child­hood memo­ries ming­le with tho­se from her more recent times as an addict. Her depar­tu­re for the city and sub­se­quent dis­so­lu­te years in London resul­ted in a pain­ful fall. But litt­le by litt­le, her encoun­ter with the enchan­ted, wind-bat­te­red coasts of the islands beco­mes a chan­ce for a new life.
Nora Fingscheidt’s adapt­a­ti­on of Amy Liptot’s auto­bio­gra­phi­cal best­sel­ler uses har­ro­wing flash­backs to depict Rona’s down­ward spi­ral in London and her time in a strict rehab pro­gram­me. However, the focus of the film is on her libe­ra­ti­on from per­so­nal demons through a con­nec­tion with the natu­re of her child­hood home.

Credits:

GB/DE 2024, 117 Min., engl. OmU
Regie: Nora Fingscheidt
Kamera: Yunus Roy Imer
Schnitt: Stephan Bechinger
mit Saoirse Ronan, Paapa Essiedu, Stephen Dillane, Saskia Reeves, Nabil Elouahabi, Izuka Hoyle, Lauren Lyle 

Trailer:

nach oben

A film by Mohammad Rasoulof. In Farsi with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

A tar­get of Iran’s hard­li­ne con­ser­va­ti­ve govern­ment for his films’ cri­ti­cism of the sta­te, direc­tor Mohammad Rasoulof fled his home coun­try to avo­id an eight-year pri­son sen­tence, though he hadn’t finis­hed editing his latest film yet. His sea­ring dra­ma The Seed of the Sacred Fig won a Special Prize from the jury and three other awards on its pre­mie­re at the Cannes Film Festival. The film is every bit as urgent and grip­ping as its real-life back­story would por­tend: long­time govern­ment worker Iman (Missagh Zareh) has just recei­ved a major pro­mo­ti­on to the role of judge’s inves­ti­ga­tor, to the hop­eful delight of his wife Najmeh (Soheila Golestani); at the same moment, a series of stu­dent pro­tests against the govern­ment have explo­ded in the streets, sto­king the sym­pa­thies of their inde­pen­dent-min­ded daugh­ters Rezvan (Mahsa Rostami) and Sana (Setareh Maleki). The gro­wing wedge bet­ween pro­gres­si­ve child­ren and tra­di­tio­nal par­ents inten­si­fies through a series of unsett­ling events that put Iman’s future in jeo­par­dy. Both para­noia thril­ler and dome­stic dra­ma, The Seed of the Sacred Fig is abo­ve all an epic of anti-patri­ar­chal poli­ti­cal conviction.

Credits:

IR, DE, FR 2024, 168 Min., far­si OmU
Regie: Mohammad Rasoulof
Kamera: Pooyan Aghababaei
Schnitt: Andrew Bird
mit Missagh Zareh, Soheila Golestani, Mahsa Rostami, Setareh Maleki, Niousha Akhshi

Trailer:

nach oben

A film by Payal Kapadia. In Malayalam and Hindi with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

In Mumbai, Nurse Prabha’s rou­ti­ne is trou­bled when she recei­ves an unex­pec­ted gift from her estran­ged hus­band. Her youn­ger room­ma­te, Anu, tri­es in vain to find a spot in the city to be inti­ma­te with her boy­fri­end. A trip to a beach town allows them to find a space for their desi­res to manifest.

Competition Cannes Filmfestival 2024: Grand Prix.

Credits:

IN, FR, NL, LU 2024, 114 Min., Malayalam, Hindi OmU
Regie: Payal Kapadia
Kamera: Rabadir Das
Schnitt: Clément Pinteaux
mit Kani Kusruti, Divya Prabha, Chhaya Kadam, Hridhu Haroon 

Trailer:

nach oben

A film by Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor. In Arabic, Hebrew and English with German subtitles.

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Basel Adra, a young Palestinian acti­vist from Masafer Yatta on the West Bank, has been fight­ing the mass expul­si­on of his com­mu­ni­ty by Israel’s occu­pa­ti­on sin­ce child­hood. He docu­ments the slow-moti­on era­di­ca­ti­on of the vil­la­ges in his home regi­on whe­re sol­diers deploy­ed by the Israeli govern­ment are gra­du­al­ly demo­li­shing hou­ses and dri­ving out their resi­dents. At some point, he meets Yuval, an Israeli jour­na­list, who sup­ports him in his efforts. An unli­kely alli­ance deve­lo­ps. But the rela­ti­onship bet­ween the two is strai­ned by the enorm­ous ine­qua­li­ty bet­ween them: Basel lives under mili­ta­ry occu­pa­ti­on while Yuval lives free­ly and wit­hout rest­ric­tions.
This film by a Palestinian-Israeli coll­ec­ti­ve of four young acti­vists has been made as an act of crea­ti­ve resis­tance on the path to grea­ter justice.

Credits:

PS/NO 2024, 95 Min., Arabisch, Hebräisch, Englisch OmU
Regie & Schnitt: Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor
Kamera: Rachel Szor 

Trailer:

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A film by Kazuhiro Soda. In Japanese with German subtitles.

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Steep steps lead up to the Gokogu Shinto shri­ne in Ushimado. The local child­ren play on them and the older resi­dents attend to their upkeep, even plan­ting mint on eit­her side. Kazuhiro Soda pres­ents the­se steps as a site of tran­si­ti­on that also forms a key ele­ment of this tiny set-up. For this ele­va­ted shri­ne isn’t just some­whe­re to visit for spi­ri­tu­al pur­po­ses – Ushimado’s feline com­mu­ni­ty has also set up home here, an occa­sio­nal­ly dyna­mic coll­ec­ti­ve con­sis­ting of cats aban­do­ned by their owners and their sub­se­quent off­spring. They need to be cared for, even as their popu­la­ti­on must be kept in check. Kazuhiro Soda’s docu­men­ta­ries – many of them which have alre­a­dy scree­ned at the Forum – always fol­low his own set of rules and show the see­mingly inno­cuous, yet still weigh­ty requi­re­ments of co-exis­tence. Slowly, yet per­sis­t­ent­ly, The Cats of Gokogu Shrine expands his gaze; the focus on details, ever­y­day ten­der­nes­ses and disci­pli­ne gives this chro­nic­le of a year a dimen­si­on that is at once down-to-earth and uni­ver­sal. And the pre­sence of Kazuhiro Soda hims­elf, who has lived in Ushimado for seve­ral years, can also be expe­ri­en­ced first-hand in a res­trai­ned, honest manner.

Credits:

Gokogu no Neko
JP 2024, 119 Min., japa­ni­sche OmU
Regie, Kamera, Schnitt: Kazuhiro Soda 

Trailer:

Im Kino mit deut­schen Untertiteln

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A film by Guan Hu. In Mandarin with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

On the edge of the Gobi desert in Northwest China, Lang returns to his home­town after being released from jail. While working for the local dog pat­rol team to clear the town of stray dogs befo­re the Olympic Games, he strikes up an unli­kely con­nec­tion with a black dog. These two lonely souls now embark on a new jour­ney together.

Credits:

GOU ZHEN
CN 2024, 110 Min., Mandarin OmU
Regie: Guan Hu
Kamera: Gao Weizhe
mit Eddie Peng, Zhangke Jia, Jing Liang

Trailer:

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A film by Payal Kapadia. In Malayalam and Hindi with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

In Mumbai, Nurse Prabha’s rou­ti­ne is trou­bled when she recei­ves an unex­pec­ted gift from her estran­ged hus­band. Her youn­ger room­ma­te, Anu, tri­es in vain to find a spot in the city to be inti­ma­te with her boy­fri­end. A trip to a beach town allows them to find a space for their desi­res to manifest.

Competition Cannes Filmfestival 2024: Grand Prix.

Credits:

IN, FR, NL, LU 2024, 114 Min., Malayalam, Hindi OmU
Regie: Payal Kapadia
Kamera: Rabadir Das
Schnitt: Clément Pinteaux
mit Kani Kusruti, Divya Prabha, Chhaya Kadam, Hridhu Haroon 

Trailer:

nach oben

A film by Mohammad Rasoulof. In Farsi with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

A tar­get of Iran’s hard­li­ne con­ser­va­ti­ve govern­ment for his films’ cri­ti­cism of the sta­te, direc­tor Mohammad Rasoulof fled his home coun­try to avo­id an eight-year pri­son sen­tence, though he hadn’t finis­hed editing his latest film yet. His sea­ring dra­ma The Seed of the Sacred Fig won a Special Prize from the jury and three other awards on its pre­mie­re at the Cannes Film Festival. The film is every bit as urgent and grip­ping as its real-life back­story would por­tend: long­time govern­ment worker Iman (Missagh Zareh) has just recei­ved a major pro­mo­ti­on to the role of judge’s inves­ti­ga­tor, to the hop­eful delight of his wife Najmeh (Soheila Golestani); at the same moment, a series of stu­dent pro­tests against the govern­ment have explo­ded in the streets, sto­king the sym­pa­thies of their inde­pen­dent-min­ded daugh­ters Rezvan (Mahsa Rostami) and Sana (Setareh Maleki). The gro­wing wedge bet­ween pro­gres­si­ve child­ren and tra­di­tio­nal par­ents inten­si­fies through a series of unsett­ling events that put Iman’s future in jeo­par­dy. Both para­noia thril­ler and dome­stic dra­ma, The Seed of the Sacred Fig is abo­ve all an epic of anti-patri­ar­chal poli­ti­cal conviction.

Credits:

IR, DE, FR 2024, 168 Min., far­si OmU
Regie: Mohammad Rasoulof
Kamera: Pooyan Aghababaei
Schnitt: Andrew Bird
mit Missagh Zareh, Soheila Golestani, Mahsa Rostami, Setareh Maleki, Niousha Akhshi

Trailer:

nach oben