Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother’s funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague, and quickly slips back into his usual routine. However, his daily life is soon disrupted by his neighbour, Raymond Sintès, who draws Meursault into his shady dealings — until, on one blisteringly hot day, a tragic event occurs on a beach.
Credits:
L’Étranger FR 2025, 120 Min., französische OmU Regie: François Ozon Kamera: Manu Dacosse Schnitt: Clément Selitzki mit: Benjamin Voisin, Rebecca Marder, Pierre Lottin, Denis Lavant, Swann Arlaud
Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother’s funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague, and quickly slips back into his usual routine. However, his daily life is soon disrupted by his neighbour, Raymond Sintès, who draws Meursault into his shady dealings — until, on one blisteringly hot day, a tragic event occurs on a beach.
Credits:
L’Étranger FR 2025, 120 Min., französische OmU Regie: François Ozon Kamera: Manu Dacosse Schnitt: Clément Selitzki mit: Benjamin Voisin, Rebecca Marder, Pierre Lottin, Denis Lavant, Swann Arlaud
Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother’s funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague, and quickly slips back into his usual routine. However, his daily life is soon disrupted by his neighbour, Raymond Sintès, who draws Meursault into his shady dealings — until, on one blisteringly hot day, a tragic event occurs on a beach.
Credits:
L’Étranger FR 2025, 120 Min., französische OmU Regie: François Ozon Kamera: Manu Dacosse Schnitt: Clément Selitzki mit: Benjamin Voisin, Rebecca Marder, Pierre Lottin, Denis Lavant, Swann Arlaud
Fatima, 17, the youngest of three daughters, treads carefully as she searches for her own path, grappling with emerging desires, her attraction to women, and her loyalty to her caring French-Algerian family. Starting university in Paris, she dates, makes friends, and explores a whole new world, all while confronting a timeless and heartrending dilemma: How can one stay true to oneself when reconciling different parts of one’s identity feels impossible?
Credits:
La petite dernière DE/FR 2025, 106 Min., Französisch, Arabisch OmU Regie: Hafsia Herzi Kamera: Jérémie Attard Schnitt: Géraldine Mangenot mit Nadia Melliti, Ji-Min Park, Aloïse Sauvage, Nemo Schiffman, Sophie Garagnon
Audiodeskriptionen, Untertitel und Hörverstärkung mit der Greta App
Trailer:
DIEJÜNGSTETOCHTER | Trailer OmU | Ab 25.12. im Kino!
Vahid, who was once imprisoned and tortured by the Iranian authorities, meets a man he believes to have been his most sadistic torturer. He can’t be sure though, as he was blindfolded during the interrogations. Intent on violent revenge but afraid of hurting an innocent person, he kidnaps the man and asks another former inmate to corroborate his suspicion. Neither absolutely confident, they decide to track down other survivors. The group keeps growing as they drive around in Vahid’s van with their prisoner in tow, desperately pursuing a certainty that remains just beyond reach. A taut thriller nuanced by an undercurrent of absurdist farce, YEKTASADOF‑E SADEH, winner of this year’s Palme d’Or, is Jafar Panahi’s most outspoken and explicitly political film to date. That it was made after he was himself released from Tehran’s notorious Evin Prison gives the story an obvious autobiographical dimension. Yet its moral implications extend beyond the personal to encompass all of Iranian society in the wake of the Woman, Life, Freedom protests. Now that new freedoms have been achieved, opening an unprecedented window of opportunity, the film sets the desire for vengeance against the imperative to keep pushing forward. (Giovanni Marchini Camia)
Credits:
Yek tasadef sadeh یک تصادف ساده, IR/FR/LU 2025, 102 Min., farsi OmU Regie: Jafar Panahi Kamera: Amin Jafari Schnitt: Amir Etminan mit: Vahid Mobasseri, Maryam Afshari, Ebrahim Azizi, Hadis Pakbaten
Fatima, 17, the youngest of three daughters, treads carefully as she searches for her own path, grappling with emerging desires, her attraction to women, and her loyalty to her caring French-Algerian family. Starting university in Paris, she dates, makes friends, and explores a whole new world, all while confronting a timeless and heartrending dilemma: How can one stay true to oneself when reconciling different parts of one’s identity feels impossible?
Credits:
La petite dernière DE/FR 2025, 106 Min., Französisch, Arabisch OmU Regie: Hafsia Herzi Kamera: Jérémie Attard Schnitt: Géraldine Mangenot mit Nadia Melliti, Ji-Min Park, Aloïse Sauvage, Nemo Schiffman, Sophie Garagnon
Audiodeskriptionen, Untertitel und Hörverstärkung mit der Greta App
Trailer:
DIEJÜNGSTETOCHTER | Trailer OmU | Ab 25.12. im Kino!
Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother’s funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague, and quickly slips back into his usual routine. However, his daily life is soon disrupted by his neighbour, Raymond Sintès, who draws Meursault into his shady dealings — until, on one blisteringly hot day, a tragic event occurs on a beach.
Credits:
L’Étranger FR 2025, 120 Min., französische OmU Regie: François Ozon Kamera: Manu Dacosse Schnitt: Clément Selitzki mit: Benjamin Voisin, Rebecca Marder, Pierre Lottin, Denis Lavant, Swann Arlaud
Vahid, who was once imprisoned and tortured by the Iranian authorities, meets a man he believes to have been his most sadistic torturer. He can’t be sure though, as he was blindfolded during the interrogations. Intent on violent revenge but afraid of hurting an innocent person, he kidnaps the man and asks another former inmate to corroborate his suspicion. Neither absolutely confident, they decide to track down other survivors. The group keeps growing as they drive around in Vahid’s van with their prisoner in tow, desperately pursuing a certainty that remains just beyond reach. A taut thriller nuanced by an undercurrent of absurdist farce, YEKTASADOF‑E SADEH, winner of this year’s Palme d’Or, is Jafar Panahi’s most outspoken and explicitly political film to date. That it was made after he was himself released from Tehran’s notorious Evin Prison gives the story an obvious autobiographical dimension. Yet its moral implications extend beyond the personal to encompass all of Iranian society in the wake of the Woman, Life, Freedom protests. Now that new freedoms have been achieved, opening an unprecedented window of opportunity, the film sets the desire for vengeance against the imperative to keep pushing forward. (Giovanni Marchini Camia)
Credits:
Yek tasadef sadeh یک تصادف ساده, IR/FR/LU 2025, 102 Min., farsi OmU Regie: Jafar Panahi Kamera: Amin Jafari Schnitt: Amir Etminan mit: Vahid Mobasseri, Maryam Afshari, Ebrahim Azizi, Hadis Pakbaten
Vahid, who was once imprisoned and tortured by the Iranian authorities, meets a man he believes to have been his most sadistic torturer. He can’t be sure though, as he was blindfolded during the interrogations. Intent on violent revenge but afraid of hurting an innocent person, he kidnaps the man and asks another former inmate to corroborate his suspicion. Neither absolutely confident, they decide to track down other survivors. The group keeps growing as they drive around in Vahid’s van with their prisoner in tow, desperately pursuing a certainty that remains just beyond reach. A taut thriller nuanced by an undercurrent of absurdist farce, YEKTASADOF‑E SADEH, winner of this year’s Palme d’Or, is Jafar Panahi’s most outspoken and explicitly political film to date. That it was made after he was himself released from Tehran’s notorious Evin Prison gives the story an obvious autobiographical dimension. Yet its moral implications extend beyond the personal to encompass all of Iranian society in the wake of the Woman, Life, Freedom protests. Now that new freedoms have been achieved, opening an unprecedented window of opportunity, the film sets the desire for vengeance against the imperative to keep pushing forward. (Giovanni Marchini Camia)
Credits:
Yek tasadef sadeh یک تصادف ساده, IR/FR/LU 2025, 102 Min., farsi OmU Regie: Jafar Panahi Kamera: Amin Jafari Schnitt: Amir Etminan mit: Vahid Mobasseri, Maryam Afshari, Ebrahim Azizi, Hadis Pakbaten
Fatima, 17, the youngest of three daughters, treads carefully as she searches for her own path, grappling with emerging desires, her attraction to women, and her loyalty to her caring French-Algerian family. Starting university in Paris, she dates, makes friends, and explores a whole new world, all while confronting a timeless and heartrending dilemma: How can one stay true to oneself when reconciling different parts of one’s identity feels impossible?
Credits:
La petite dernière DE/FR 2025, 106 Min., Französisch, Arabisch OmU Regie: Hafsia Herzi Kamera: Jérémie Attard Schnitt: Géraldine Mangenot mit Nadia Melliti, Ji-Min Park, Aloïse Sauvage, Nemo Schiffman, Sophie Garagnon
Audiodeskriptionen, Untertitel und Hörverstärkung mit der Greta App
Trailer:
DIEJÜNGSTETOCHTER | Trailer OmU | Ab 25.12. im Kino!
Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother’s funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague, and quickly slips back into his usual routine. However, his daily life is soon disrupted by his neighbour, Raymond Sintès, who draws Meursault into his shady dealings — until, on one blisteringly hot day, a tragic event occurs on a beach.
Credits:
L’Étranger FR 2025, 120 Min., französische OmU Regie: François Ozon Kamera: Manu Dacosse Schnitt: Clément Selitzki mit: Benjamin Voisin, Rebecca Marder, Pierre Lottin, Denis Lavant, Swann Arlaud
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