Grace, a writer and young mother, is slowly slipping into madness. Locked away in an old house in and around Montana, we see her acting increasingly agitated and erratic, leaving her companion, Jackson, increasingly worried and helpless.
Credits:
CA 2024, 118 Min., Englisch OmU Regie: Lynne Ramsay Kamera: Seamus McGarvey Schnitt: Toni Froschhammer mit : Jennifer Lawrence, Robert Pattinson, Lakeith Stanfield, Sissy Spacek
Trailer:
DIEMYLOVE | Offizieller Teaser-Trailer | Ab 13. November im Kino
Grace, a writer and young mother, is slowly slipping into madness. Locked away in an old house in and around Montana, we see her acting increasingly agitated and erratic, leaving her companion, Jackson, increasingly worried and helpless.
Credits:
CA 2024, 118 Min., Englisch OmU Regie: Lynne Ramsay Kamera: Seamus McGarvey Schnitt: Toni Froschhammer mit : Jennifer Lawrence, Robert Pattinson, Lakeith Stanfield, Sissy Spacek
Trailer:
DIEMYLOVE | Offizieller Teaser-Trailer | Ab 13. November im Kino
“It’s not about giving life more days, it’s about giving days more life” is one of the ideas formulated by Cicely Saunders, the founder of palliative care. It flickers up during a presentation in Philipp Döring’s four-hour institutional observation while a carer instructs a new staff member. They are at the Franziskus hospital in Berlin. Döring documents a few months here between the start of the year and summer, accompanying doctors on their rounds and in consultations with relatives and listening in on the team’s internal exchanges, which don’t shy away from mentioning shortcomings. A safe space is created that follows its own rules, in which dialogues about life paths are taken up and reflected upon, progress is celebrated and approaching farewells entrusted to the necessary people. Palliativstation is thus also a film about language, which shifts between medical jargon and different dialects and is sometimes only able to be produced with technical help. Döring gets very close to death, but with it also to life. His film is weighty, impressive and yet never becomes crushing under the burden of fate. One thing quickly becomes clear: life only ends with the final heartbeat.
Credits:
DE 2025, 245 Min., Regie, Kamera, Schnitt: Philipp Döring
The film follows Nazi physician Josef Mengele in the years following the end of the Second World War, detailing his later life in Argentina, Paraguay, and Brazil. The film explores his relationships with his second wife Martha and his estranged son Rolf as he justifies his actions at Auschwitz concentration camp.
Credits:
FR/MX/DE/GB 2025, 135 Min., deutsch, spanische OmU, Regie: Kirill Serebrennikov Kamera: Vladislav Opelyants Schnitt: Hansjörg Weißbrich mit: D: August Diehl, Max Bretschneider, Dana Herfurth, Friederike Becht, Mirco Kreibich, David Ruland
Audiodeskriptionen, Untertitel und Hörverstärkung mit der Greta App
Grace, a writer and young mother, is slowly slipping into madness. Locked away in an old house in and around Montana, we see her acting increasingly agitated and erratic, leaving her companion, Jackson, increasingly worried and helpless.
Credits:
CA 2024, 118 Min., Englisch OmU Regie: Lynne Ramsay Kamera: Seamus McGarvey Schnitt: Toni Froschhammer mit : Jennifer Lawrence, Robert Pattinson, Lakeith Stanfield, Sissy Spacek
Trailer:
DIEMYLOVE | Offizieller Teaser-Trailer | Ab 13. November im Kino
Grace, a writer and young mother, is slowly slipping into madness. Locked away in an old house in and around Montana, we see her acting increasingly agitated and erratic, leaving her companion, Jackson, increasingly worried and helpless.
Credits:
CA 2024, 118 Min., Englisch OmU Regie: Lynne Ramsay Kamera: Seamus McGarvey Schnitt: Toni Froschhammer mit : Jennifer Lawrence, Robert Pattinson, Lakeith Stanfield, Sissy Spacek
Trailer:
DIEMYLOVE | Offizieller Teaser-Trailer | Ab 13. November im Kino
The film follows Nazi physician Josef Mengele in the years following the end of the Second World War, detailing his later life in Argentina, Paraguay, and Brazil. The film explores his relationships with his second wife Martha and his estranged son Rolf as he justifies his actions at Auschwitz concentration camp.
Credits:
FR/MX/DE/GB 2025, 135 Min., deutsch, spanische OmU, Regie: Kirill Serebrennikov Kamera: Vladislav Opelyants Schnitt: Hansjörg Weißbrich mit: D: August Diehl, Max Bretschneider, Dana Herfurth, Friederike Becht, Mirco Kreibich, David Ruland
Audiodeskriptionen, Untertitel und Hörverstärkung mit der Greta App
“I’m not Stiller!” When an American named James Larkin White tries to enter Switzerland, he’s suspected of being Anatol Stiller, a sculptor who had gone into hiding. Even Stiller’s wife Julika initially believes that this man is her husband. Yet he insists that he is someone else and starts telling a different story.
Credits:
CHDE 2025, 99 Min., Deutsch mit englischen Untertiteln Regie: Stefan Haupt Kamera: Michael Hammon Schnitt: Franziska Koeppel mit: Paula Beer, Albrecht Schuch, Marie Leuenberger, Sven Schelker, Max Simonischek
Grace, a writer and young mother, is slowly slipping into madness. Locked away in an old house in and around Montana, we see her acting increasingly agitated and erratic, leaving her companion, Jackson, increasingly worried and helpless.
Credits:
CA 2024, 118 Min., Englisch OmU Regie: Lynne Ramsay Kamera: Seamus McGarvey Schnitt: Toni Froschhammer mit : Jennifer Lawrence, Robert Pattinson, Lakeith Stanfield, Sissy Spacek
Trailer:
DIEMYLOVE | Offizieller Teaser-Trailer | Ab 13. November im Kino
“I’m not Stiller!” When an American named James Larkin White tries to enter Switzerland, he’s suspected of being Anatol Stiller, a sculptor who had gone into hiding. Even Stiller’s wife Julika initially believes that this man is her husband. Yet he insists that he is someone else and starts telling a different story.
Credits:
CHDE 2025, 99 Min., Deutsch mit englischen Untertiteln Regie: Stefan Haupt Kamera: Michael Hammon Schnitt: Franziska Koeppel mit: Paula Beer, Albrecht Schuch, Marie Leuenberger, Sven Schelker, Max Simonischek
In November, Forum & Friends VI will present films by Israeli artist Keren Cytter on two evenings at the fsk cinema: two short film programmes and the feature-length film THEWRONGMOVIE (USA, Belgium 2024), which premiered at the Berlinale Forum. Keren Cytter’s films are characterised by a deliberately artificial artistic style, combining narration with deconstruction, linearity with fragmentation, figuration with the absurd, rebellion with fragility, coolness with trips, punk with romance. The highly original plots are complemented by an associative play with form and medium, foils and generic codes, from genre and cultural history to individual auteur signatures – a whirlwind of film that draws us into the present moment as a virtual state of being. To the point of trance. Keren Cytter is a veritable multimedia artist, working in the fields of dance and performance, video and film, poetry and the visual arts, especially drawing, and has written five novels and three children’s books. A selection of her film and video works can now be seen in the programmes curated and moderated by Christiane Büchner and Barbara Wurm, with Keren Cytter as a guest. (Barbara Wurm)
Dieses Programm ist Teil der vom Hauptstadtkulturfonds geförderten Veranstaltungsreihe Arsenal on Location:
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