„Don’t talk, do!” At the end of the 70s, punk promised rebellion and self-empowerment. Also for the women in the scene. They fought for their place on stage between the dominant punk top dogs, playing against social norms and long-outdated female role models. This is their story.
Credits:
DE/CH 2024, 89 Min., deutsche OmeU Regie: Reto Caduff Kamera: Roman Schauerte, Stephan Huwyler Schnitt: Beatrice Babin, Ginés Olivares
„Don’t talk, do!” At the end of the 70s, punk promised rebellion and self-empowerment. Also for the women in the scene. They fought for their place on stage between the dominant punk top dogs, playing against social norms and long-outdated female role models. This is their story.
Credits:
DE/CH 2024, 89 Min., deutsche OmeU Regie: Reto Caduff Kamera: Roman Schauerte, Stephan Huwyler Schnitt: Beatrice Babin, Ginés Olivares
At 17, Johanne falls head over heels in love with her female teacher. In an attempt to capture this first crush, she pours her experiences onto paper with raw honesty. When her mother and grandmother discover her writings, their initial shock at the intimate descriptions gives way to admiration for their literary merit. The two older women begin to reflect on their own love lives, their pleasures and missed opportunities, and are reminded of the overwhelming sensation of first love; and of the longing for something more. Johanne’s grandmother, an established poet herself, feels both pride and unease at her granddaughter’s natural talent. But questions linger: What truly happened between Johanne and her teacher? Where does reality end and fiction begin? And should these deeply personal writings ever find their way to publication?
Golden Bear – Berlinale 2025
Credits:
NO 2024, 110 Min., norwegische OmU Regie: Dag Johan Haugerud Kamera: Cecilie Semec Schnitt: Jens Christian Fodstad mit: Ella Øverbye, Selome Emnetu, Ane Dahl Torp, Anne Marit Jacobsen
At 17, Johanne falls head over heels in love with her female teacher. In an attempt to capture this first crush, she pours her experiences onto paper with raw honesty. When her mother and grandmother discover her writings, their initial shock at the intimate descriptions gives way to admiration for their literary merit. The two older women begin to reflect on their own love lives, their pleasures and missed opportunities, and are reminded of the overwhelming sensation of first love; and of the longing for something more. Johanne’s grandmother, an established poet herself, feels both pride and unease at her granddaughter’s natural talent. But questions linger: What truly happened between Johanne and her teacher? Where does reality end and fiction begin? And should these deeply personal writings ever find their way to publication?
Golden Bear – Berlinale 2025
Credits:
NO 2024, 110 Min., norwegische OmU Regie: Dag Johan Haugerud Kamera: Cecilie Semec Schnitt: Jens Christian Fodstad mit: Ella Øverbye, Selome Emnetu, Ane Dahl Torp, Anne Marit Jacobsen
When the light breaks on a long summer’s day in Iceland. From one sunset to another, Una, a young art student encounters love, friendship, sorrow and beauty.
„Don’t talk, do!” At the end of the 70s, punk promised rebellion and self-empowerment. Also for the women in the scene. They fought for their place on stage between the dominant punk top dogs, playing against social norms and long-outdated female role models. This is their story.
Credits:
DE/CH 2024, 89 Min., deutsche OmeU Regie: Reto Caduff Kamera: Roman Schauerte, Stephan Huwyler Schnitt: Beatrice Babin, Ginés Olivares
At 17, Johanne falls head over heels in love with her female teacher. In an attempt to capture this first crush, she pours her experiences onto paper with raw honesty. When her mother and grandmother discover her writings, their initial shock at the intimate descriptions gives way to admiration for their literary merit. The two older women begin to reflect on their own love lives, their pleasures and missed opportunities, and are reminded of the overwhelming sensation of first love; and of the longing for something more. Johanne’s grandmother, an established poet herself, feels both pride and unease at her granddaughter’s natural talent. But questions linger: What truly happened between Johanne and her teacher? Where does reality end and fiction begin? And should these deeply personal writings ever find their way to publication?
Golden Bear – Berlinale 2025
Credits:
NO 2024, 110 Min., norwegische OmU Regie: Dag Johan Haugerud Kamera: Cecilie Semec Schnitt: Jens Christian Fodstad mit: Ella Øverbye, Selome Emnetu, Ane Dahl Torp, Anne Marit Jacobsen
At 17, Johanne falls head over heels in love with her female teacher. In an attempt to capture this first crush, she pours her experiences onto paper with raw honesty. When her mother and grandmother discover her writings, their initial shock at the intimate descriptions gives way to admiration for their literary merit. The two older women begin to reflect on their own love lives, their pleasures and missed opportunities, and are reminded of the overwhelming sensation of first love; and of the longing for something more. Johanne’s grandmother, an established poet herself, feels both pride and unease at her granddaughter’s natural talent. But questions linger: What truly happened between Johanne and her teacher? Where does reality end and fiction begin? And should these deeply personal writings ever find their way to publication?
Golden Bear – Berlinale 2025
Credits:
NO 2024, 110 Min., norwegische OmU Regie: Dag Johan Haugerud Kamera: Cecilie Semec Schnitt: Jens Christian Fodstad mit: Ella Øverbye, Selome Emnetu, Ane Dahl Torp, Anne Marit Jacobsen
When the light breaks on a long summer’s day in Iceland. From one sunset to another, Una, a young art student encounters love, friendship, sorrow and beauty.
„Don’t talk, do!” At the end of the 70s, punk promised rebellion and self-empowerment. Also for the women in the scene. They fought for their place on stage between the dominant punk top dogs, playing against social norms and long-outdated female role models. This is their story.
Credits:
DE/CH 2024, 89 Min., deutsche OmeU Regie: Reto Caduff Kamera: Roman Schauerte, Stephan Huwyler Schnitt: Beatrice Babin, Ginés Olivares
At 17, Johanne falls head over heels in love with her female teacher. In an attempt to capture this first crush, she pours her experiences onto paper with raw honesty. When her mother and grandmother discover her writings, their initial shock at the intimate descriptions gives way to admiration for their literary merit. The two older women begin to reflect on their own love lives, their pleasures and missed opportunities, and are reminded of the overwhelming sensation of first love; and of the longing for something more. Johanne’s grandmother, an established poet herself, feels both pride and unease at her granddaughter’s natural talent. But questions linger: What truly happened between Johanne and her teacher? Where does reality end and fiction begin? And should these deeply personal writings ever find their way to publication?
Golden Bear – Berlinale 2025
Credits:
NO 2024, 110 Min., norwegische OmU Regie: Dag Johan Haugerud Kamera: Cecilie Semec Schnitt: Jens Christian Fodstad mit: Ella Øverbye, Selome Emnetu, Ane Dahl Torp, Anne Marit Jacobsen
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