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Die bra­si­lia­ni­sche Filmemacherin und Kamera­frau Flora Dias (*1985) hat zwei zeit­ge­nös­si­sche Filme aus­ge­wählt, die sich mit indi­ge­nen Völkern in Brasilien beschäf­ti­gen und bei­de gemein­schaft­lich ent­stan­den sind: O ESTRANHO (2023) hat sie selbst zusam­men mit Juruna Mallon gedreht, der epi­sche Dokumentarfilm MARTÍRIO (2016) ist eine Zusammenarbeit von Vincent Carelli, Tatiana Almeida und Ernesto de Carvalho.

Martírio
Vincent Carelli, Tatiana Almeida, Ernesto de Carvalho / Brasilien 2016, Portugiesisch, Guaraní, Spanisch OmeU 162 Min., AM 24.4. um 20Uhr im fsk
Einführung (in eng­li­scher Sprache): Flora Dias

[Tickets]

Viele Jahrhunderte nach der Kolonisierung muss das indi­ge­ne Volk der Guarani Kaiowá immer noch um sei­ne Rechte und sein Land kämp­fen – gegen Großgrundbesitzer, den mäch­ti­gen Apparat der ­Agrarindustrie und die Regierung. Diesem hart­nä­cki­gen Kampf setzt MARTÍRIO ein ein­drucks­vol­les Denkmal. In den 80er Jahren doku­men­tier­te Vincent Carelli erst­ma­lig die Versuche, die Indigenen mit Drohungen, Angriffen und unge­rech­ten Gesetzen zu ent­eig­nen und von ihrem Land zu ver­trei­ben. 15 Jahre spä­ter nahm er den Faden wie­der auf. Historische Archivbilder, neu­es Filmmaterial in Farbe und Schwarzweiß, Anhörungen im bra­si­lia­ni­schen Kongress und Interviews mit Gegnern der Guaraní Kaiowá offen­ba­ren die erschre­cken­de Gewalt, mit der sie tag­täg­lich leben müssen.

Dieses Programm ist Teil der vom Hauptstadtkulturfonds geförderten Veranstaltungsreihe Arsenal on Location:

The Singaporean screen­wri­ter, direc­tor, and cur­rent DAAD fel­low Yeo Siew Hua (1985), has cho­sen ano­ther con­tem­po­ra­ry Asian cine­ma film along­side his third fea­ture STRANGER EYES (2024): POETRY (2010) by Lee Chang-dong. Both films boast renow­ned per­for­man­ces by lea­ding actres­ses: Lee Kang-sheng, the star from Tsai Ming-liang’s films in STRANGER EYES, and the legen­da­ry Yun Jung-hee, who has retur­ned from reti­re­ment for her role in POETRY.

The pre­sen­ta­ti­on of fel­lows from the Berlin Artists Program of the DAAD, which has tra­di­tio­nal­ly taken place at the Arsenal cine­ma for deca­des, will con­ti­nue as part of Arsenal on Location at fsk Kino at Oranienplatz.

Stranger Eyes
Di 14.10., 20 Uhr, anschlie­ßend Gespräch mit Yeo Siew Hua, Moderation: Birgit Kohler
• Yeo Siew Hua • Singapur/Taiwan/Frankreich/USA 2024 • DCP • OmeU 126′

[Tickets]

Dieses Programm ist Teil der vom Hauptstadtkulturfonds geförderten Veranstaltungsreihe Arsenal on Location:

[Tickets]

In November, Forum & Friends VI will pre­sent films by Israeli artist Keren Cytter on two evenings at the fsk cine­ma: two short film pro­gram­mes and the fea­ture-length film THE WRONG MOVIE (USA, Belgium 2024), which pre­mie­red at the Berlinale Forum. Keren Cytter’s films are cha­rac­te­ri­sed by a deli­bera­te­ly arti­fi­ci­al artis­tic style, com­bi­ning nar­ra­ti­on with decon­s­truc­tion, linea­ri­ty with frag­men­ta­ti­on, figu­ra­ti­on with the absurd, rebel­li­on with fra­gi­li­ty, cool­ness with trips, punk with romance. The high­ly ori­gi­nal plots are com­ple­men­ted by an asso­cia­ti­ve play with form and medi­um, foils and gene­ric codes, from gen­re and cul­tu­ral histo­ry to indi­vi­du­al auteur signa­tures – a whirl­wind of film that draws us into the pre­sent moment as a vir­tu­al sta­te of being. To the point of trance. Keren Cytter is a veri­ta­ble mul­ti­me­dia artist, working in the fields of dance and per­for­mance, video and film, poet­ry and the visu­al arts, espe­ci­al­ly dra­wing, and has writ­ten five novels and three child­ren’s books. A sel­ec­tion of her film and video works can now be seen in the pro­gram­mes cura­ted and mode­ra­ted by Christiane Büchner and Barbara Wurm, with Keren Cytter as a guest. (Barbara Wurm)

Mi, 26.11., 18 Uhr, zu Gast: Keren Cytter Moderation: Irina Bondas
EXPERIMENTAL FILM • Keren Cytter • NL 2002 • Digital file • hebr. OmeU 6’
FRENCH FILM • Keren Cytter • Israel 2002 • Digital file • franz. OmeU 12’
SOMETHING HAPPENED • Keren Cytter • D 2009 • Digital file• engl. OF 8’
CORRECTIONS • Keren Cytter • D 2014 • Digital file • dt./engl. OmeU 8’
NIGHTMARE • Keren Cytter • D 2007 • Digital file • dt. OmeU 6’
UNTITLED • Keren Cytter • D 2009 • Digital file • dt. OmeU 9’
OBJECT • Keren Cytter • USA 2016 • Digital file • russ. OmeU 27’
DES TROUS • Keren Cytter • Israel 2018 • Digital file • franz. OmeU 14′

Mi, 26.11., 20.30 Uhr, zu Gast: Keren Cytter Moderation: Barbara Wurm
RAINBOW SERPENT • Keren Cytter • USA 2022 • Digital file • ohne Dialog • 5’
THE WRONG MOVIE • Keren Cytter • USA/BEL 2024 • DCP • engl. OF 96′

Do, 27.11., 18 Uhr, zu Gast: Keren Cytter Moderation: Christiane Büchner
THE DATES SERIES • Keren Cytter • NL 2004 • Digital file • hebr./dt./frz./nl./engl. OmeU 49’
DER SPIEGEL • Keren Cytter • D 2008 • Digital file • dt./engl. OmeU 5’
METAMORPHOSIS • Keren Cytter • USA 2016 • Digital file • engl. OF 11’
FASHIONS • Keren Cytter • D 2020 • Digital file • engl. OF 31′

Do, 27.11., 20.30 Uhr, zu Gast: Keren Cytter Moderation: Christiane Büchner
TERRORIST OF LOVE • Keren Cytter • USA 2016 • Digital file • engl. OF 3’
ENDURANCE • Keren Cytter • USA 2025 • DCP • engl. OF 85′

Dieses Programm ist Teil der vom Hauptstadtkulturfonds geförderten Veranstaltungsreihe Arsenal on Location:

A film by Angelina Maccarone. In German, English and Arabic with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

Conservative poli­ti­ci­an Mathilda is actual­ly in favor of strict­ly guard­ed EU exter­nal bor­ders. Things beco­me all the more dif­fi­cult for her when she is asked to help her old fri­end Richard accom­mo­da­te Malik, who has ille­gal­ly ente­red the coun­try from Morocco. Mathilda’s second-gene­ra­ti­on assistant Amina also ques­ti­ons her own posi­ti­on when Malik beco­mes the tar­get of a ter­ro­rist inves­ti­ga­ti­on fol­lo­wing a bomb attack.

Credits:

DE 2024, 124 Min.,
Regie: Angelina Maccarone
Kamera: Florian Foest
Schnitt: Gergana Voigt
mit: Habib Adda, Lambert Wilson, Barbara Sukowa, Banafshe Hourmazdi, Katharina Schüttler 

Trailer:

Klandestin | Trailer [HD]

nach oben

A film by Dag Johan Haugerud. In Norwegian with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

A Utopian design for sexua­li­ty, rela­ti­onships and love in the 21st cen­tu­ry. Marianne is a doc­tor based in Oslo. She longs for clo­sen­ess with other peo­p­le, but she’s fed up with her sex life being con­stant­ly ana­ly­sed and ques­tio­ned by the expec­ta­ti­ons of others. One evening, she meets Tor, a nur­se and col­le­ague, on a fer­ry. He tells her of the fer­ry trips he takes when he can’t sleep and his chan­ce mee­tings with other men. Curious, Marianne starts explo­ring other designs for rela­ti­onships, off the bea­ten track.

Credits:

Love
NO 2024, 119 Min, Norwegische OmU
Regie: Dag Johan Haugerud
Kamera: Cecilie Semec
Schnitt: Jens Christian Fodstad,
mit: Andrea Bræin Hovig, Tayo Cittadella Jacobsen, Marte Engebrigtsen, Lars Jacob Holm, Thomas Gullestad

Trailer:

LOVE International Trailer

Im Kino mit deut­schen Untertiteln.

nach oben

A film by Leonardo van Dijl. In Dutch and French with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

As the star play­er at an eli­te ten­nis aca­de­my, Julie’s life revol­ves around the game she loves. When her coach falls under inves­ti­ga­ti­on and is sud­den­ly sus­pen­ded, all of the club­’s play­ers are encou­ra­ged to speak up. But Julie deci­des to keep quiet…

Credits:

Julie Keeps Quiet
BE/SE 2024, 100 Min., Niederländisch-fran­zö­si­sche OmU
Regie: Leonardo van Dijl
Kamera: Nicolas Karakatsanis
Schnitt: Bert Jacobs
mit: Tessa Van den Broeck, Grace Biot, Alyssa Lorette, Ruth Becquart, Koen De Bouw,
Pierre Gervais, Claire Bodson und Laurent Caron

Trailer:

nach oben

A film by Saulė Bliuvaitė. In Lithuanian with German subtitles.

[Credits] [Tickets & Termine]] [Trailer]

Dreaming of escape from the ble­ak­ne­ss of their indus­tri­al home­town, two 13-year-olds, Marija and Kristina, form a uni­que bond at a local mode­ling school, whe­re the pro­mi­se of a bet­ter life pushes girls to vio­la­te their bodies in incre­asing­ly extre­me ways.
„Through the sto­ry of young girls navi­ga­ting toxic land­scapes, I wan­ted to explo­re the con­cept of the human body – the body as a pro­ject, cur­ren­cy, an object of desi­re, the body as a source of pain and magic.” Saulė Bliuvaitė

Credits:

Akiplėša
LT 2024, 99 Min., Litauische OmU
Regie: Saulė Bliuvaitė
Kamera: Vytautas Katkus
Schnitt: Ignė Narbutaitė
mit: Ieva Rupeikaitė, Vesta Matulytė, Giedrius Savickas, Vilma Raubaitė, Eglė Gabrėnaitė 

Trailer:

nach oben

A film by Angelina Maccarone. In German, English and Arabic with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

Conservative poli­ti­ci­an Mathilda is actual­ly in favor of strict­ly guard­ed EU exter­nal bor­ders. Things beco­me all the more dif­fi­cult for her when she is asked to help her old fri­end Richard accom­mo­da­te Malik, who has ille­gal­ly ente­red the coun­try from Morocco. Mathilda’s second-gene­ra­ti­on assistant Amina also ques­ti­ons her own posi­ti­on when Malik beco­mes the tar­get of a ter­ro­rist inves­ti­ga­ti­on fol­lo­wing a bomb attack.

Credits:

DE 2024, 124 Min.,
Regie: Angelina Maccarone
Kamera: Florian Foest
Schnitt: Gergana Voigt
mit: Habib Adda, Lambert Wilson, Barbara Sukowa, Banafshe Hourmazdi, Katharina Schüttler 

Trailer:

Klandestin | Trailer [HD]

nach oben

A film by Angelina Maccarone. In German, English and Arabic with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

Conservative poli­ti­ci­an Mathilda is actual­ly in favor of strict­ly guard­ed EU exter­nal bor­ders. Things beco­me all the more dif­fi­cult for her when she is asked to help her old fri­end Richard accom­mo­da­te Malik, who has ille­gal­ly ente­red the coun­try from Morocco. Mathilda’s second-gene­ra­ti­on assistant Amina also ques­ti­ons her own posi­ti­on when Malik beco­mes the tar­get of a ter­ro­rist inves­ti­ga­ti­on fol­lo­wing a bomb attack.

Credits:

DE 2024, 124 Min.,
Regie: Angelina Maccarone
Kamera: Florian Foest
Schnitt: Gergana Voigt
mit: Habib Adda, Lambert Wilson, Barbara Sukowa, Banafshe Hourmazdi, Katharina Schüttler 

Trailer:

Klandestin | Trailer [HD]

nach oben

A film by Dag Johan Haugerud. In Norwegian with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

A Utopian design for sexua­li­ty, rela­ti­onships and love in the 21st cen­tu­ry. Marianne is a doc­tor based in Oslo. She longs for clo­sen­ess with other peo­p­le, but she’s fed up with her sex life being con­stant­ly ana­ly­sed and ques­tio­ned by the expec­ta­ti­ons of others. One evening, she meets Tor, a nur­se and col­le­ague, on a fer­ry. He tells her of the fer­ry trips he takes when he can’t sleep and his chan­ce mee­tings with other men. Curious, Marianne starts explo­ring other designs for rela­ti­onships, off the bea­ten track.

Credits:

Love
NO 2024, 119 Min, Norwegische OmU
Regie: Dag Johan Haugerud
Kamera: Cecilie Semec
Schnitt: Jens Christian Fodstad,
mit: Andrea Bræin Hovig, Tayo Cittadella Jacobsen, Marte Engebrigtsen, Lars Jacob Holm, Thomas Gullestad

Trailer:

LOVE International Trailer

Im Kino mit deut­schen Untertiteln.

nach oben