The world seems to be coming to an end, teeming with the vestiges of a human presence. Cat is a solitary animal, but as its home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences. In the lonesome boat sailing through mystical overflowed landscapes, they navigate the challenges and dangers of adapting to this new world.
The world seems to be coming to an end, teeming with the vestiges of a human presence. Cat is a solitary animal, but as its home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences. In the lonesome boat sailing through mystical overflowed landscapes, they navigate the challenges and dangers of adapting to this new world.
Libuše Jarcovjáková documents her life with analogue photos and diary entries. Her Czechoslovakian homeland is in the repressive phase of “normalisation” after the suppression of the Prague Spring in 1968. The young photographer searches for islands of freedom in Prague as well as her sexual identity; her camera is her constant companion. One of these islands is the T‑Club, a meeting place for the queer scene. When a murder is committed and the police become interested in Libuše’s photos from the club, her personal journey of emancipation is abruptly cut short. She enters into a marriage of convenience and moves to West Berlin. But this new world is also filled with obstacles. Using the last of her money, she flies to Tokyo and, for a short time, becomes a sought-after fashion photographer there. Continuing to search for the life she wants to live, Libuše’s path leads her back to Prague via Berlin after the fall of the Iron Curtain. Using only photographs and the diary entries she reads out herself, the artist – together with the filmmaker – intimately relates her search for identity, everyday struggles, physicality, relationships and emotions
Credits:
Ještě nejsem, kým chci být CZ/SK/AU 2024, 90 Min., tschechische Originalfassung mit deutschen Untertiteln Regie: Klára Tasovská Schnitt: Alexander Kashcheev
Trailer:
NOCHBINICHNICHT, WERICHSEINMÖCHTE Trailer Deutsch | German [HD]
Artist Johan Grimonprez’s new film essay stems from detailed research about some of the machinations the Western colonial powers, such as his native Belgium or the US, came up with to undermine the African decolonization movement. It specifically reexamines the Democratic Republic of the Congo (then Zaire) and its struggle for independence in the context of the CIA’s history of arts patronage, telling how the US Foreign Intelligence agency sent Louis Armstrong as a jazz ambassador to distract from their involvement in the assassination of newly elected Prime Minister Patrice Lumumba. Nina Simone was sent on a similar tour of Nigeria by a CIA front organization, yet other jazz greats got involved less unwittingly. Dizzy Gillespie briefly ran for president in 1964 and promised that the White House would be renamed the Blues House, while Abbey Lincoln and Max Roach crashed the UN Security Council to protest Lumumba’s assassination. Both a historical pamphlet and a swinging musical composition, SOUNDTRACKTO A COUP D’ETAT unfolds like a record’s extensive sleeve notes, as the jazz sounds propel and carry along facts, figures and footnotes of major and minor histories with them at dizzying speed. (Antoine Thirion)
Credits:
BE/FR/NL 2024, 150 Min., engl., frz. OmU,
Regie: Johan Grimonprez,
mit: Patrice Lumumba, Louis Armstrong, Andrée Blouin, Nina Simone, Nikita Krutschev, Eisenhower, Fidel Castro, Duke Elligton
Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art. An intellectual and poetic ping pong game evolves between researchers from the Max Planck Institute in Erlangen and the “Extreme Light Group” of the University of Glasgow as well as internationally renowned artists such as Ruth Jarman, Joe Gerhardt, Julie Brook, Johannes Brunner and Raimund Ritz. In its course, the various perspectives on light lead to new insights on all sides that would hardly have been achieved without this methodical cross-over: about laser power and colour pigments, about black holes and floating sculptures. In brief moments, the uninitiated may even get some idea of the laws of quantum physics, generally considered impossible to visualise.
Luc-Carolin Ziemann
Credits:
DE/GB 2024, 99 Min., OmU Regie, Kamera, Schnitt: Thomas Riedelsheimer Musik: Fred Frith, gabby fluke-mogul
The world seems to be coming to an end, teeming with the vestiges of a human presence. Cat is a solitary animal, but as its home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences. In the lonesome boat sailing through mystical overflowed landscapes, they navigate the challenges and dangers of adapting to this new world.
12 year old Bailey lives with her single dad Bug and brother Hunter in a squat in North Kent. Bug doesn’t have much time for his kids and Bailey who is approaching puberty seeks attention and adventure elsewhere.
Credits:
GB 2023, 119 Min., engl. OmU, Regie: Andrea Arnold Kamera: Robbie Ryan Schnitt: Joe Bini mit: Barry Keoghan, Franz Rogowski, Nykiya Adams, Jason Edward Buda, Jasmine Jobson, James Nelson-Joyce Kayleigh Frankie Box
Sisters July and September are very close, but very different: September is protective and distrustful; July, open and curious. An incident in school forces them to flee to an old holiday home with their mum, where a series of surreal events cause their bond to shift in ways July cannot comprehend.
When the mayor of a Paris suburb dies, Pierre, a doctor, agrees to fill the position. He intends to continue the xenophobic policies of his predecessor, who aimed to redevelop these poverty-stricken immigrant neighborhoods. But Haby, an activist resident of immigrant heritage, refuses to be driven out and mounts an escalating battle for the office.
Libuše Jarcovjáková documents her life with analogue photos and diary entries. Her Czechoslovakian homeland is in the repressive phase of “normalisation” after the suppression of the Prague Spring in 1968. The young photographer searches for islands of freedom in Prague as well as her sexual identity; her camera is her constant companion. One of these islands is the T‑Club, a meeting place for the queer scene. When a murder is committed and the police become interested in Libuše’s photos from the club, her personal journey of emancipation is abruptly cut short. She enters into a marriage of convenience and moves to West Berlin. But this new world is also filled with obstacles. Using the last of her money, she flies to Tokyo and, for a short time, becomes a sought-after fashion photographer there. Continuing to search for the life she wants to live, Libuše’s path leads her back to Prague via Berlin after the fall of the Iron Curtain. Using only photographs and the diary entries she reads out herself, the artist – together with the filmmaker – intimately relates her search for identity, everyday struggles, physicality, relationships and emotions
Credits:
Ještě nejsem, kým chci být CZ/SK/AU 2024, 90 Min., tschechische Originalfassung mit deutschen Untertiteln Regie: Klára Tasovská Schnitt: Alexander Kashcheev
Trailer:
NOCHBINICHNICHT, WERICHSEINMÖCHTE Trailer Deutsch | German [HD]
Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art. An intellectual and poetic ping pong game evolves between researchers from the Max Planck Institute in Erlangen and the “Extreme Light Group” of the University of Glasgow as well as internationally renowned artists such as Ruth Jarman, Joe Gerhardt, Julie Brook, Johannes Brunner and Raimund Ritz. In its course, the various perspectives on light lead to new insights on all sides that would hardly have been achieved without this methodical cross-over: about laser power and colour pigments, about black holes and floating sculptures. In brief moments, the uninitiated may even get some idea of the laws of quantum physics, generally considered impossible to visualise.
Luc-Carolin Ziemann
Credits:
DE/GB 2024, 99 Min., OmU Regie, Kamera, Schnitt: Thomas Riedelsheimer Musik: Fred Frith, gabby fluke-mogul
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