The 70-year-old Mahin has been living alone in Tehran since her husband died and her daughter left for Europe. One afternoon, tea with friends leads her to break her solitary routine and revitalise her love life. But as Mahin opens herself up to a new romance, what begins as an unexpected encounter quickly evolves into an unpredictable, unforgettable evening.
Credits:
Keyke mahboobe man / My favourite cake IR/FR/SE/DE 2024, 97 Min., farsi OmU Regie: Maryam Moghaddam, Behtash Sanaeeha Kamera: Mohammad Haddadi Schnitt: Ata Mehrad, Behtash Sanaeeha, Ricardo Saraiva mit: Lily Farhadpour, Esmail Mehrabi,
The 70-year-old Mahin has been living alone in Tehran since her husband died and her daughter left for Europe. One afternoon, tea with friends leads her to break her solitary routine and revitalise her love life. But as Mahin opens herself up to a new romance, what begins as an unexpected encounter quickly evolves into an unpredictable, unforgettable evening.
Credits:
Keyke mahboobe man / My favourite cake IR/FR/SE/DE 2024, 97 Min., farsi OmU Regie: Maryam Moghaddam, Behtash Sanaeeha Kamera: Mohammad Haddadi Schnitt: Ata Mehrad, Behtash Sanaeeha, Ricardo Saraiva mit: Lily Farhadpour, Esmail Mehrabi,
Lucy is a 32-year-old woman living in Los Angeles with her best friend Jane and working as a receptionist at a spa. She finds little satisfaction in her romantic life, including with her friend Ben, who becomes frustrated at her continued avoidance of his advances. Jane receives a work promotion that will require her to relocate to London, and goes out for drinks with Lucy and Jane’s boyfriend Danny to celebrate. After Jane confesses to kissing a female friend as a teenager, Lucy drunkenly tells her that she thinks she might be a lesbian. Jane encourages her to explore her feelings, suggesting that Lucy should pursue her flirtatious massage therapist co-worker Brittany.
Lucy invites Brittany to her house for dinner, but receives mixed signals as Brittany shares about her ex-boyfriend, but also declares her sexuality to be „on the spectrum” and kisses her before leaving. Jane brings Lucy to a lesbian bar, but Lucy is shy and soon leaves after seeing Jane kissing other women on the dance floor; the two fight and stop speaking. Lucy meets up with Brittany again. The two have sex, but Brittany quickly leaves the following morning and becomes distant, later reconciling with her ex-boyfriend. Meanwhile, Jane deals with the pressures of her upcoming move, including her self-absorbed co-worker Kat and Danny’s confession that he does not want to join Jane in London as she assumed he would.
Lucy quits her job to return to her passion of painting, and begins meeting other women on dating apps. She comes out to Ben, and the two reconcile as friends. After going on a „hammock retreat” with Kat, Jane makes up with Lucy, excitedly offering support for the changes in her life. Lucy offers to drive Jane to the airport as she heads to London, only to reveal that she will be joining her on the trip to help ease her transition.
The 70-year-old Mahin has been living alone in Tehran since her husband died and her daughter left for Europe. One afternoon, tea with friends leads her to break her solitary routine and revitalise her love life. But as Mahin opens herself up to a new romance, what begins as an unexpected encounter quickly evolves into an unpredictable, unforgettable evening.
Credits:
Keyke mahboobe man / My favourite cake IR/FR/SE/DE 2024, 97 Min., farsi OmU Regie: Maryam Moghaddam, Behtash Sanaeeha Kamera: Mohammad Haddadi Schnitt: Ata Mehrad, Behtash Sanaeeha, Ricardo Saraiva mit: Lily Farhadpour, Esmail Mehrabi,
“The longing for your homeland never goes away,” says the filmmaker Bahar Bektaş. Her brother is in prison in Germany. He is supposed to be deported and is waiting for the early transfer to Turkey he has requested. Because there seems to be no end to the waiting, Bahar turns her camera on her Alevi Kurdish family and examines the consequences of being uprooted. Ina Borrmann
Credits:
DE 2024, 100 Min., Deutsch, Türkisch mit deutschen Untertiteln Regie: Bahar Bektaş. Kamera: Antonia Kilian und Meret Madörin Schnitt: Arash Asadi
Trailer:
Exile never ends | offizieller deutscher Trailer
The 70-year-old Mahin has been living alone in Tehran since her husband died and her daughter left for Europe. One afternoon, tea with friends leads her to break her solitary routine and revitalise her love life. But as Mahin opens herself up to a new romance, what begins as an unexpected encounter quickly evolves into an unpredictable, unforgettable evening.
Credits:
Keyke mahboobe man / My favourite cake IR/FR/SE/DE 2024, 97 Min., farsi OmU Regie: Maryam Moghaddam, Behtash Sanaeeha Kamera: Mohammad Haddadi Schnitt: Ata Mehrad, Behtash Sanaeeha, Ricardo Saraiva mit: Lily Farhadpour, Esmail Mehrabi,
Lucy is a 32-year-old woman living in Los Angeles with her best friend Jane and working as a receptionist at a spa. She finds little satisfaction in her romantic life, including with her friend Ben, who becomes frustrated at her continued avoidance of his advances. Jane receives a work promotion that will require her to relocate to London, and goes out for drinks with Lucy and Jane’s boyfriend Danny to celebrate. After Jane confesses to kissing a female friend as a teenager, Lucy drunkenly tells her that she thinks she might be a lesbian. Jane encourages her to explore her feelings, suggesting that Lucy should pursue her flirtatious massage therapist co-worker Brittany.
Lucy invites Brittany to her house for dinner, but receives mixed signals as Brittany shares about her ex-boyfriend, but also declares her sexuality to be „on the spectrum” and kisses her before leaving. Jane brings Lucy to a lesbian bar, but Lucy is shy and soon leaves after seeing Jane kissing other women on the dance floor; the two fight and stop speaking. Lucy meets up with Brittany again. The two have sex, but Brittany quickly leaves the following morning and becomes distant, later reconciling with her ex-boyfriend. Meanwhile, Jane deals with the pressures of her upcoming move, including her self-absorbed co-worker Kat and Danny’s confession that he does not want to join Jane in London as she assumed he would.
Lucy quits her job to return to her passion of painting, and begins meeting other women on dating apps. She comes out to Ben, and the two reconcile as friends. After going on a „hammock retreat” with Kat, Jane makes up with Lucy, excitedly offering support for the changes in her life. Lucy offers to drive Jane to the airport as she heads to London, only to reveal that she will be joining her on the trip to help ease her transition.
PL/FRA/CH 2022 R/B: Anna Jadowska 97 min, OmeU K: Ita Zbroniec-Zajt S: Piotr Kmiecik & Julia Gregory M: Katharina Nuttall D: Dorota Pomykała, Bogdan Koca, Adam Bobik u. a.
Zwei Jahre Arbeit in der Geburtsstation hat die Ärztin Mira noch vor sich, dann ist die ersehnte Rente erreicht. Ihr Gehalt ist zwar nicht üppig, reicht aber für die kleine Block-Wohnung in der Provinzstadt und die dreiköpfige Familie – theoretisch, denn heimlich hat sie ihrer Schwester viel Geld geborgt, Kredite aufgenommen und kommt nun mit der Tilgung nicht mehr hinterher. Als die Lage aussichtslos wird, reagiert sie so verzweifelt wie ungeschickt: Sie versucht eine Bank zu überfallen, was gründlich schief geht. Aber anstatt sich ihren Verwandten anzuvertrauen, frisst sie den Kummer in sich hinein, bis sie auf dem titelgebenden Dach steht und vor sich nur noch den Abgrund sieht.
Wie schon in ihrem Drama „Dzikie róże / Wild Roses“ (2017) gelingt es Jadowska virtuos, weit ab von marktschreierischen Effekten mit kleinen Schritten ein Psycho-Porträt zu entwerfen, in dem das Verschwiegene schwerer wiegt als das Gesagte. Ihr größter Trumpf ist dabei Dorota Pomykała, die als verzweifelte Anti-Heldin sowohl das Kinopublikum als auch Festival-Jurys überzeugen konnte. In einem sehr breiten Bildformat mit hell und kühl ausgeleuchteten Szenen beherrscht sie ohne musikalische Unterstützung souverän die Leinwand. [Rainer Mende]
Anna Jadowska (geb. 1973 in Oleśnica) studierte Polonistik in Wrocław und Regie in Łódź. Als Regisseurin arbeitete sie für populäre TV-Serien wie „M jak miłość“ oder „Na dobre i na złe“. Als Autorenfilmerin drehte sie Dokumentar- und Spielfilme, wobei sie das mit zahlreichen Preisen (u. a. beim FilmFestival Cottbus) ausgezeichnete Drama „Dzikie róże / Wild Roses“ (2017) international bekannt machte.
“The longing for your homeland never goes away,” says the filmmaker Bahar Bektaş. Her brother is in prison in Germany. He is supposed to be deported and is waiting for the early transfer to Turkey he has requested. Because there seems to be no end to the waiting, Bahar turns her camera on her Alevi Kurdish family and examines the consequences of being uprooted. Ina Borrmann
Credits:
DE 2024, 100 Min., Deutsch, Türkisch mit deutschen Untertiteln Regie: Bahar Bektaş. Kamera: Antonia Kilian und Meret Madörin Schnitt: Arash Asadi
Trailer:
Exile never ends | offizieller deutscher Trailer
The 70-year-old Mahin has been living alone in Tehran since her husband died and her daughter left for Europe. One afternoon, tea with friends leads her to break her solitary routine and revitalise her love life. But as Mahin opens herself up to a new romance, what begins as an unexpected encounter quickly evolves into an unpredictable, unforgettable evening.
Credits:
Keyke mahboobe man / My favourite cake IR/FR/SE/DE 2024, 97 Min., farsi OmU Regie: Maryam Moghaddam, Behtash Sanaeeha Kamera: Mohammad Haddadi Schnitt: Ata Mehrad, Behtash Sanaeeha, Ricardo Saraiva mit: Lily Farhadpour, Esmail Mehrabi,
Lucy is a 32-year-old woman living in Los Angeles with her best friend Jane and working as a receptionist at a spa. She finds little satisfaction in her romantic life, including with her friend Ben, who becomes frustrated at her continued avoidance of his advances. Jane receives a work promotion that will require her to relocate to London, and goes out for drinks with Lucy and Jane’s boyfriend Danny to celebrate. After Jane confesses to kissing a female friend as a teenager, Lucy drunkenly tells her that she thinks she might be a lesbian. Jane encourages her to explore her feelings, suggesting that Lucy should pursue her flirtatious massage therapist co-worker Brittany.
Lucy invites Brittany to her house for dinner, but receives mixed signals as Brittany shares about her ex-boyfriend, but also declares her sexuality to be „on the spectrum” and kisses her before leaving. Jane brings Lucy to a lesbian bar, but Lucy is shy and soon leaves after seeing Jane kissing other women on the dance floor; the two fight and stop speaking. Lucy meets up with Brittany again. The two have sex, but Brittany quickly leaves the following morning and becomes distant, later reconciling with her ex-boyfriend. Meanwhile, Jane deals with the pressures of her upcoming move, including her self-absorbed co-worker Kat and Danny’s confession that he does not want to join Jane in London as she assumed he would.
Lucy quits her job to return to her passion of painting, and begins meeting other women on dating apps. She comes out to Ben, and the two reconcile as friends. After going on a „hammock retreat” with Kat, Jane makes up with Lucy, excitedly offering support for the changes in her life. Lucy offers to drive Jane to the airport as she heads to London, only to reveal that she will be joining her on the trip to help ease her transition.
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