Black Dog

A film by Guan Hu. In Mandarin with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

On the edge of the Gobi desert in Northwest China, Lang returns to his home­town after being released from jail. While working for the local dog pat­rol team to clear the town of stray dogs befo­re the Olympic Games, he strikes up an unli­kely con­nec­tion with a black dog. These two lonely souls now embark on a new jour­ney together.

Credits:

GOU ZHEN
CN 2024, 110 Min., Mandarin OmU
Regie: Guan Hu
Kamera: Gao Weizhe
mit
Eddie Peng, Zhangke Jia, Jing Liang

Trailer:
BLACK DOGWEGGEFÄHRTEN | offi­zi­el­ler Trailer mit Dt. Untertiteln | ab 12. Dezember im Kino
nach oben

Archives: Events

  • Black Dog

    Black Dog

    A film by Guan Hu. In Mandarin with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    On the edge of the Gobi desert in Northwest China, Lang returns to his home­town after being released from jail. While working for the local dog pat­rol team to clear the town of stray dogs befo­re the Olympic Games, he strikes up an unli­kely con­nec­tion with a black dog. These two lonely souls now embark on a new jour­ney together.

    Credits:

    GOU ZHEN
    CN 2024, 110 Min., Mandarin OmU
    Regie: Guan Hu
    Kamera: Gao Weizhe
    mit
    Eddie Peng, Zhangke Jia, Jing Liang

    Trailer:
    BLACK DOGWEGGEFÄHRTEN | offi­zi­el­ler Trailer mit Dt. Untertiteln | ab 12. Dezember im Kino
    nach oben
  • Die Saat des heiligen Feigenbaums

    Die Saat des heiligen Feigenbaums

    A film by Mohammad Rasoulof. In Farsi with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    A tar­get of Iran’s hard­li­ne con­ser­va­ti­ve govern­ment for his films’ cri­ti­cism of the sta­te, direc­tor Mohammad Rasoulof fled his home coun­try to avo­id an eight-year pri­son sen­tence, though he hadn’t finis­hed editing his latest film yet. His sea­ring dra­ma The Seed of the Sacred Fig won a Special Prize from the jury and three other awards on its pre­mie­re at the Cannes Film Festival. The film is every bit as urgent and grip­ping as its real-life back­story would por­tend: long­time govern­ment worker Iman (Missagh Zareh) has just recei­ved a major pro­mo­ti­on to the role of judge’s inves­ti­ga­tor, to the hop­eful delight of his wife Najmeh (Soheila Golestani); at the same moment, a series of stu­dent pro­tests against the govern­ment have explo­ded in the streets, sto­king the sym­pa­thies of their inde­pen­dent-min­ded daugh­ters Rezvan (Mahsa Rostami) and Sana (Setareh Maleki). The gro­wing wedge bet­ween pro­gres­si­ve child­ren and tra­di­tio­nal par­ents inten­si­fies through a series of unsett­ling events that put Iman’s future in jeo­par­dy. Both para­noia thril­ler and dome­stic dra­ma, The Seed of the Sacred Fig is abo­ve all an epic of anti-patri­ar­chal poli­ti­cal conviction.

    Credits:

    IR, DE, FR 2024, 168 Min., far­si OmU
    Regie: Mohammad Rasoulof
    Kamera: Pooyan Aghababaei
    Schnitt: Andrew Bird
    mit Missagh Zareh, Soheila Golestani, Mahsa Rostami, Setareh Maleki, Niousha Akhshi

    Trailer:
    The Seed of the Sacred Fig – Trailer OV/d
    nach oben
  • All we imagine as light

    All we imagine as light

    A film by Payal Kapadia. In Malayalam and Hindi with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    In Mumbai, Nurse Prabha’s rou­ti­ne is trou­bled when she recei­ves an unex­pec­ted gift from her estran­ged hus­band. Her youn­ger room­ma­te, Anu, tri­es in vain to find a spot in the city to be inti­ma­te with her boy­fri­end. A trip to a beach town allows them to find a space for their desi­res to manifest.

    Competition Cannes Filmfestival 2024: Grand Prix.

    Credits:

    IN, FR, NL, LU 2024, 114 Min., Malayalam, Hindi OmU
    Regie: Payal Kapadia
    Kamera: Rabadir Das
    Schnitt: Clément Pinteaux
    mit Kani Kusruti, Divya Prabha, Chhaya Kadam, Hridhu Haroon 

    Trailer:
    nach oben
  • No Other Land

    No Other Land

    A film by Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor. In Arabic, Hebrew and English with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    Basel Adra, a young Palestinian acti­vist from Masafer Yatta on the West Bank, has been fight­ing the mass expul­si­on of his com­mu­ni­ty by Israel’s occu­pa­ti­on sin­ce child­hood. He docu­ments the slow-moti­on era­di­ca­ti­on of the vil­la­ges in his home regi­on whe­re sol­diers deploy­ed by the Israeli govern­ment are gra­du­al­ly demo­li­shing hou­ses and dri­ving out their resi­dents. At some point, he meets Yuval, an Israeli jour­na­list, who sup­ports him in his efforts. An unli­kely alli­ance deve­lo­ps. But the rela­ti­onship bet­ween the two is strai­ned by the enorm­ous ine­qua­li­ty bet­ween them: Basel lives under mili­ta­ry occu­pa­ti­on while Yuval lives free­ly and wit­hout rest­ric­tions.
    This film by a Palestinian-Israeli coll­ec­ti­ve of four young acti­vists has been made as an act of crea­ti­ve resis­tance on the path to grea­ter justice.

    Credits:

    PS/NO 2024, 95 Min., Arabisch, Hebräisch, Englisch OmU
    Regie & Schnitt: Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor

    Kamera: Rachel Szor 

    Trailer:
    nach oben
  • Shambhala

    Shambhala

    A film by Min Bahadur Bham. In Tibetian and Nepali with German and English subtitles

    [Credits] [Tickets & Termine] [Trailer]

    In the heart of the Nepalese Himalayas, the spi­ri­ted Pema embraces a poly­and­rous mar­ria­ge with Tashi and his two youn­ger brot­hers. They initi­al­ly lead a har­mo­nious life, but when Tashi fails to return from a tra­ding trip to Lhasa, the legi­ti­ma­cy of Pema’s unborn child is ques­tio­ned by her com­mu­ni­ty. Determined to pro­ve her love and puri­ty, she embarks on a quest to find Tashi. Accompanied by her brot­her-in-law, her now de fac­to spou­se Karma, she goes into the wil­der­ness. Karma is a monk. After initi­al­ly resis­ting giving up his monastic life, he gra­du­al­ly comes to app­re­cia­te the simp­le exis­tence of a secu­lar life. However, urgent duties call him back to the monas­tery and Pema is left alo­ne. As she navi­ga­tes the harsh Himalayan ter­rain, her quest tran­s­cends the search for her miss­ing hus­band. Pema beco­mes incre­asing­ly immer­sed in a spi­ri­tu­al search for mea­ning in which every step brings her clo­ser to self-dis­co­very and liberation.

    Credits:

    NP/FR/NO/HK/CN/TK/TW/US/QA 2024, 150 Min.,
    Tibetisch, Nepali Originalfassung mit deut­schen und eng­li­schen Untertiteln
    Regie: Min Bahadur Bham
    Kamera: Aziz Zhambakiyev
    Schnitt: Liao Ching Sung, Kiran Shrestha
    mit: Thinley Lhamo, Sonam Topden, Tenzin Dalha, Karma Wangyal Gurung, Karma Shakya, Loten Namling, Tsering Lhamo Gurung, Janga Bahadur Lama 

    Trailer:
    SHAMBHALA l OmU Trailer
    nach oben
  • Die Saat des heiligen Feigenbaums

    Die Saat des heiligen Feigenbaums

    A film by Mohammad Rasoulof. In Farsi with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    A tar­get of Iran’s hard­li­ne con­ser­va­ti­ve govern­ment for his films’ cri­ti­cism of the sta­te, direc­tor Mohammad Rasoulof fled his home coun­try to avo­id an eight-year pri­son sen­tence, though he hadn’t finis­hed editing his latest film yet. His sea­ring dra­ma The Seed of the Sacred Fig won a Special Prize from the jury and three other awards on its pre­mie­re at the Cannes Film Festival. The film is every bit as urgent and grip­ping as its real-life back­story would por­tend: long­time govern­ment worker Iman (Missagh Zareh) has just recei­ved a major pro­mo­ti­on to the role of judge’s inves­ti­ga­tor, to the hop­eful delight of his wife Najmeh (Soheila Golestani); at the same moment, a series of stu­dent pro­tests against the govern­ment have explo­ded in the streets, sto­king the sym­pa­thies of their inde­pen­dent-min­ded daugh­ters Rezvan (Mahsa Rostami) and Sana (Setareh Maleki). The gro­wing wedge bet­ween pro­gres­si­ve child­ren and tra­di­tio­nal par­ents inten­si­fies through a series of unsett­ling events that put Iman’s future in jeo­par­dy. Both para­noia thril­ler and dome­stic dra­ma, The Seed of the Sacred Fig is abo­ve all an epic of anti-patri­ar­chal poli­ti­cal conviction.

    Credits:

    IR, DE, FR 2024, 168 Min., far­si OmU
    Regie: Mohammad Rasoulof
    Kamera: Pooyan Aghababaei
    Schnitt: Andrew Bird
    mit Missagh Zareh, Soheila Golestani, Mahsa Rostami, Setareh Maleki, Niousha Akhshi

    Trailer:
    The Seed of the Sacred Fig – Trailer OV/d
    nach oben
  • Filmstunde_23

    Filmstunde_23

    A film by Jörg Adolph, Edgar Reitz. In German.

    [Credits] [Tickets & Termine] [Trailer]

    In 1968, a class­room in a girls’ high school in Munich is trans­for­med into a film stu­dio under the direc­tion of the young Edgar Reitz. The film les­son beg­ins: the first docu­men­ted attempt in cine­ma histo­ry to teach film aes­the­tics as a stand-alo­ne sub­ject. In 2023, Edgar Reitz, now world-famous as the direc­tor of the film epic Heimat, is approa­ched by an elder­ly woman who iden­ti­fies hers­elf as one of his pupils from 1968. The two arran­ge a class reuni­on. Compiled from a docu­men­ta­ry made about the pro­ject at the time, the Super 8 films shot by the pupils and the film­ed reuni­on in 2023, a kind of long expo­sure of the last 55 years of film histo­ry is crea­ted. Are the per­so­na­li­ties of the pupils alre­a­dy evi­dent in the exer­cise films? And what do the women have to say now about con­tem­po­ra­ry film cul­tu­re? Filmstunde_23 is a decla­ra­ti­on of love for filmmaking.

    Credits:

    DE 2024, 89 Min.,
    Regie: Jörg Adolph, Edgar Reitz

    Kamera: Matthias Reitz-Zausinger, Markus Schindler, Daniel Schönauer, Thomas Mauch (1968), Dedo Weigert (1968)
    Schnitt: Jörg Adolph, Anja Pohl

    Trailer:
    FILMSTUNDE_23 – Offizieller Trailer
    nach oben
  • The Outrun

    The Outrun

    A film by Nora Fingscheidt. In English with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    After an absence of more than ten years, Rona returns to her home on the remo­te Orkney Islands in Scotland. As she redis­co­vers the uni­que, wild land­scape in which she grew up, her child­hood memo­ries ming­le with tho­se from her more recent times as an addict. Her depar­tu­re for the city and sub­se­quent dis­so­lu­te years in London resul­ted in a pain­ful fall. But litt­le by litt­le, her encoun­ter with the enchan­ted, wind-bat­te­red coasts of the islands beco­mes a chan­ce for a new life.
    Nora Fingscheidt’s adapt­a­ti­on of Amy Liptot’s auto­bio­gra­phi­cal best­sel­ler uses har­ro­wing flash­backs to depict Rona’s down­ward spi­ral in London and her time in a strict rehab pro­gram­me. However, the focus of the film is on her libe­ra­ti­on from per­so­nal demons through a con­nec­tion with the natu­re of her child­hood home.

    Credits:

    GB/DE 2024, 117 Min., engl. OmU
    Regie: Nora Fingscheidt
    Kamera: Yunus Roy Imer
    Schnitt: Stephan Bechinger
    mit Saoirse Ronan, Paapa Essiedu, Stephen Dillane, Saskia Reeves, Nabil Elouahabi, Izuka Hoyle, Lauren Lyle 

    Trailer:
    nach oben
  • Remake Remix Rip-Off

    Remake Remix Rip-Off

    Sorry, this ent­ry is only available in Deutsch.

    Eine Veranstaltung in Zusammenarbeit mit 35k mit anschlie­ßen­dem Gespräch mit Cem Kaya. Am 12.1. um 17:45 im fsk.

    [Credits] [Tickets] [Trailer]

    Cem Kaya, der mit Yeşilçam Filmen aus den tür­ki­schen Videotheken in Deutschland auf­wuchs, zeich­net in sei­nem Dokumentarfilm die Kopierpraxis der tür­ki­schen Filmemacher von den Anfängen des tür­ki­schen Kinos bis hin zu den heu­ti­gen Fernsehserien nach. Denn der Fernsehserienmarkt in der Türkei ist selbst­ver­ständ­lich einer der größ­ten der Welt. In Istanbul sprach der Filmemacher mit Regie-Altmeistern, Produzenten, Schauspielern, Kinobetreibern und Filmwissenschaftlern, über die tur­bu­len­te Kinogeschichte des Landes. Die Arbeiten an sei­nem Kompilationsfilm erstreck­ten sich über sie­ben Jahre, in denen tau­sen­de Filme gesich­tet und etwa hun­dert Interviews geführt wurden.

    Credits:

    DE 2015, 100 Min., türk OmeU
    Regie & Schnitt: Cem Kaya

    Kamera: Meryem Yavuz, Tan Kurttekin

    Trailer:
    Remake, Remix, Rip-Off – Kopierkultur und das tür­ki­sche Pop-Kino (Trailer)
    nach oben
  • Die Saat des heiligen Feigenbaums

    Die Saat des heiligen Feigenbaums

    A film by Mohammad Rasoulof. In Farsi with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    A tar­get of Iran’s hard­li­ne con­ser­va­ti­ve govern­ment for his films’ cri­ti­cism of the sta­te, direc­tor Mohammad Rasoulof fled his home coun­try to avo­id an eight-year pri­son sen­tence, though he hadn’t finis­hed editing his latest film yet. His sea­ring dra­ma The Seed of the Sacred Fig won a Special Prize from the jury and three other awards on its pre­mie­re at the Cannes Film Festival. The film is every bit as urgent and grip­ping as its real-life back­story would por­tend: long­time govern­ment worker Iman (Missagh Zareh) has just recei­ved a major pro­mo­ti­on to the role of judge’s inves­ti­ga­tor, to the hop­eful delight of his wife Najmeh (Soheila Golestani); at the same moment, a series of stu­dent pro­tests against the govern­ment have explo­ded in the streets, sto­king the sym­pa­thies of their inde­pen­dent-min­ded daugh­ters Rezvan (Mahsa Rostami) and Sana (Setareh Maleki). The gro­wing wedge bet­ween pro­gres­si­ve child­ren and tra­di­tio­nal par­ents inten­si­fies through a series of unsett­ling events that put Iman’s future in jeo­par­dy. Both para­noia thril­ler and dome­stic dra­ma, The Seed of the Sacred Fig is abo­ve all an epic of anti-patri­ar­chal poli­ti­cal conviction.

    Credits:

    IR, DE, FR 2024, 168 Min., far­si OmU
    Regie: Mohammad Rasoulof
    Kamera: Pooyan Aghababaei
    Schnitt: Andrew Bird
    mit Missagh Zareh, Soheila Golestani, Mahsa Rostami, Setareh Maleki, Niousha Akhshi

    Trailer:
    The Seed of the Sacred Fig – Trailer OV/d
    nach oben