Miroirs No.3

A film by Christian Petzold. In German with English subtitles.

[Credits] [Tickets & Termine] [Trailer]

On a weekend trip to the coun­try­si­de, Laura mira­cu­lous­ly sur­vi­ves a car crash. Physically unhurt but deep­ly shaken, she is taken in by a local woman who wit­nessed the acci­dent and now cares for Laura with mother­ly devo­ti­on. When her hus­band and adult son also give up their initi­al resis­tance to Laura’s pre­sence, the four of them slow­ly build up some fami­ly-like rou­ti­ne. But soon they can no lon­ger igno­re their past…

Credits:

DE 2025, 86 Min., deut­sche OmeU
Regie: Christian Petzold

Schnitt:  Bettina Böhler
Kamera: Hans Fromm

mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs

Trailer:
Trailer MIROIRS NO. 3 – ab 18. September im Kino
nach oben

Category: Vorstellung

  • Miroirs No.3

    Miroirs No.3

    A film by Christian Petzold. In German with English subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    On a weekend trip to the coun­try­si­de, Laura mira­cu­lous­ly sur­vi­ves a car crash. Physically unhurt but deep­ly shaken, she is taken in by a local woman who wit­nessed the acci­dent and now cares for Laura with mother­ly devo­ti­on. When her hus­band and adult son also give up their initi­al resis­tance to Laura’s pre­sence, the four of them slow­ly build up some fami­ly-like rou­ti­ne. But soon they can no lon­ger igno­re their past…

    Credits:

    DE 2025, 86 Min., deut­sche OmeU
    Regie: Christian Petzold

    Schnitt:  Bettina Böhler
    Kamera: Hans Fromm

    mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs

    Trailer:
    Trailer MIROIRS NO. 3 – ab 18. September im Kino
    nach oben
  • Miroirs No.3

    Miroirs No.3

    A film by Christian Petzold. In German with English subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    On a weekend trip to the coun­try­si­de, Laura mira­cu­lous­ly sur­vi­ves a car crash. Physically unhurt but deep­ly shaken, she is taken in by a local woman who wit­nessed the acci­dent and now cares for Laura with mother­ly devo­ti­on. When her hus­band and adult son also give up their initi­al resis­tance to Laura’s pre­sence, the four of them slow­ly build up some fami­ly-like rou­ti­ne. But soon they can no lon­ger igno­re their past…

    Credits:

    DE 2025, 86 Min., deut­sche OmeU
    Regie: Christian Petzold

    Schnitt:  Bettina Böhler
    Kamera: Hans Fromm

    mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs

    Trailer:
    Trailer MIROIRS NO. 3 – ab 18. September im Kino
    nach oben
  • Karla

    Karla

    A film by Christina Tournatzés. In German with English subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    1962 – Twelve-year-old Karla is a wit­ness in court. She files char­ges against the very per­son who was sup­po­sed to pro­tect her: Her father. Judge Lamy is the hope at her side.

    Credits:

    DE 2025, 104 Min., deut­sche Originalfassung mit eng­li­schen Untertiteln
    Regie: Christina Tournatzés
    Kamera: Florian Emmerich
    Schnitt: Isabel Meier
    mit: Elise Krieps, Rainer Bock, Imogen Kogge, Torben Liebrecht, Katharina Schüttler

    Trailer:
    nach oben
  • Kontinental ’25

    Kontinental ’25

    A film by Radu Jude. In Romanian, Hungarian and German with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    Cluj, Transylvania. After being dri­ven from his shel­ter in a house cel­lar, a home­l­ess man com­mits sui­ci­de. Orsolya, the bai­liff who car­ri­ed out the evic­tion, is impel­led to make various attempts to address her fee­lings of guilt. Using a mix­tu­re of dra­ma and come­dy, topics as diver­se as the housing cri­sis, post-socia­list eco­no­mics, natio­na­lism and the power of lan­guage to main­tain social sta­tus are dis­sec­ted with a sharp, absur­dist scal­pel, in a movie-lite­ra­te nar­ra­ti­ve that plays part­ly as a homage to Rossellini’s Europa ’51 – not least in the mode­s­ty of this inde­pen­dent, low-bud­get production’s means. But while in Rossellini’s film a woman’s cri­sis of con­sci­ence leads to meaningful acti­vi­ty, here the prot­ago­nist facing the dilem­ma is unable to find any­bo­dy to under­stand her and beco­mes incre­asing­ly despe­ra­te for exter­nal reassu­rance and vali­da­ti­on, in a man­ner that would be easy to con­demn if Orsolya’s moral rela­ti­vism were not such an uncom­for­ta­b­ly accu­ra­te reflec­tion of a modern-day malai­se from which few of us are whol­ly immune.

    Credits:

    RO 2025, 109 Min., Rumänisch, Ungarisch, Deutsch OmU
    Regie: Radu Jude
    Schnitt: Cătălin Cristuțiu
    Kamera: Marius Panduru
    mit: Eszter Tompa, Gabriel Spahiu, Adonis Tanța, Oana Mardare, Șerban Pavlu, Annamária Biluska, Ilinca Manolache

    Trailer:
    KONTINENTAL ’25 by Radu Jude | Trailer | Berlinale 2025

    Im Kino mit deut­schen Untertiteln.

    nach oben
  • A House of Dynamite

    A House of Dynamite

    A film by Kathryn Bigelow. In English with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    When a sin­gle, unat­tri­bu­ted mis­sile is laun­ched at the United States, a race beg­ins to deter­mi­ne who is respon­si­ble and how to respond.

    Director’s Statement
    I grew up in an era when hiding under your school desk was con­side­red the go-to pro­to­col for sur­vi­ving an ato­mic bomb. It seems absurd now — and it was — but at the time, the thre­at felt so imme­dia­te that such mea­su­res were taken serious­ly. Today, the dan­ger has only escala­ted. Multiple nati­ons pos­sess enough nuclear wea­pons to end civi­li­sa­ti­on within minu­tes. And yet, there’s a kind of coll­ec­ti­ve numb­ness — a quiet nor­ma­li­sa­ti­on of the unthinkable. How can we call this “defen­se” when the ine­vi­ta­ble out­co­me is total des­truc­tion?
    I wan­ted to make a film that con­fronts this para­dox — to explo­re the mad­ness of a world that lives under the con­stant shadow of anni­hi­la­ti­on, yet rare­ly speaks of it.

    Credits:

    US 2025, 112 Min., Englisch OmU
    Regie: Kathryn Bigelow
    Kamera: Barry Ackroyd
    Schnitt: Kirk Baxter
    mit: Idris Elba, Rebecca Ferguson, Gabriel Basso, Jason Clarke, Greta Lee, Jared Harris, Tracy Letts, Anthony Ramos, Moses Ingram und Jonah Hauer-King

    Trailer:
    nach oben

  • Miroirs No.3

    Miroirs No.3

    A film by Christian Petzold. In German with English subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    On a weekend trip to the coun­try­si­de, Laura mira­cu­lous­ly sur­vi­ves a car crash. Physically unhurt but deep­ly shaken, she is taken in by a local woman who wit­nessed the acci­dent and now cares for Laura with mother­ly devo­ti­on. When her hus­band and adult son also give up their initi­al resis­tance to Laura’s pre­sence, the four of them slow­ly build up some fami­ly-like rou­ti­ne. But soon they can no lon­ger igno­re their past…

    Credits:

    DE 2025, 86 Min., deut­sche OmeU
    Regie: Christian Petzold

    Schnitt:  Bettina Böhler
    Kamera: Hans Fromm

    mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs

    Trailer:
    Trailer MIROIRS NO. 3 – ab 18. September im Kino
    nach oben
  • Karla

    Karla

    A film by Christina Tournatzés. In German with English subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    1962 – Twelve-year-old Karla is a wit­ness in court. She files char­ges against the very per­son who was sup­po­sed to pro­tect her: Her father. Judge Lamy is the hope at her side.

    Credits:

    DE 2025, 104 Min., deut­sche Originalfassung mit eng­li­schen Untertiteln
    Regie: Christina Tournatzés
    Kamera: Florian Emmerich
    Schnitt: Isabel Meier
    mit: Elise Krieps, Rainer Bock, Imogen Kogge, Torben Liebrecht, Katharina Schüttler

    Trailer:
    nach oben
  • Kontinental ’25

    Kontinental ’25

    A film by Radu Jude. In Romanian, Hungarian and German with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    Cluj, Transylvania. After being dri­ven from his shel­ter in a house cel­lar, a home­l­ess man com­mits sui­ci­de. Orsolya, the bai­liff who car­ri­ed out the evic­tion, is impel­led to make various attempts to address her fee­lings of guilt. Using a mix­tu­re of dra­ma and come­dy, topics as diver­se as the housing cri­sis, post-socia­list eco­no­mics, natio­na­lism and the power of lan­guage to main­tain social sta­tus are dis­sec­ted with a sharp, absur­dist scal­pel, in a movie-lite­ra­te nar­ra­ti­ve that plays part­ly as a homage to Rossellini’s Europa ’51 – not least in the mode­s­ty of this inde­pen­dent, low-bud­get production’s means. But while in Rossellini’s film a woman’s cri­sis of con­sci­ence leads to meaningful acti­vi­ty, here the prot­ago­nist facing the dilem­ma is unable to find any­bo­dy to under­stand her and beco­mes incre­asing­ly despe­ra­te for exter­nal reassu­rance and vali­da­ti­on, in a man­ner that would be easy to con­demn if Orsolya’s moral rela­ti­vism were not such an uncom­for­ta­b­ly accu­ra­te reflec­tion of a modern-day malai­se from which few of us are whol­ly immune.

    Credits:

    RO 2025, 109 Min., Rumänisch, Ungarisch, Deutsch OmU
    Regie: Radu Jude
    Schnitt: Cătălin Cristuțiu
    Kamera: Marius Panduru
    mit: Eszter Tompa, Gabriel Spahiu, Adonis Tanța, Oana Mardare, Șerban Pavlu, Annamária Biluska, Ilinca Manolache

    Trailer:
    KONTINENTAL ’25 by Radu Jude | Trailer | Berlinale 2025

    Im Kino mit deut­schen Untertiteln.

    nach oben
  • A House of Dynamite

    A House of Dynamite

    A film by Kathryn Bigelow. In English with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    When a sin­gle, unat­tri­bu­ted mis­sile is laun­ched at the United States, a race beg­ins to deter­mi­ne who is respon­si­ble and how to respond.

    Director’s Statement
    I grew up in an era when hiding under your school desk was con­side­red the go-to pro­to­col for sur­vi­ving an ato­mic bomb. It seems absurd now — and it was — but at the time, the thre­at felt so imme­dia­te that such mea­su­res were taken serious­ly. Today, the dan­ger has only escala­ted. Multiple nati­ons pos­sess enough nuclear wea­pons to end civi­li­sa­ti­on within minu­tes. And yet, there’s a kind of coll­ec­ti­ve numb­ness — a quiet nor­ma­li­sa­ti­on of the unthinkable. How can we call this “defen­se” when the ine­vi­ta­ble out­co­me is total des­truc­tion?
    I wan­ted to make a film that con­fronts this para­dox — to explo­re the mad­ness of a world that lives under the con­stant shadow of anni­hi­la­ti­on, yet rare­ly speaks of it.

    Credits:

    US 2025, 112 Min., Englisch OmU
    Regie: Kathryn Bigelow
    Kamera: Barry Ackroyd
    Schnitt: Kirk Baxter
    mit: Idris Elba, Rebecca Ferguson, Gabriel Basso, Jason Clarke, Greta Lee, Jared Harris, Tracy Letts, Anthony Ramos, Moses Ingram und Jonah Hauer-King

    Trailer:
    nach oben

  • Kein Land für Niemand – Abschottung eines Einwanderungslandes

    Kein Land für Niemand – Abschottung eines Einwanderungslandes

    A film by Max Ahrens & Maik Lüdemann

    [Credits] [Tickets & Termine] [Trailer]

    When, at the begin­ning of 2025, a moti­on on migra­ti­on poli­cy is pas­sed in the Bundestag with the sup­port of the AfD, a par­ty clas­si­fied as right-wing extre­mist, the poli­ti­cal land­scape is shaken and a nati­on­wi­de wave of pro­tests is trig­ge­red. Nevertheless, the so-cal­led ‘migra­ti­on deba­te’ is in full swing and is incre­asing­ly domi­na­ted by right-wing posi­ti­ons that stir up fears and end­an­ger not only human lives at Europe’s exter­nal bor­ders. KEIN LAND FÜR NIEMAND (No Country for Anyone) sets out to inves­ti­ga­te the cau­ses of this development.

    The film crew accom­pa­nies a civi­li­an res­cue mis­si­on in the Mediterranean, pro­vi­des insight into the tigh­tening of European asyl­um law, lets refu­gees descri­be their per­spec­ti­ves and, in dia­lo­gue with acti­vists, sci­en­tists and publi­cists, ana­ly­ses the dyna­mics behind the shift to the right.

    Credits:

    DE 2025, 111 Min., OmU
    Regie: Max Ahrens & Maik Lüdemann
    Kamera: Nils Kohstall, Maik Lüdemann
    Schnitt: Lino Thaesler

    Trailer:
    Kein Land für Niemand – Abschottung eines Einwanderungslandes (Trailer)
    nach oben