1962 – Twelve-year-old Karla is a witness in court. She files charges against the very person who was supposed to protect her: Her father. Judge Lamy is the hope at her side.
Credits:
DE 2025, 104 Min., deutsche Originalfassung mit englischen Untertiteln Regie: Christina Tournatzés Kamera: Florian Emmerich Schnitt: Isabel Meier mit: Elise Krieps, Rainer Bock, Imogen Kogge, Torben Liebrecht, Katharina Schüttler
1962 – Twelve-year-old Karla is a witness in court. She files charges against the very person who was supposed to protect her: Her father. Judge Lamy is the hope at her side.
Credits:
DE 2025, 104 Min., deutsche Originalfassung mit englischen Untertiteln Regie: Christina Tournatzés Kamera: Florian Emmerich Schnitt: Isabel Meier mit: Elise Krieps, Rainer Bock, Imogen Kogge, Torben Liebrecht, Katharina Schüttler
1962 – Twelve-year-old Karla is a witness in court. She files charges against the very person who was supposed to protect her: Her father. Judge Lamy is the hope at her side.
Credits:
DE 2025, 104 Min., deutsche Originalfassung mit englischen Untertiteln Regie: Christina Tournatzés Kamera: Florian Emmerich Schnitt: Isabel Meier mit: Elise Krieps, Rainer Bock, Imogen Kogge, Torben Liebrecht, Katharina Schüttler
The film tells the story of the 2020 racist attack in the city of Hanau in the German state of Hesse from the perspective of the bereaved relatives and the survivors. Within the space of just a few minutes, the perpetrator shot nine young people dead because he did not consider them to be German. What are the direct and long-term consequences of such an attack on people and their city? Director Marcin Wierzchowski accompanied the protagonists for four years as they faced their grief and strived to come to terms with the loss of a loved one. But the film also reveals their struggle for recognition and a sense of belonging in the country they call home. The relatives feel abandoned by the authorities and politicians alike because, despite many words of sympathy, they themselves are left to uncover the circumstances of the crime. In the process, they encounter the cold bureaucracy of a system that is woefully unprepared for such an attack – even though right-wing terror is a tragically commonplace part of German history.
Credits:
DE 2025, 132 Min., Deutsch, Rumänisch, Türkisch, Englisch OmU Regie: Marcin Wierzchowski Schnitt: Stefan Oliveira-Pita Kamera: Marcin Wierzchowski, Peter Peiker
Four girls, Alma, Erika, Angelika, and Lenka, each spend their youth on the same farm in northern Germany. As the home evolves over a century, echoes of the past linger in its walls. Though separated by time, their lives begin to mirror each other.
Cannes 2025 – Jury Prize
Credits:
DE 2024, 149 Min., Regie: Mascha Schilinski Kamera: Fabian Gamper Schnitt: Evelyn Rack Darsteller*innen: Luise Heyer, Lena Urzendowsky, Claudia Geisler-Bading, Lea Drinda, Hanna Heckt
Trailer:
Kinotrailer „In die Sonne schauen” – Kinostart 28. August 2025
Adi (17) is spending the summer in his home village in the Danube Delta. One night he is brutally attacked on the street, the next day his world is turned upside-down. His parents no longer look at him as they did, and the seeming tranquility of the village starts to crack.
In November 1992, a racist arson attack in Mölln shattered the lives of İbrahim Arslan and his family. At just seven years old, İbrahim survived, but he lost his sister, his cousin and his grandmother. In the aftermath of the attacks, the city received hundreds of letters of solidarity which were ignored for nearly three decades. Woven into İbrahim’s poignant journey of discovery and his encounters with three letter writers, these rediscovered letters form a visual and emotional bridge between past and present. The film follows İbrahim and his siblings, painting a complex portrait of the lasting trauma that continues to affect them to this day. While İbrahim has found a way to cope by fighting against racism and advocating for a remembrance culture centred on the victims’ perspectives, his brother Namik is still at the beginning of his journey to come to terms with the traumatic experiences. The film not only amplifies the perspectives of the victims and survivors but also uncovers the vibrant solidarity that once existed – a solidarity of which the victims and survivors were previously unaware. It offers a new perspective on remembrance – one that takes the voices of survivors and their experiences seriously and provides them with the space and recognition that they deserve.
Credits:
DE 2025, 96 Min., deutsch, türkische Originalfassung mit deutschen und türkischen Untertiteln Regie: Martina Priessner Schnitt: Maja Tennstedt Kamera: Ayşe Alacakaptan, Julia Geiß
Slowly, 12-year-old Anna and her deaf mum are starting to feel a bit cramped in their flat. It’s not just the lack of privacy that’s causing friction – Anna has just started secondary school and quickly realises what’s important now: brand-name clothes and a sense of belonging. She quickly gets hold of a fake Ralph Lauren jumper, but money’s still tight. In her debut, director and author Marie Luise Lehner stages a confrontation with classist structures, which Anna tackles with a mixture of shame and grit. She finds an ally in Mara, who challenges others with feminist issues and who also lives alone with her queer father. Lehner stands by her heroes unconditionally, giving them space for introspection and outbursts, allowing them to row back and reconcile. Not fitting in allows them to get to know and appreciate who they are. Lehner flies the flag of solidarity, quite naturally and with plenty of references to pop culture. And closes with a liberating “Fuck you, Vienna”, high above the city’s rooftops.
Credits:
AT 2025, 87 Min., Deutsch, Deutsche Gebärdensprache, Englisch OmU Regie: Marie Luise Lehner Kamera: Simone Hart Schnitt: Jana Libnik, Joana Scrinzi, Alexandra Schneider mit: Siena Popović, Mariya Menner, Jessica Paar, Daniel Sea
1962 – Twelve-year-old Karla is a witness in court. She files charges against the very person who was supposed to protect her: Her father. Judge Lamy is the hope at her side.
Credits:
DE 2025, 104 Min., deutsche Originalfassung mit englischen Untertiteln Regie: Christina Tournatzés Kamera: Florian Emmerich Schnitt: Isabel Meier mit: Elise Krieps, Rainer Bock, Imogen Kogge, Torben Liebrecht, Katharina Schüttler
On a weekend trip to the countryside, Laura miraculously survives a car crash. Physically unhurt but deeply shaken, she is taken in by a local woman who witnessed the accident and now cares for Laura with motherly devotion. When her husband and adult son also give up their initial resistance to Laura’s presence, the four of them slowly build up some family-like routine. But soon they can no longer ignore their past…
Credits:
DE 2025, 86 Min., deutsche OmeU Regie: Christian Petzold Schnitt: Bettina Böhler Kamera: Hans Fromm mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs
In November 1992, a racist arson attack in Mölln shattered the lives of İbrahim Arslan and his family. At just seven years old, İbrahim survived, but he lost his sister, his cousin and his grandmother. In the aftermath of the attacks, the city received hundreds of letters of solidarity which were ignored for nearly three decades. Woven into İbrahim’s poignant journey of discovery and his encounters with three letter writers, these rediscovered letters form a visual and emotional bridge between past and present. The film follows İbrahim and his siblings, painting a complex portrait of the lasting trauma that continues to affect them to this day. While İbrahim has found a way to cope by fighting against racism and advocating for a remembrance culture centred on the victims’ perspectives, his brother Namik is still at the beginning of his journey to come to terms with the traumatic experiences. The film not only amplifies the perspectives of the victims and survivors but also uncovers the vibrant solidarity that once existed – a solidarity of which the victims and survivors were previously unaware. It offers a new perspective on remembrance – one that takes the voices of survivors and their experiences seriously and provides them with the space and recognition that they deserve.
Credits:
DE 2025, 96 Min., deutsch, türkische Originalfassung mit deutschen und türkischen Untertiteln Regie: Martina Priessner Schnitt: Maja Tennstedt Kamera: Ayşe Alacakaptan, Julia Geiß
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