On a weekend trip to the countryside, Laura miraculously survives a car crash. Physically unhurt but deeply shaken, she is taken in by a local woman who witnessed the accident and now cares for Laura with motherly devotion. When her husband and adult son also give up their initial resistance to Laura’s presence, the four of them slowly build up some family-like routine. But soon they can no longer ignore their past…
Credits:
DE 2025, 86 Min., deutsche OmeU Regie: Christian Petzold Schnitt: Bettina Böhler Kamera: Hans Fromm mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs
On a weekend trip to the countryside, Laura miraculously survives a car crash. Physically unhurt but deeply shaken, she is taken in by a local woman who witnessed the accident and now cares for Laura with motherly devotion. When her husband and adult son also give up their initial resistance to Laura’s presence, the four of them slowly build up some family-like routine. But soon they can no longer ignore their past…
Credits:
DE 2025, 86 Min., deutsche OmeU Regie: Christian Petzold Schnitt: Bettina Böhler Kamera: Hans Fromm mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs
On a weekend trip to the countryside, Laura miraculously survives a car crash. Physically unhurt but deeply shaken, she is taken in by a local woman who witnessed the accident and now cares for Laura with motherly devotion. When her husband and adult son also give up their initial resistance to Laura’s presence, the four of them slowly build up some family-like routine. But soon they can no longer ignore their past…
Credits:
DE 2025, 86 Min., deutsche OmeU Regie: Christian Petzold Schnitt: Bettina Böhler Kamera: Hans Fromm mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs
Michelle, a model grandmother, is enjoying peaceful retirement in a Burgundy village, close to her best friend Marie-Claude. On All Saints‘ Day, her daughter Valérie arrives to drop off her grandson Lucas for the school holiday week. But nothing will go to plan.
Four girls, Alma, Erika, Angelika, and Lenka, each spend their youth on the same farm in northern Germany. As the home evolves over a century, echoes of the past linger in its walls. Though separated by time, their lives begin to mirror each other.
Cannes 2025 – Jury Prize
Credits:
DE 2024, 149 Min., Regie: Mascha Schilinski Kamera: Fabian Gamper Schnitt: Evelyn Rack Darsteller*innen: Luise Heyer, Lena Urzendowsky, Claudia Geisler-Bading, Lea Drinda, Hanna Heckt
Trailer:
Kinotrailer „In die Sonne schauen” – Kinostart 28. August 2025
On a weekend trip to the countryside, Laura miraculously survives a car crash. Physically unhurt but deeply shaken, she is taken in by a local woman who witnessed the accident and now cares for Laura with motherly devotion. When her husband and adult son also give up their initial resistance to Laura’s presence, the four of them slowly build up some family-like routine. But soon they can no longer ignore their past…
Credits:
DE 2025, 86 Min., deutsche OmeU Regie: Christian Petzold Schnitt: Bettina Böhler Kamera: Hans Fromm mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs
Four girls, Alma, Erika, Angelika, and Lenka, each spend their youth on the same farm in northern Germany. As the home evolves over a century, echoes of the past linger in its walls. Though separated by time, their lives begin to mirror each other.
Cannes 2025 – Jury Prize
Credits:
DE 2024, 149 Min., Regie: Mascha Schilinski Kamera: Fabian Gamper Schnitt: Evelyn Rack Darsteller*innen: Luise Heyer, Lena Urzendowsky, Claudia Geisler-Bading, Lea Drinda, Hanna Heckt
Trailer:
Kinotrailer „In die Sonne schauen” – Kinostart 28. August 2025
Adi (17) is spending the summer in his home village in the Danube Delta. One night he is brutally attacked on the street, the next day his world is turned upside-down. His parents no longer look at him as they did, and the seeming tranquility of the village starts to crack.
In November 1992, a racist arson attack in Mölln shattered the lives of İbrahim Arslan and his family. At just seven years old, İbrahim survived, but he lost his sister, his cousin and his grandmother. In the aftermath of the attacks, the city received hundreds of letters of solidarity which were ignored for nearly three decades. Woven into İbrahim’s poignant journey of discovery and his encounters with three letter writers, these rediscovered letters form a visual and emotional bridge between past and present. The film follows İbrahim and his siblings, painting a complex portrait of the lasting trauma that continues to affect them to this day. While İbrahim has found a way to cope by fighting against racism and advocating for a remembrance culture centred on the victims’ perspectives, his brother Namik is still at the beginning of his journey to come to terms with the traumatic experiences. The film not only amplifies the perspectives of the victims and survivors but also uncovers the vibrant solidarity that once existed – a solidarity of which the victims and survivors were previously unaware. It offers a new perspective on remembrance – one that takes the voices of survivors and their experiences seriously and provides them with the space and recognition that they deserve.
Credits:
DE 2025, 96 Min., deutsch, türkische Originalfassung mit deutschen und türkischen Untertiteln Regie: Martina Priessner Schnitt: Maja Tennstedt Kamera: Ayşe Alacakaptan, Julia Geiß
On a weekend trip to the countryside, Laura miraculously survives a car crash. Physically unhurt but deeply shaken, she is taken in by a local woman who witnessed the accident and now cares for Laura with motherly devotion. When her husband and adult son also give up their initial resistance to Laura’s presence, the four of them slowly build up some family-like routine. But soon they can no longer ignore their past…
Credits:
DE 2025, 86 Min., deutsche OmeU Regie: Christian Petzold Schnitt: Bettina Böhler Kamera: Hans Fromm mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs
Adi (17) is spending the summer in his home village in the Danube Delta. One night he is brutally attacked on the street, the next day his world is turned upside-down. His parents no longer look at him as they did, and the seeming tranquility of the village starts to crack.
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