Category: Vorstellung

A film by Oliver Laxe. In Spanish and French with German subtitles.

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A father (Sergi López) and his son arri­ve at a rave deep in the moun­ta­ins of sou­thern Morocco. They’re sear­ching for Mar — daugh­ter and sis­ter — who vanis­hed months ago at one of the­se end­less, slee­p­less par­ties. Surrounded by elec­tro­nic music and a raw, unfa­mi­li­ar sen­se of free­dom, they hand out her pho­to again and again. Hope is fading but they push through and fol­low a group of ravers hea­ding to one last par­ty in the desert. As they ven­ture deeper into the bur­ning wil­der­ness, the jour­ney forces them to con­front their own limits.

Credits:

ES/FR 2025, 120 Min., span., frz. . OmU
Regie: Oliver Laxe
Kamera:  Mauro Herce
Schnitt: Cristóbal Fernández
Musik: Kangding Ray
mit: Sergi López, Bruno Núñez, Stefania Gadda, Joshua Liam Henderson

Trailer:

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A film by Julian Vogel. 

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“Mister Raw” has found the “for­mu­la for world health.” With “god’s food,” he can reju­ve­na­te the body and lead to enligh­ten­ment. Through his mas­tery of social media, he has attrac­ted a dedi­ca­ted cir­cle of fol­lo­wers who are hoo­ked on his nut­ri­ti­on advice. A grip­ping Direct Cinema film about a sce­ne that will make you shud­der. Ina Borrmann

Credits:

DE 2025, 108 Min.,
Regie: Julian Vogel & Johannes Büttner
Kamera: Julian Vogel
Schnitt Sebastian Winkels 

Trailer:

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A film by François Ozon. In French with German subtitles.

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Michelle, a model grand­mo­ther, is enjoy­ing peaceful reti­re­ment in a Burgundy vil­la­ge, clo­se to her best fri­end Marie-Claude. On All Saints‘ Day, her daugh­ter Valérie arri­ves to drop off her grand­son Lucas for the school holi­day week. But not­hing will go to plan.

Credits:

Quand vient l’au­t­om­ne
FR 2024, 102 Min., frz. OmU
Regie: François Ozon
Kamera: Jérôme Alméras
Schnitt: Anita Roth
mit: Hélène Vincent, Josiane Balasko, Ludivine Sagnier

Trailer:

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A film by Mascha Schilinski. In German.

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Four girls, Alma, Erika, Angelika, and Lenka, each spend their youth on the same farm in nor­t­hern Germany. As the home evol­ves over a cen­tu­ry, echo­es of the past lin­ger in its walls. Though sepa­ra­ted by time, their lives begin to mir­ror each other.

Cannes 2025 – Jury Prize

Credits:

DE 2024, 149 Min.,
Regie: Mascha Schilinski
Kamera: Fabian Gamper
Schnitt: Evelyn Rack
Darsteller*innen: Luise Heyer, Lena Urzendowsky, Claudia Geisler-Bading, Lea Drinda, Hanna Heckt

Trailer:

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A film by Christian Petzold. In German with English subtitles.

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On a weekend trip to the coun­try­si­de, Laura mira­cu­lous­ly sur­vi­ves a car crash. Physically unhurt but deep­ly shaken, she is taken in by a local woman who wit­nessed the acci­dent and now cares for Laura with mother­ly devo­ti­on. When her hus­band and adult son also give up their initi­al resis­tance to Laura’s pre­sence, the four of them slow­ly build up some fami­ly-like rou­ti­ne. But soon they can no lon­ger igno­re their past…

Credits:

DE 2025, 86 Min., deut­sche OmeU
Regie: Christian Petzold
Schnitt:  Bettina Böhler
Kamera: Hans Fromm
mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs

Trailer:

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A film by Scandar Copti. In Arabic and Hebrew with German subtitles.

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A midd­le-class Palestinian fami­ly in Haifa sees life spi­ral out of con­trol under the oppres­si­ve rea­li­ty of con­tem­po­ra­ry Israeli society.

The daugh­ter, Fifi, is stu­dy­ing in Jerusalem and gets into a car acci­dent; the son, Toufic, is invol­ved in secret roman­tic liai­sons and must con­t­end with an unwan­ted pregnan­cy; and the father is embroi­led in what could amount to insu­rance fraud. 

Oscar nomi­nee Scandar Copti (Ajami, 2009) pres­ents a grip­ping fami­ly dra­ma as his second fea­ture film. Led by an ensem­ble of non-pro­fes­sio­nal actors, it inter­wea­ves the sto­ries of mul­ti­ple cha­rac­ters who­se fates are unde­ni­ably – and res­entful­ly – inter­lin­ked. The cha­rac­ters in this mas­terful­ly writ­ten screen­play, groun­ded in inti­ma­te por­tra­yals of moral rela­ti­vism, walk a fine line bet­ween con­ce­ding to and resis­ting the sta­tus quo of Israeli sta­te vio­lence. The film pre­mie­red at the Venice Film Festival in 2024 and won the Horizons Award for Best Screenplay.

Credits:

PS/DE/FR/IT/QT 2025, 123 Min., Arabisch, Hebräisch OmU
Regie & Schnitt: Scandar Copti
Kamera: Tim Kuhn
mit: Manar Shehab, Wafaa Aoun, Meirav Memorsky, Toufic Danial

Trailer:

nach oben

A film by Christian Petzold. In German with English subtitles.

[Credits] [Tickets & Termine] [Trailer]

On a weekend trip to the coun­try­si­de, Laura mira­cu­lous­ly sur­vi­ves a car crash. Physically unhurt but deep­ly shaken, she is taken in by a local woman who wit­nessed the acci­dent and now cares for Laura with mother­ly devo­ti­on. When her hus­band and adult son also give up their initi­al resis­tance to Laura’s pre­sence, the four of them slow­ly build up some fami­ly-like rou­ti­ne. But soon they can no lon­ger igno­re their past…

Credits:

DE 2025, 86 Min., deut­sche OmeU
Regie: Christian Petzold
Schnitt:  Bettina Böhler
Kamera: Hans Fromm
mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs

Trailer:

nach oben

A film by Julian Vogel. 

[Credits] [Tickets & Termine] [Trailer]

“Mister Raw” has found the “for­mu­la for world health.” With “god’s food,” he can reju­ve­na­te the body and lead to enligh­ten­ment. Through his mas­tery of social media, he has attrac­ted a dedi­ca­ted cir­cle of fol­lo­wers who are hoo­ked on his nut­ri­ti­on advice. A grip­ping Direct Cinema film about a sce­ne that will make you shud­der. Ina Borrmann

Credits:

DE 2025, 108 Min.,
Regie: Julian Vogel & Johannes Büttner
Kamera: Julian Vogel
Schnitt Sebastian Winkels 

Trailer:

nach oben

A film by Oliver Laxe. In Spanish and French with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

A father (Sergi López) and his son arri­ve at a rave deep in the moun­ta­ins of sou­thern Morocco. They’re sear­ching for Mar — daugh­ter and sis­ter — who vanis­hed months ago at one of the­se end­less, slee­p­less par­ties. Surrounded by elec­tro­nic music and a raw, unfa­mi­li­ar sen­se of free­dom, they hand out her pho­to again and again. Hope is fading but they push through and fol­low a group of ravers hea­ding to one last par­ty in the desert. As they ven­ture deeper into the bur­ning wil­der­ness, the jour­ney forces them to con­front their own limits.

Credits:

ES/FR 2025, 120 Min., span., frz. . OmU
Regie: Oliver Laxe
Kamera:  Mauro Herce
Schnitt: Cristóbal Fernández
Musik: Kangding Ray
mit: Sergi López, Bruno Núñez, Stefania Gadda, Joshua Liam Henderson

Trailer:

nach oben

A film by Christian Petzold. In German with English subtitles.

[Credits] [Tickets & Termine] [Trailer]

On a weekend trip to the coun­try­si­de, Laura mira­cu­lous­ly sur­vi­ves a car crash. Physically unhurt but deep­ly shaken, she is taken in by a local woman who wit­nessed the acci­dent and now cares for Laura with mother­ly devo­ti­on. When her hus­band and adult son also give up their initi­al resis­tance to Laura’s pre­sence, the four of them slow­ly build up some fami­ly-like rou­ti­ne. But soon they can no lon­ger igno­re their past…

Credits:

DE 2025, 86 Min., deut­sche OmeU
Regie: Christian Petzold
Schnitt:  Bettina Böhler
Kamera: Hans Fromm
mit: Paula Beer, Barbara Auer, Matthias Brandt, Enno Trebs

Trailer:

nach oben