Category: Vorstellung

A film by Juan Francisco Olea. In Spanish with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

Set in the extinct world of arti­san mining in North Chile, this neo wes­tern cen­ters the strug­gles and empower­ment of a young woman, fight­ing to keep the fami­ly busi­ness against patri­ar­chal struc­tures and the law of the jungle.

Credits:

CL/MX/UY/DE 2024, 83 Min., span. OmU
Regie: Juan Francisco Olea
Kamera: Sergio Armstrong
mit: Katalina Sánchez, Francisco Melo, Michael Silva

Trailer:

nach oben

A film by Cédric Klapisch. In French with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

United by the unex­pec­ted inhe­ri­tance of a house in Normandy, four estran­ged cou­sins dis­co­ver their fami­ly histo­ry. While explo­ring the house, left untouch­ed sin­ce the 1940s, they excava­te the life of their ances­tor, Adèle Vermillard, a 20 year old woman who lived the­re in 1895. The end of the 19th cen­tu­ry saw the birth of both pho­to­gra­phy and the Impressionist move­ment, which pro­found­ly chan­ged pain­ting.
Through back-and-forth jour­neys bet­ween 1895 and 2025, they find in the relics of the past what will help them bet­ter envi­si­on their own future.

Credits:

La venue de l’a­ve­nir
FR 2024, 124 Min., fran­zö­si­sche OmU
Regie: Cédric Klapisch
Kamera: Alexis Kavyrchine
Schnitt: Anne-Sophie Bion
mit: Suzanne Lindon, Vincent Macaigne, Cécile de France, Paul Kircher, Julia Piaton, Vassili Schneider, Vincent Perez 

Trailer:

nach oben

A film by Oliver Laxe. In Spanish and French with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

A father (Sergi López) and his son arri­ve at a rave deep in the moun­ta­ins of sou­thern Morocco. They’re sear­ching for Mar — daugh­ter and sis­ter — who vanis­hed months ago at one of the­se end­less, slee­p­less par­ties. Surrounded by elec­tro­nic music and a raw, unfa­mi­li­ar sen­se of free­dom, they hand out her pho­to again and again. Hope is fading but they push through and fol­low a group of ravers hea­ding to one last par­ty in the desert. As they ven­ture deeper into the bur­ning wil­der­ness, the jour­ney forces them to con­front their own limits.

Credits:

ES/FR 2025, 120 Min., span., frz. . OmU
Regie: Oliver Laxe
Kamera:  Mauro Herce
Schnitt: Cristóbal Fernández
Musik: Kangding Ray
mit: Sergi López, Bruno Núñez, Stefania Gadda, Joshua Liam Henderson

Trailer:

nach oben

A film by Billy Shebar & David Roberts. In English with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

The pro­found cul­tu­ral influence of the com­po­ser, per­for­mer and inter­di­sci­pli­na­ry artist Meredith Monk is often over­loo­ked. As a fema­le artist, she had to fight for reco­gni­ti­on and resour­ces in the male-domi­na­ted art sce­ne of down­town New York of the 1960s and 1970s. Early reviews in “The New York Times” were vicious and sexist, with Clive Barnes cal­ling her “a dis­grace to the name of dancing” and John Rockwell opi­ning that she was “so ear­nest­ly stran­ge in a talen­ted litt­le-girl way”. And yet, as her cele­bra­ted con­tem­po­ra­ry Philip Glass says: “She, among all of us, was – and still is – the uni­que­ly gifted one.”
Monk in Pieces is a mosaic that mir­rors the struc­tu­re of her own work and illu­mi­na­tes her wild­ly ori­gi­nal voca­bu­la­ry of sound and imagery. In the film’s final chap­ters, Monk con­fronts mor­ta­li­ty. We see her wari­ly ent­rust her mas­ter­pie­ce “Atlas” to the direc­tor Yuval Sharon and sin­ger Joanna Lynn-Jacobs for a new pro­duc­tion with the Los Angeles Philharmonic. For 60 years, Monk has direc­ted and per­for­med in all her works; now she must learn to let go. What will hap­pen to such sin­gu­lar crea­ti­ons after she is gone?

Credits:

US/DE/FR 2025, 93 Min., engl. OmU
Regie: Billy Shebar, David Roberts
Kamera:  Jeff Hutchens, Ben Stechschulte
Schnitt: Sabine Krayenbühl 

Trailer:

nach oben

A film by Juan Francisco Olea. In Spanish with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

Set in the extinct world of arti­san mining in North Chile, this neo wes­tern cen­ters the strug­gles and empower­ment of a young woman, fight­ing to keep the fami­ly busi­ness against patri­ar­chal struc­tures and the law of the jungle.

Credits:

CL/MX/UY/DE 2024, 83 Min., span. OmU
Regie: Juan Francisco Olea
Kamera: Sergio Armstrong
mit: Katalina Sánchez, Francisco Melo, Michael Silva

Trailer:

nach oben

A film by Cédric Klapisch. In French with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

United by the unex­pec­ted inhe­ri­tance of a house in Normandy, four estran­ged cou­sins dis­co­ver their fami­ly histo­ry. While explo­ring the house, left untouch­ed sin­ce the 1940s, they excava­te the life of their ances­tor, Adèle Vermillard, a 20 year old woman who lived the­re in 1895. The end of the 19th cen­tu­ry saw the birth of both pho­to­gra­phy and the Impressionist move­ment, which pro­found­ly chan­ged pain­ting.
Through back-and-forth jour­neys bet­ween 1895 and 2025, they find in the relics of the past what will help them bet­ter envi­si­on their own future.

Credits:

La venue de l’a­ve­nir
FR 2024, 124 Min., fran­zö­si­sche OmU
Regie: Cédric Klapisch
Kamera: Alexis Kavyrchine
Schnitt: Anne-Sophie Bion
mit: Suzanne Lindon, Vincent Macaigne, Cécile de France, Paul Kircher, Julia Piaton, Vassili Schneider, Vincent Perez 

Trailer:

nach oben

A film by Oliver Laxe. In Spanish and French with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

A father (Sergi López) and his son arri­ve at a rave deep in the moun­ta­ins of sou­thern Morocco. They’re sear­ching for Mar — daugh­ter and sis­ter — who vanis­hed months ago at one of the­se end­less, slee­p­less par­ties. Surrounded by elec­tro­nic music and a raw, unfa­mi­li­ar sen­se of free­dom, they hand out her pho­to again and again. Hope is fading but they push through and fol­low a group of ravers hea­ding to one last par­ty in the desert. As they ven­ture deeper into the bur­ning wil­der­ness, the jour­ney forces them to con­front their own limits.

Credits:

ES/FR 2025, 120 Min., span., frz. . OmU
Regie: Oliver Laxe
Kamera:  Mauro Herce
Schnitt: Cristóbal Fernández
Musik: Kangding Ray
mit: Sergi López, Bruno Núñez, Stefania Gadda, Joshua Liam Henderson

Trailer:

nach oben

A film by Billy Shebar & David Roberts. In English with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

The pro­found cul­tu­ral influence of the com­po­ser, per­for­mer and inter­di­sci­pli­na­ry artist Meredith Monk is often over­loo­ked. As a fema­le artist, she had to fight for reco­gni­ti­on and resour­ces in the male-domi­na­ted art sce­ne of down­town New York of the 1960s and 1970s. Early reviews in “The New York Times” were vicious and sexist, with Clive Barnes cal­ling her “a dis­grace to the name of dancing” and John Rockwell opi­ning that she was “so ear­nest­ly stran­ge in a talen­ted litt­le-girl way”. And yet, as her cele­bra­ted con­tem­po­ra­ry Philip Glass says: “She, among all of us, was – and still is – the uni­que­ly gifted one.”
Monk in Pieces is a mosaic that mir­rors the struc­tu­re of her own work and illu­mi­na­tes her wild­ly ori­gi­nal voca­bu­la­ry of sound and imagery. In the film’s final chap­ters, Monk con­fronts mor­ta­li­ty. We see her wari­ly ent­rust her mas­ter­pie­ce “Atlas” to the direc­tor Yuval Sharon and sin­ger Joanna Lynn-Jacobs for a new pro­duc­tion with the Los Angeles Philharmonic. For 60 years, Monk has direc­ted and per­for­med in all her works; now she must learn to let go. What will hap­pen to such sin­gu­lar crea­ti­ons after she is gone?

Credits:

US/DE/FR 2025, 93 Min., engl. OmU
Regie: Billy Shebar, David Roberts
Kamera:  Jeff Hutchens, Ben Stechschulte
Schnitt: Sabine Krayenbühl 

Trailer:

nach oben

A film by Juan Francisco Olea. In Spanish with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

Set in the extinct world of arti­san mining in North Chile, this neo wes­tern cen­ters the strug­gles and empower­ment of a young woman, fight­ing to keep the fami­ly busi­ness against patri­ar­chal struc­tures and the law of the jungle.

Credits:

CL/MX/UY/DE 2024, 83 Min., span. OmU
Regie: Juan Francisco Olea
Kamera: Sergio Armstrong
mit: Katalina Sánchez, Francisco Melo, Michael Silva

Trailer:

nach oben

A film by Cédric Klapisch. In French with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

United by the unex­pec­ted inhe­ri­tance of a house in Normandy, four estran­ged cou­sins dis­co­ver their fami­ly histo­ry. While explo­ring the house, left untouch­ed sin­ce the 1940s, they excava­te the life of their ances­tor, Adèle Vermillard, a 20 year old woman who lived the­re in 1895. The end of the 19th cen­tu­ry saw the birth of both pho­to­gra­phy and the Impressionist move­ment, which pro­found­ly chan­ged pain­ting.
Through back-and-forth jour­neys bet­ween 1895 and 2025, they find in the relics of the past what will help them bet­ter envi­si­on their own future.

Credits:

La venue de l’a­ve­nir
FR 2024, 124 Min., fran­zö­si­sche OmU
Regie: Cédric Klapisch
Kamera: Alexis Kavyrchine
Schnitt: Anne-Sophie Bion
mit: Suzanne Lindon, Vincent Macaigne, Cécile de France, Paul Kircher, Julia Piaton, Vassili Schneider, Vincent Perez 

Trailer:

nach oben