Category: Vorstellung

A film by Dag Johan Haugerud. In Norwegian with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

A Utopian design for sexua­li­ty, rela­ti­onships and love in the 21st cen­tu­ry. Marianne is a doc­tor based in Oslo. She longs for clo­sen­ess with other peo­p­le, but she’s fed up with her sex life being con­stant­ly ana­ly­sed and ques­tio­ned by the expec­ta­ti­ons of others. One evening, she meets Tor, a nur­se and col­le­ague, on a fer­ry. He tells her of the fer­ry trips he takes when he can’t sleep and his chan­ce mee­tings with other men. Curious, Marianne starts explo­ring other designs for rela­ti­onships, off the bea­ten track.

Credits:

Love
NO 2024, 119 Min, Norwegische OmU
Regie: Dag Johan Haugerud
Kamera: Cecilie Semec
Schnitt: Jens Christian Fodstad,
mit: Andrea Bræin Hovig, Tayo Cittadella Jacobsen, Marte Engebrigtsen, Lars Jacob Holm, Thomas Gullestad

Trailer:

Im Kino mit deut­schen Untertiteln.

nach oben

A film by Daniel Abma. Starts June 5th at the fsk. In German with English subtitles.

[Credits] [Tickets & Termine] [Trailer]

When par­ents can no lon­ger ful­fil their duty of care, the children’s world often falls apart. Nothing stays as it was. Suddenly it is no lon­ger mum or dad who are in char­ge but the youth wel­fa­re sys­tem. Daniel Abma fol­lo­wed a youth housing group in a rural area over seve­ral years, show­ing pro­fes­sio­nal edu­ca­tors who want to give five boys bet­ween the ages of seven and four­teen what they need most urgen­tly, day by day: secu­ri­ty, ori­en­ta­ti­on, a home.
The docu­men­ta­ry focus is not on the child­ren but on tho­se who take the par­ents’ place. They some­ti­mes remind us of Don Quixote til­ting at the wind­mills, for the­re is a dif­fu­si­on of respon­si­bi­li­ty bet­ween school, youth wel­fa­re ser­vices, and absent mothers and fathers. Words fail when adults do not keep appoint­ments, when tho­se in char­ge capi­tu­la­te in the face of racist bul­ly­ing and pro­po­se some “time out” – for the bul­lied boy – in a psych­ia­tric faci­li­ty. It would be easy to denoun­ce the­se mecha­nisms, but that is not the point Daniel Abma wants to make. His obser­va­ti­on, both empha­tic and reser­ved, looks ques­tio­nin­gly into the gaps in the sys­tem – with tho­se who are in dan­ger of fal­ling through and tho­se who try to fill them with affec­tion. He makes us suspect that the ans­wer is not to clo­se all the system’s gaps. It is peo­p­le who are the­re for other peo­p­le and take respon­si­bi­li­ty. Luc-Carolin Ziemann

Credits:

DE 2024, 91 Min., dt. OmeU
Regie: Daniel Abma
Kamera: Johannes Praus
Schnitt: Jana Dugnus 

Trailer:

nach oben

A film by Dag Johan Haugerud. In Norwegian with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

At 17, Johanne falls head over heels in love with her fema­le tea­cher. In an attempt to cap­tu­re this first crush, she pours her expe­ri­en­ces onto paper with raw hones­ty. When her mother and grand­mo­ther dis­co­ver her wri­tin­gs, their initi­al shock at the inti­ma­te descrip­ti­ons gives way to admi­ra­ti­on for their lite­ra­ry merit. The two older women begin to reflect on their own love lives, their plea­su­res and missed oppor­tu­ni­ties, and are remin­ded of the over­whel­ming sen­sa­ti­on of first love; and of the lon­ging for some­thing more. Johanne’s grand­mo­ther, an estab­lished poet hers­elf, feels both pri­de and unea­se at her granddaughter’s natu­ral talent. But ques­ti­ons lin­ger: What tru­ly hap­pen­ed bet­ween Johanne and her tea­cher? Where does rea­li­ty end and fic­tion begin? And should the­se deep­ly per­so­nal wri­tin­gs ever find their way to publication?

Golden Bear – Berlinale 2025

Credits:

NO 2024, 110 Min., nor­we­gi­sche OmU
Regie: Dag Johan Haugerud
Kamera: Cecilie Semec
Schnitt: Jens Christian Fodstad
mit: Ella Øverbye, Selome Emnetu, Ane Dahl Torp, Anne Marit Jacobsen

Trailer:

Im Kino mit deut­schen Untertiteln.

nach oben

A film by Robert Guédiguian. In French with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

In the working-class dis­trict of old Marseilles, Rosa is the heart and soul of her com­mu­ni­ty, a nur­se and the matri­arch of a lar­ge and clo­se-knit fami­ly. But approa­ching reti­re­ment and sur­roun­ded by poli­ti­cal iner­tia, she is fee­ling dis­il­lu­sio­ned. Until she meets Henri and rea­li­ses it is never too late to ful­fil her own poli­ti­cal and per­so­nal dreams.

Credits:

Et la fête con­ti­nue ! 
FR/IT 2023, 106 Min., frz. OmU
Regie: Robert Guédiguian
Kamera: Pierre Milon
Schnitt: Bernard Sasia
mit: Ariane Ascaride, Jean-Pierre Darroussin, Gérard Meylan, Lola Naymark, Grégoire Leprince-Ringuet, Robinson Stévenin.

Trailer:

Im Kino mit deut­schen Untertiteln.

nach oben

A film by Jia Zhang-Ke. In Mandarin with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

An endu­ring but fra­gi­le love sto­ry shared by Qiaoqiao and Bin, set in China, from the ear­ly 2000s to the pre­sent day.
Caught up in each other, Qiaoqiao and Bin enjoy­ed all that the city had to offer, sin­ging and dancing. Until one day, Bin finds hims­elf wan­ting to try his luck in a big­ger place than Datong. He left wit­hout any noti­ce. Some time later, Qiaoqiao deci­des to go on a jour­ney to look for him.
Traversing all of his past films, Jia Zhangke deli­vers an epic look at the roman­tic desti­ny of his peren­ni­al heroi­ne, Qiaoqiao. Spanning 21 years of a coun­try going through pro­found trans­for­ma­ti­on, the film gives a new per­spec­ti­ve to look into the con­tem­po­ra­ry China as well as the indi­vi­du­al expe­ri­en­ces under the tur­bu­lent emo­tio­nal and social changes.

Credits:

Feng liu yi dai
CN 2024, 110 Min., chin. OmU
Regie: Jia Zhang-Ke
Kamera: Yu Lik-Wai, Eric Gautier
Schnitt: Yang Chao, Lin Xudong, Matthieu Laclau
mit: Zhao Tao, Li Zhubin, Pan Jianlin, Lan Zhou

Trailer:

nach oben

A film by Daniel Abma. Starts June 5th at the fsk. In German with English subtitles.

[Credits] [Tickets & Termine] [Trailer]

When par­ents can no lon­ger ful­fil their duty of care, the children’s world often falls apart. Nothing stays as it was. Suddenly it is no lon­ger mum or dad who are in char­ge but the youth wel­fa­re sys­tem. Daniel Abma fol­lo­wed a youth housing group in a rural area over seve­ral years, show­ing pro­fes­sio­nal edu­ca­tors who want to give five boys bet­ween the ages of seven and four­teen what they need most urgen­tly, day by day: secu­ri­ty, ori­en­ta­ti­on, a home.
The docu­men­ta­ry focus is not on the child­ren but on tho­se who take the par­ents’ place. They some­ti­mes remind us of Don Quixote til­ting at the wind­mills, for the­re is a dif­fu­si­on of respon­si­bi­li­ty bet­ween school, youth wel­fa­re ser­vices, and absent mothers and fathers. Words fail when adults do not keep appoint­ments, when tho­se in char­ge capi­tu­la­te in the face of racist bul­ly­ing and pro­po­se some “time out” – for the bul­lied boy – in a psych­ia­tric faci­li­ty. It would be easy to denoun­ce the­se mecha­nisms, but that is not the point Daniel Abma wants to make. His obser­va­ti­on, both empha­tic and reser­ved, looks ques­tio­nin­gly into the gaps in the sys­tem – with tho­se who are in dan­ger of fal­ling through and tho­se who try to fill them with affec­tion. He makes us suspect that the ans­wer is not to clo­se all the system’s gaps. It is peo­p­le who are the­re for other peo­p­le and take respon­si­bi­li­ty. Luc-Carolin Ziemann

Credits:

DE 2024, 91 Min., dt. OmeU
Regie: Daniel Abma
Kamera: Johannes Praus
Schnitt: Jana Dugnus 

Trailer:

nach oben

A film by Dag Johan Haugerud. In Norwegian with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

At 17, Johanne falls head over heels in love with her fema­le tea­cher. In an attempt to cap­tu­re this first crush, she pours her expe­ri­en­ces onto paper with raw hones­ty. When her mother and grand­mo­ther dis­co­ver her wri­tin­gs, their initi­al shock at the inti­ma­te descrip­ti­ons gives way to admi­ra­ti­on for their lite­ra­ry merit. The two older women begin to reflect on their own love lives, their plea­su­res and missed oppor­tu­ni­ties, and are remin­ded of the over­whel­ming sen­sa­ti­on of first love; and of the lon­ging for some­thing more. Johanne’s grand­mo­ther, an estab­lished poet hers­elf, feels both pri­de and unea­se at her granddaughter’s natu­ral talent. But ques­ti­ons lin­ger: What tru­ly hap­pen­ed bet­ween Johanne and her tea­cher? Where does rea­li­ty end and fic­tion begin? And should the­se deep­ly per­so­nal wri­tin­gs ever find their way to publication?

Golden Bear – Berlinale 2025

Credits:

NO 2024, 110 Min., nor­we­gi­sche OmU
Regie: Dag Johan Haugerud
Kamera: Cecilie Semec
Schnitt: Jens Christian Fodstad
mit: Ella Øverbye, Selome Emnetu, Ane Dahl Torp, Anne Marit Jacobsen

Trailer:

Im Kino mit deut­schen Untertiteln.

nach oben

A film by Robert Guédiguian. In French with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

In the working-class dis­trict of old Marseilles, Rosa is the heart and soul of her com­mu­ni­ty, a nur­se and the matri­arch of a lar­ge and clo­se-knit fami­ly. But approa­ching reti­re­ment and sur­roun­ded by poli­ti­cal iner­tia, she is fee­ling dis­il­lu­sio­ned. Until she meets Henri and rea­li­ses it is never too late to ful­fil her own poli­ti­cal and per­so­nal dreams.

Credits:

Et la fête con­ti­nue ! 
FR/IT 2023, 106 Min., frz. OmU
Regie: Robert Guédiguian
Kamera: Pierre Milon
Schnitt: Bernard Sasia
mit: Ariane Ascaride, Jean-Pierre Darroussin, Gérard Meylan, Lola Naymark, Grégoire Leprince-Ringuet, Robinson Stévenin.

Trailer:

Im Kino mit deut­schen Untertiteln.

nach oben

A film by Jia Zhang-Ke. In Mandarin with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

An endu­ring but fra­gi­le love sto­ry shared by Qiaoqiao and Bin, set in China, from the ear­ly 2000s to the pre­sent day.
Caught up in each other, Qiaoqiao and Bin enjoy­ed all that the city had to offer, sin­ging and dancing. Until one day, Bin finds hims­elf wan­ting to try his luck in a big­ger place than Datong. He left wit­hout any noti­ce. Some time later, Qiaoqiao deci­des to go on a jour­ney to look for him.
Traversing all of his past films, Jia Zhangke deli­vers an epic look at the roman­tic desti­ny of his peren­ni­al heroi­ne, Qiaoqiao. Spanning 21 years of a coun­try going through pro­found trans­for­ma­ti­on, the film gives a new per­spec­ti­ve to look into the con­tem­po­ra­ry China as well as the indi­vi­du­al expe­ri­en­ces under the tur­bu­lent emo­tio­nal and social changes.

Credits:

Feng liu yi dai
CN 2024, 110 Min., chin. OmU
Regie: Jia Zhang-Ke
Kamera: Yu Lik-Wai, Eric Gautier
Schnitt: Yang Chao, Lin Xudong, Matthieu Laclau
mit: Zhao Tao, Li Zhubin, Pan Jianlin, Lan Zhou

Trailer:

nach oben

A film by Daniel Abma. Starts June 5th at the fsk. In German with English subtitles.

[Credits] [Tickets & Termine] [Trailer]

When par­ents can no lon­ger ful­fil their duty of care, the children’s world often falls apart. Nothing stays as it was. Suddenly it is no lon­ger mum or dad who are in char­ge but the youth wel­fa­re sys­tem. Daniel Abma fol­lo­wed a youth housing group in a rural area over seve­ral years, show­ing pro­fes­sio­nal edu­ca­tors who want to give five boys bet­ween the ages of seven and four­teen what they need most urgen­tly, day by day: secu­ri­ty, ori­en­ta­ti­on, a home.
The docu­men­ta­ry focus is not on the child­ren but on tho­se who take the par­ents’ place. They some­ti­mes remind us of Don Quixote til­ting at the wind­mills, for the­re is a dif­fu­si­on of respon­si­bi­li­ty bet­ween school, youth wel­fa­re ser­vices, and absent mothers and fathers. Words fail when adults do not keep appoint­ments, when tho­se in char­ge capi­tu­la­te in the face of racist bul­ly­ing and pro­po­se some “time out” – for the bul­lied boy – in a psych­ia­tric faci­li­ty. It would be easy to denoun­ce the­se mecha­nisms, but that is not the point Daniel Abma wants to make. His obser­va­ti­on, both empha­tic and reser­ved, looks ques­tio­nin­gly into the gaps in the sys­tem – with tho­se who are in dan­ger of fal­ling through and tho­se who try to fill them with affec­tion. He makes us suspect that the ans­wer is not to clo­se all the system’s gaps. It is peo­p­le who are the­re for other peo­p­le and take respon­si­bi­li­ty. Luc-Carolin Ziemann

Credits:

DE 2024, 91 Min., dt. OmeU
Regie: Daniel Abma
Kamera: Johannes Praus
Schnitt: Jana Dugnus 

Trailer:

nach oben