Noch bin ich nicht, wer ich sein möchte

Noch bin ich nicht, wer ich sein möchte

A film by Klára Tasovská. 

[Credits] [Tickets & Termine] [Trailer]

Libuše Jarcovjáková docu­ments her life with ana­lo­gue pho­tos and dia­ry ent­ries. Her Czechoslovakian home­land is in the repres­si­ve pha­se of “nor­ma­li­sa­ti­on” after the sup­pres­si­on of the Prague Spring in 1968. The young pho­to­grapher sear­ches for islands of free­dom in Prague as well as her sexu­al iden­ti­ty; her came­ra is her con­stant com­pa­n­ion. One of the­se islands is the T‑Club, a mee­ting place for the que­er sce­ne. When a mur­der is com­mit­ted and the poli­ce beco­me inte­res­ted in Libuše’s pho­tos from the club, her per­so­nal jour­ney of eman­ci­pa­ti­on is abrupt­ly cut short. She enters into a mar­ria­ge of con­ve­ni­ence and moves to West Berlin. But this new world is also fil­led with obs­ta­cles. Using the last of her money, she flies to Tokyo and, for a short time, beco­mes a sought-after fashion pho­to­grapher the­re. Continuing to search for the life she wants to live, Libuše’s path leads her back to Prague via Berlin after the fall of the Iron Curtain. Using only pho­to­graphs and the dia­ry ent­ries she reads out hers­elf, the artist – tog­e­ther with the film­ma­ker – inti­m­ate­ly rela­tes her search for iden­ti­ty, ever­y­day strug­gles, phy­si­cal­i­ty, rela­ti­onships and emotions

Credits:

Ještě nej­sem, kým chci být
CZ/SK/AU 2024, 90 Min., tsche­chi­sche Originalfassung mit deut­schen Untertiteln
Regie:
Klára Tasovská
Schnitt: Alexander Kashcheev

Trailer:
NOCH BIN ICH NICHT, WER ICH SEIN MÖCHTE Trailer Deutsch | German [HD]

nach oben

Category: Vorstellung

  • Noch bin ich nicht, wer ich sein möchte

    Noch bin ich nicht, wer ich sein möchte

    A film by Klára Tasovská. 

    [Credits] [Tickets & Termine] [Trailer]

    Libuše Jarcovjáková docu­ments her life with ana­lo­gue pho­tos and dia­ry ent­ries. Her Czechoslovakian home­land is in the repres­si­ve pha­se of “nor­ma­li­sa­ti­on” after the sup­pres­si­on of the Prague Spring in 1968. The young pho­to­grapher sear­ches for islands of free­dom in Prague as well as her sexu­al iden­ti­ty; her came­ra is her con­stant com­pa­n­ion. One of the­se islands is the T‑Club, a mee­ting place for the que­er sce­ne. When a mur­der is com­mit­ted and the poli­ce beco­me inte­res­ted in Libuše’s pho­tos from the club, her per­so­nal jour­ney of eman­ci­pa­ti­on is abrupt­ly cut short. She enters into a mar­ria­ge of con­ve­ni­ence and moves to West Berlin. But this new world is also fil­led with obs­ta­cles. Using the last of her money, she flies to Tokyo and, for a short time, beco­mes a sought-after fashion pho­to­grapher the­re. Continuing to search for the life she wants to live, Libuše’s path leads her back to Prague via Berlin after the fall of the Iron Curtain. Using only pho­to­graphs and the dia­ry ent­ries she reads out hers­elf, the artist – tog­e­ther with the film­ma­ker – inti­m­ate­ly rela­tes her search for iden­ti­ty, ever­y­day strug­gles, phy­si­cal­i­ty, rela­ti­onships and emotions

    Credits:

    Ještě nej­sem, kým chci být
    CZ/SK/AU 2024, 90 Min., tsche­chi­sche Originalfassung mit deut­schen Untertiteln
    Regie:
    Klára Tasovská
    Schnitt: Alexander Kashcheev

    Trailer:
    NOCH BIN ICH NICHT, WER ICH SEIN MÖCHTE Trailer Deutsch | German [HD]

    nach oben
  • Tracing Light – Die Magie des Lichts

    Tracing Light – Die Magie des Lichts

    A film by Thomas Riedelsheimer. In English and German with German and English subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    Light is a fasci­na­ting phe­no­me­non. Without light, the­re would be no cine­ma, no film – and no life. So light is at the ori­gin of ever­y­thing, and yet it remains invi­si­ble to the eye until it hits mat­ter. This moment is – quite lite­ral­ly – the start­ing point of Thomas Riedelsheimer’s latest work, for the spring­time spec­ta­cle of rain­bow shreds in the cine­ma­to­grapher and docu­men­ta­ry filmmaker’s flat beca­me the start­ing point of a search for the ori­gin of the images we form of this world. For this quest he dived deep into two sphe­res that seem to fol­low dif­fe­rent laws but always stri­ve to fathom the magi­cal: phy­sics and art.
    An intellec­tu­al and poe­tic ping pong game evol­ves bet­ween rese­ar­chers from the Max Planck Institute in Erlangen and the “Extreme Light Group” of the University of Glasgow as well as inter­na­tio­nal­ly renow­ned artists such as Ruth Jarman, Joe Gerhardt, Julie Brook, Johannes Brunner and Raimund Ritz. In its cour­se, the various per­spec­ti­ves on light lead to new insights on all sides that would hard­ly have been achie­ved wit­hout this metho­di­cal cross-over: about laser power and colour pig­ments, about black holes and floa­ting sculp­tures. In brief moments, the unin­itia­ted may even get some idea of the laws of quan­tum phy­sics, gene­ral­ly con­side­red impos­si­ble to visualise.

    Luc-Carolin Ziemann

    Credits:

    DE/GB 2024, 99 Min., OmU
    Regie, Kamera, Schnitt: Thomas Riedelsheimer

    Musik: Fred Frith, gab­by flu­ke-mogul

    Trailer:
    nach oben
  • Kinoveranstaltung anlässlich des Int. Frauentages 2025: In Liebe, eure Hilde

    Kinoveranstaltung anlässlich des Int. Frauentages 2025: In Liebe, eure Hilde

    Sorry, this ent­ry is only available in Deutsch.

    Anlässlich des Internationalen Frauen*tages lädt die Gleichstellungsbeauftragte des Bezirks gemein­sam mit der Basisorganisation Friedrichshain-Kreuzberg der Berliner Vereinigung der Verfolgten des Naziregimes – Bund der Antifaschistinnen und Antifaschisten e.V. zur Filmvorführung In Liebe, Eure Hilde mit anschlie­ßen­dem Gespräch ein. Die Bezirksbürgermeisterin Clara Herrmann wird als Schirmherrin der Veranstaltung auch vor Ort sein.

    Wann? Sonntag, 9. März, 15 Uhr
    Wo? Fsk Kino, Segitzdamm 2, 10969 Berlin
    Eintritt frei (um eine Spende für die Berliner VVN-BdA e.V. wird gebeten)
    Anmeldung: Bitte bis zum 8. März an E-Mail: vvn-bda-fhxb@riseup.net

    Im anschlie­ßen­den Gespräch gehen die Sozialwissenschaftlerin und Historikerin Dr. Gisela Notz und die Zeithistorikerin Trille Schünke-Bettinger der Frage nach, wel­che Rolle die Frauen im Widerstand gegen den Nationalsozialismus ein­ge­nom­men haben. Gemeinsam mit dem Publikum wird dis­ku­tiert, wie die Erinnerung an den Widerstand die­ser muti­gen Frauen* uns heu­te in den aktu­el­len Kämpfen gegen Faschismus, Rassismus und Antifeminismus hel­fen und unter­stüt­zen kann.

    Zum Film: Andreas Dresen erzählt die Geschichte von Hilde Coppi, die in den 1940er Jahren aus Anstand und Menschlichkeit sich den Nationalsozialisten ent­ge­gen­stell­te. Gemeinsam mit gleich­ge­sinn­ten Freund*innen des Widerstandsnetzwerkes „Rote Kapelle“ ver­such­te sie die deut­sche Bevölkerung über den ver­bre­che­ri­schen Charakter des faschis­ti­schen Krieges auf­zu­klä­ren und Verfolgten zu hel­fen. Im Spätsommer 1942 wird das Netzwerk zer­schla­gen und auch Hilde Coppi wird ver­haf­tet. Sie ist zu die­sem Zeitpunkt hoch­schwan­ger. Am 27. November1942 kommt im Frauengefängnis Barnimstraße ihr Sohn Hans Coppi jun. zur Welt. Am 5. August 1943 wird Hilde Coppi, gemein­sam mit zwölf wei­te­ren Frauen der „Roten Kapelle“ in Plötzensee hingerichtet.

  • Soundtrack to a Coup d’Etat

    Soundtrack to a Coup d’Etat

    A film by Johan Grimonprez. In French and English with German subtitles

    [Credits] [Tickets & Termine] [Trailer]

    Artist Johan Grimonprez’s new film essay stems from detail­ed rese­arch about some of the machi­na­ti­ons the Western colo­ni­al powers, such as his nati­ve Belgium or the US, came up with to under­mi­ne the African deco­lo­niza­ti­on move­ment. It spe­ci­fi­cal­ly reex­ami­nes the Democratic Republic of the Congo (then Zaire) and its strugg­le for inde­pen­dence in the con­text of the CIA’s histo­ry of arts patro­na­ge, tel­ling how the US Foreign Intelligence agen­cy sent Louis Armstrong as a jazz ambassa­dor to dis­tract from their invol­vement in the ass­as­si­na­ti­on of new­ly elec­ted Prime Minister Patrice Lumumba. Nina Simone was sent on a simi­lar tour of Nigeria by a CIA front orga­niza­ti­on, yet other jazz gre­ats got invol­ved less unwit­tingly. Dizzy Gillespie brief­ly ran for pre­si­dent in 1964 and pro­mi­sed that the White House would be ren­a­med the Blues House, while Abbey Lincoln and Max Roach cra­s­hed the UN Security Council to pro­test Lumumba’s ass­as­si­na­ti­on. Both a his­to­ri­cal pam­phlet and a swin­ging musi­cal com­po­si­ti­on, SOUNDTRACK TO A COUP D’ETAT unfolds like a record’s exten­si­ve slee­ve notes, as the jazz sounds pro­pel and car­ry along facts, figu­res and foot­no­tes of major and minor his­to­ries with them at diz­zy­ing speed. (Antoine Thirion)

    Credits:


    BE/FR/NL 2024, 150 Min., engl., frz. OmU, 

    Regie: Johan Grimonprez, 

    mit: Patrice Lumumba, Louis Armstrong, Andrée Blouin, Nina Simone, Nikita Krutschev, Eisenhower, Fidel Castro, Duke Elligton

    Trailer:
    Soundtrack to a Coup d’Etat – Official Trailer
    nach oben
  • Flow

    Flow

    A film by Gints Zilbalodis. Without dialogues.

    [Credits] [Tickets & Termine] [Trailer]

    The world seems to be coming to an end, tee­ming with the ves­ti­ges of a human pre­sence. Cat is a soli­ta­ry ani­mal, but as its home is devas­ta­ted by a gre­at flood, he finds refu­ge on a boat popu­la­ted by various spe­ci­es, and will have to team up with them despi­te their dif­fe­ren­ces. In the lone­so­me boat sai­ling through mys­ti­cal over­flowed land­scapes, they navi­ga­te the chal­lenges and dan­gers of adap­ting to this new world.

    Credits:

    LV/FR/BE 2023, 84 Min., ohne Dialog
    Regie: Gints Zilbalodis

    Kamera: Léo Silly Pélissier
    Schnitt: Gints Zilbalodis

    Trailer:
    FLOW l Kinotrailer
    nach oben
  • Bird

    Bird

    A film by Andrea Arnold. In English with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    12 year old Bailey lives with her sin­gle dad Bug and brot­her Hunter in a squat in North Kent. Bug doesn’t have much time for his kids and Bailey who is approa­ching puber­ty seeks atten­ti­on and adven­ture elsewhere.

    Credits:

    GB 2023, 119 Min., engl. OmU,
    Regie: Andrea Arnold
    Kamera: Robbie Ryan
    Schnitt: Joe Bini
    mit: Barry Keoghan, Franz Rogowski, Nykiya Adams, Jason Edward Buda, Jasmine Jobson, James Nelson-Joyce
    Kayleigh Frankie Box

    Trailer:
    BIRD l Deutscher OmU Trailer
    nach oben
  • September & July

    September & July

    A film by Ariane Labed. In English with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    Sisters July and September are very clo­se, but very dif­fe­rent: September is pro­tec­ti­ve and dis­trustful; July, open and curious. An inci­dent in school forces them to flee to an old holi­day home with their mum, whe­re a series of sur­re­al events cau­se their bond to shift in ways July can­not comprehend.

    Credits:

    September Says
    FR/GR/IE/DE/UK 2023, 96 Min., engl. OmU
    Regie: Ariane Labed

    Kamera: Balthazar Lab
    Schnitt: Bettina Böhler
    mit: Mia Tharia, Pascale Kann, Rakhee Thakrar

    Trailer:
    September Says – Official Clip
    nach oben
  • Die Unerwünschten

    Die Unerwünschten

    A film by Ladj Ly. In French with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    When the mayor of a Paris sub­urb dies, Pierre, a doc­tor, agrees to fill the posi­ti­on. He intends to con­ti­nue the xeno­pho­bic poli­ci­es of his pre­de­ces­sor, who aimed to rede­ve­lop the­se pover­ty-stri­cken immi­grant neigh­bor­hoods. But Haby, an acti­vist resi­dent of immi­grant heri­ta­ge, refu­ses to be dri­ven out and mounts an escala­ting batt­le for the office.

    Credits:

    Bâtiment 5 / Les Indésirables
    FR 2023, 106 Min., frz. OmU
    Regie:
    Ladj Ly
    Kamera: Julien Poupard
    Schnitt: Flora Volpelière
    mit: Anta Diaw, Alexis Manenti, Aristote Luyindula, Steve Tientcheu, Aurélia Petit

    Trailer:
    BÂTIMENT 5 (Official Trailer, OV/d)
    nach oben
  • Flow

    Flow

    A film by Gints Zilbalodis. Without dialogues.

    [Credits] [Tickets & Termine] [Trailer]

    The world seems to be coming to an end, tee­ming with the ves­ti­ges of a human pre­sence. Cat is a soli­ta­ry ani­mal, but as its home is devas­ta­ted by a gre­at flood, he finds refu­ge on a boat popu­la­ted by various spe­ci­es, and will have to team up with them despi­te their dif­fe­ren­ces. In the lone­so­me boat sai­ling through mys­ti­cal over­flowed land­scapes, they navi­ga­te the chal­lenges and dan­gers of adap­ting to this new world.

    Credits:

    LV/FR/BE 2023, 84 Min., ohne Dialog
    Regie: Gints Zilbalodis

    Kamera: Léo Silly Pélissier
    Schnitt: Gints Zilbalodis

    Trailer:
    FLOW l Kinotrailer
    nach oben
  • Bird

    Bird

    A film by Andrea Arnold. In English with German subtitles.

    [Credits] [Tickets & Termine] [Trailer]

    12 year old Bailey lives with her sin­gle dad Bug and brot­her Hunter in a squat in North Kent. Bug doesn’t have much time for his kids and Bailey who is approa­ching puber­ty seeks atten­ti­on and adven­ture elsewhere.

    Credits:

    GB 2023, 119 Min., engl. OmU,
    Regie: Andrea Arnold
    Kamera: Robbie Ryan
    Schnitt: Joe Bini
    mit: Barry Keoghan, Franz Rogowski, Nykiya Adams, Jason Edward Buda, Jasmine Jobson, James Nelson-Joyce
    Kayleigh Frankie Box

    Trailer:
    BIRD l Deutscher OmU Trailer
    nach oben