12 year old Bailey lives with her single dad Bug and brother Hunter in a squat in North Kent. Bug doesn’t have much time for his kids and Bailey who is approaching puberty seeks attention and adventure elsewhere.
Credits:
GB 2023, 119 Min., engl. OmU, Regie: Andrea Arnold Kamera: Robbie Ryan Schnitt: Joe Bini mit: Barry Keoghan, Franz Rogowski, Nykiya Adams, Jason Edward Buda, Jasmine Jobson, James Nelson-Joyce Kayleigh Frankie Box
12 year old Bailey lives with her single dad Bug and brother Hunter in a squat in North Kent. Bug doesn’t have much time for his kids and Bailey who is approaching puberty seeks attention and adventure elsewhere.
Credits:
GB 2023, 119 Min., engl. OmU, Regie: Andrea Arnold Kamera: Robbie Ryan Schnitt: Joe Bini mit: Barry Keoghan, Franz Rogowski, Nykiya Adams, Jason Edward Buda, Jasmine Jobson, James Nelson-Joyce Kayleigh Frankie Box
Artist Johan Grimonprez’s new film essay stems from detailed research about some of the machinations the Western colonial powers, such as his native Belgium or the US, came up with to undermine the African decolonization movement. It specifically reexamines the Democratic Republic of the Congo (then Zaire) and its struggle for independence in the context of the CIA’s history of arts patronage, telling how the US Foreign Intelligence agency sent Louis Armstrong as a jazz ambassador to distract from their involvement in the assassination of newly elected Prime Minister Patrice Lumumba. Nina Simone was sent on a similar tour of Nigeria by a CIA front organization, yet other jazz greats got involved less unwittingly. Dizzy Gillespie briefly ran for president in 1964 and promised that the White House would be renamed the Blues House, while Abbey Lincoln and Max Roach crashed the UN Security Council to protest Lumumba’s assassination. Both a historical pamphlet and a swinging musical composition, SOUNDTRACKTO A COUP D’ETAT unfolds like a record’s extensive sleeve notes, as the jazz sounds propel and carry along facts, figures and footnotes of major and minor histories with them at dizzying speed. (Antoine Thirion)
Credits:
BE/FR/NL 2024, 150 Min., engl., frz. OmU,
Regie: Johan Grimonprez,
mit: Patrice Lumumba, Louis Armstrong, Andrée Blouin, Nina Simone, Nikita Krutschev, Eisenhower, Fidel Castro, Duke Elligton
Libuše Jarcovjáková documents her life with analogue photos and diary entries. Her Czechoslovakian homeland is in the repressive phase of “normalisation” after the suppression of the Prague Spring in 1968. The young photographer searches for islands of freedom in Prague as well as her sexual identity; her camera is her constant companion. One of these islands is the T‑Club, a meeting place for the queer scene. When a murder is committed and the police become interested in Libuše’s photos from the club, her personal journey of emancipation is abruptly cut short. She enters into a marriage of convenience and moves to West Berlin. But this new world is also filled with obstacles. Using the last of her money, she flies to Tokyo and, for a short time, becomes a sought-after fashion photographer there. Continuing to search for the life she wants to live, Libuše’s path leads her back to Prague via Berlin after the fall of the Iron Curtain. Using only photographs and the diary entries she reads out herself, the artist – together with the filmmaker – intimately relates her search for identity, everyday struggles, physicality, relationships and emotions
Credits:
Ještě nejsem, kým chci být CZ/SK/AU 2024, 90 Min., tschechische Originalfassung mit deutschen Untertiteln Regie: Klára Tasovská Schnitt: Alexander Kashcheev
Trailer:
NOCHBINICHNICHT, WERICHSEINMÖCHTE Trailer Deutsch | German [HD]
A target of Iran’s hardline conservative government for his films’ criticism of the state, director Mohammad Rasoulof fled his home country to avoid an eight-year prison sentence, though he hadn’t finished editing his latest film yet. His searing drama The Seed of the Sacred Fig won a Special Prize from the jury and three other awards on its premiere at the Cannes Film Festival. The film is every bit as urgent and gripping as its real-life backstory would portend: longtime government worker Iman (Missagh Zareh) has just received a major promotion to the role of judge’s investigator, to the hopeful delight of his wife Najmeh (Soheila Golestani); at the same moment, a series of student protests against the government have exploded in the streets, stoking the sympathies of their independent-minded daughters Rezvan (Mahsa Rostami) and Sana (Setareh Maleki). The growing wedge between progressive children and traditional parents intensifies through a series of unsettling events that put Iman’s future in jeopardy. Both paranoia thriller and domestic drama, The Seed of the Sacred Fig is above all an epic of anti-patriarchal political conviction.
Credits:
IR, DE, FR 2024, 168 Min., farsi OmU Regie: Mohammad Rasoulof Kamera: Pooyan Aghababaei Schnitt: Andrew Bird mit Missagh Zareh, Soheila Golestani, Mahsa Rostami, Setareh Maleki, Niousha Akhshi
12 year old Bailey lives with her single dad Bug and brother Hunter in a squat in North Kent. Bug doesn’t have much time for his kids and Bailey who is approaching puberty seeks attention and adventure elsewhere.
Credits:
GB 2023, 119 Min., engl. OmU, Regie: Andrea Arnold Kamera: Robbie Ryan Schnitt: Joe Bini mit: Barry Keoghan, Franz Rogowski, Nykiya Adams, Jason Edward Buda, Jasmine Jobson, James Nelson-Joyce Kayleigh Frankie Box
Artist Johan Grimonprez’s new film essay stems from detailed research about some of the machinations the Western colonial powers, such as his native Belgium or the US, came up with to undermine the African decolonization movement. It specifically reexamines the Democratic Republic of the Congo (then Zaire) and its struggle for independence in the context of the CIA’s history of arts patronage, telling how the US Foreign Intelligence agency sent Louis Armstrong as a jazz ambassador to distract from their involvement in the assassination of newly elected Prime Minister Patrice Lumumba. Nina Simone was sent on a similar tour of Nigeria by a CIA front organization, yet other jazz greats got involved less unwittingly. Dizzy Gillespie briefly ran for president in 1964 and promised that the White House would be renamed the Blues House, while Abbey Lincoln and Max Roach crashed the UN Security Council to protest Lumumba’s assassination. Both a historical pamphlet and a swinging musical composition, SOUNDTRACKTO A COUP D’ETAT unfolds like a record’s extensive sleeve notes, as the jazz sounds propel and carry along facts, figures and footnotes of major and minor histories with them at dizzying speed. (Antoine Thirion)
Credits:
BE/FR/NL 2024, 150 Min., engl., frz. OmU,
Regie: Johan Grimonprez,
mit: Patrice Lumumba, Louis Armstrong, Andrée Blouin, Nina Simone, Nikita Krutschev, Eisenhower, Fidel Castro, Duke Elligton
Libuše Jarcovjáková documents her life with analogue photos and diary entries. Her Czechoslovakian homeland is in the repressive phase of “normalisation” after the suppression of the Prague Spring in 1968. The young photographer searches for islands of freedom in Prague as well as her sexual identity; her camera is her constant companion. One of these islands is the T‑Club, a meeting place for the queer scene. When a murder is committed and the police become interested in Libuše’s photos from the club, her personal journey of emancipation is abruptly cut short. She enters into a marriage of convenience and moves to West Berlin. But this new world is also filled with obstacles. Using the last of her money, she flies to Tokyo and, for a short time, becomes a sought-after fashion photographer there. Continuing to search for the life she wants to live, Libuše’s path leads her back to Prague via Berlin after the fall of the Iron Curtain. Using only photographs and the diary entries she reads out herself, the artist – together with the filmmaker – intimately relates her search for identity, everyday struggles, physicality, relationships and emotions
Credits:
Ještě nejsem, kým chci být CZ/SK/AU 2024, 90 Min., tschechische Originalfassung mit deutschen Untertiteln Regie: Klára Tasovská Schnitt: Alexander Kashcheev
Trailer:
NOCHBINICHNICHT, WERICHSEINMÖCHTE Trailer Deutsch | German [HD]
A target of Iran’s hardline conservative government for his films’ criticism of the state, director Mohammad Rasoulof fled his home country to avoid an eight-year prison sentence, though he hadn’t finished editing his latest film yet. His searing drama The Seed of the Sacred Fig won a Special Prize from the jury and three other awards on its premiere at the Cannes Film Festival. The film is every bit as urgent and gripping as its real-life backstory would portend: longtime government worker Iman (Missagh Zareh) has just received a major promotion to the role of judge’s investigator, to the hopeful delight of his wife Najmeh (Soheila Golestani); at the same moment, a series of student protests against the government have exploded in the streets, stoking the sympathies of their independent-minded daughters Rezvan (Mahsa Rostami) and Sana (Setareh Maleki). The growing wedge between progressive children and traditional parents intensifies through a series of unsettling events that put Iman’s future in jeopardy. Both paranoia thriller and domestic drama, The Seed of the Sacred Fig is above all an epic of anti-patriarchal political conviction.
Credits:
IR, DE, FR 2024, 168 Min., farsi OmU Regie: Mohammad Rasoulof Kamera: Pooyan Aghababaei Schnitt: Andrew Bird mit Missagh Zareh, Soheila Golestani, Mahsa Rostami, Setareh Maleki, Niousha Akhshi
12 year old Bailey lives with her single dad Bug and brother Hunter in a squat in North Kent. Bug doesn’t have much time for his kids and Bailey who is approaching puberty seeks attention and adventure elsewhere.
Credits:
GB 2023, 119 Min., engl. OmU, Regie: Andrea Arnold Kamera: Robbie Ryan Schnitt: Joe Bini mit: Barry Keoghan, Franz Rogowski, Nykiya Adams, Jason Edward Buda, Jasmine Jobson, James Nelson-Joyce Kayleigh Frankie Box
Artist Johan Grimonprez’s new film essay stems from detailed research about some of the machinations the Western colonial powers, such as his native Belgium or the US, came up with to undermine the African decolonization movement. It specifically reexamines the Democratic Republic of the Congo (then Zaire) and its struggle for independence in the context of the CIA’s history of arts patronage, telling how the US Foreign Intelligence agency sent Louis Armstrong as a jazz ambassador to distract from their involvement in the assassination of newly elected Prime Minister Patrice Lumumba. Nina Simone was sent on a similar tour of Nigeria by a CIA front organization, yet other jazz greats got involved less unwittingly. Dizzy Gillespie briefly ran for president in 1964 and promised that the White House would be renamed the Blues House, while Abbey Lincoln and Max Roach crashed the UN Security Council to protest Lumumba’s assassination. Both a historical pamphlet and a swinging musical composition, SOUNDTRACKTO A COUP D’ETAT unfolds like a record’s extensive sleeve notes, as the jazz sounds propel and carry along facts, figures and footnotes of major and minor histories with them at dizzying speed. (Antoine Thirion)
Credits:
BE/FR/NL 2024, 150 Min., engl., frz. OmU,
Regie: Johan Grimonprez,
mit: Patrice Lumumba, Louis Armstrong, Andrée Blouin, Nina Simone, Nikita Krutschev, Eisenhower, Fidel Castro, Duke Elligton
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