{"id":9762,"date":"2018-10-07T20:52:28","date_gmt":"2018-10-07T18:52:28","guid":{"rendered":"https:\/\/fsk-kino.peripherfilm.de\/?p=9762"},"modified":"2021-08-31T11:43:26","modified_gmt":"2021-08-31T09:43:26","slug":"der-essayfilm-sichtbares-denken","status":"publish","type":"post","link":"https:\/\/fsk-kino.peripherfilm.de\/en\/der-essayfilm-sichtbares-denken\/","title":{"rendered":"Der Essayfilm \u2013 sichtbares Denken"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-en\">Sorry, this ent\u00adry is only available in <a href=\"https:\/\/fsk-kino.peripherfilm.de\/de\/wp-json\/wp\/v2\/posts\/9762\" class=\"qtranxs-available-language-link qtranxs-available-language-link-de\" title=\"Deutsch\">Deutsch<\/a>.<\/p><p><\/p>\n<p class=\"western\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: small;\"><b>Vortr\u00e4ge, Gespr\u00e4che <span class=\"amp\">&amp;<\/span> Filmvorf\u00fchrungen in der Denkerei und im fsk Kino in Berlin,<\/b><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: small;\"><b>19. \u2013 21. Oktober<\/b><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\">Die Veranstaltung \u201eDer Essayfilm \u2013 sicht\u00adba\u00adres Denken\u201c wid\u00admet sich dem Essayfilm als expe\u00adri\u00admen\u00adtel\u00adler Filmform zwi\u00adschen Spiel- und Dokumentarfilm \u2013 jeder Abend geht mit einer Projektion im fsk Kino zu Ende. N\u00e4here Informationen zu den Vortr\u00e4gen <span class=\"amp\">&amp;<\/span> Gespr\u00e4chen in der Denkerei fin\u00adden sich&nbsp;unter:<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"color: #000080;\"><span lang=\"zxx\"><u><a href=\"https:\/\/denkerei-berlin.de\/kalender\/?id=1284\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\">https:\/\/denkerei-berlin.de\/kalender\/?id=1284<\/span><\/span><\/a><\/u><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b>Filmprogramm:<\/b><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">VOR<\/span> <span class=\"caps\">ALLER<\/span> <span class=\"caps\">AUGEN<\/span> (19.10.)<\/b><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\">Wachen und Warten im unsicht\u00adba\u00adren Bildernetz \u2013 <\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">VOR<\/span> <span class=\"caps\">ALLER<\/span> <span class=\"caps\">AUGEN<\/span><\/b><\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"> ist eine bahn\u00adbre\u00adchen\u00adde Studie zu fr\u00fc\u00adhen visu\u00adel\u00adlen Kulturen der Kontrollgesellschaft. 40 Kameras einer Video\u00fcberwachungsanlage beob\u00adach\u00adten das Geschehen in den Innen- und Au\u00dfenr\u00e4umen des Berliner <span class=\"caps\">ICC<\/span>.<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\">Im Anschluss fin\u00addet ein Gespr\u00e4ch zwi\u00adschen dem Regisseur Heiner M\u00fchlenbrock und der Filmkritikerin Anke Sternborg statt.&nbsp;<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">LANGE<\/span> <span class=\"caps\">FILMNACHT<\/span>: <span class=\"caps\">EIN<\/span> <span class=\"caps\">BEST<\/span> <span class=\"caps\">OF<\/span> <span class=\"caps\">DES<\/span> <span class=\"caps\">ESSAY<\/span> <span class=\"caps\">FILM<\/span> <span class=\"caps\">FESTIVALS<\/span>, <span class=\"caps\">LONDON<\/span> (20.10.)<\/b><\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">THE<\/span> <span class=\"caps\">IMAGED<\/span> <span class=\"caps\">YOU<\/span> <span class=\"caps\">MISSED<\/span><\/b><\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"> ist ein Film im Film: Der Amerikaner Arthur MacCaig war \u00fcber 30 Jahre lang fil\u00admi\u00adscher Chronist des B\u00fcrgerkriegs in Nordirland. Sein Sohn, der iri\u00adsche Regisseur Donal Foreman, hat die Geschichte des Vaters in Bildern rekonstruiert.&nbsp;<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\">Mark Rappaport ist ein Pionier des boo\u00admen\u00adden Genres \u201eVisuelle Filmkritik\u201c. Wir zei\u00adgen drei sei\u00adner letz\u00adten Videocollagen: <\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">JOHN<\/span> <span class=\"caps\">GARFIELD<\/span><\/b><\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"> ist ein Tribut an den j\u00fcdi\u00adschen US-ame\u00adri\u00adka\u00adni\u00adschen Schauspieler John Garfield, \u201ean out\u00adsi\u00adder with a poli\u00adti\u00adcal per\u00adspec\u00adti\u00adve\u201c. <\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">OUR<\/span> <span class=\"caps\">STARS<\/span> <\/b><\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\">wid\u00admet sich dem Thema<\/span><\/span><b> <\/b><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\">Begehren im Starsystem Hollywood. <\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">SERGEI<\/span>\/<span class=\"caps\">SIR<\/span> <span class=\"caps\">GAY<\/span><\/b><\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"> spe\u00adku\u00adliert \u00fcber die laten\u00adte Homosexualit\u00e4t Sergej Eisensteins aus der Perspektive eines fik\u00adti\u00adven, spie\u00adle\u00adri\u00adschen&nbsp;Ichs.&nbsp;<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\">Die \u201eLange Filmnacht\u201c wird von Michael Temple, Direktor des The Essay Film Festival, London, pr\u00e4sentiert.&nbsp;<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">FR\u00dcHE<\/span> <span class=\"caps\">VIDEOARBEITEN<\/span> <span class=\"caps\">VON<\/span> <span class=\"caps\">JEAN-LUC<\/span> <span class=\"caps\">GODARD<\/span>:<\/b><\/span><\/span> <span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">6X2<\/span>, <span class=\"caps\">SUR<\/span> <span class=\"caps\">ET<\/span> <span class=\"caps\">SOUS<\/span> <span class=\"caps\">LA<\/span> <span class=\"caps\">COMMUNICATION<\/span> (21.10.)<\/b><\/span><\/span><\/p>\n<p><span class=\"dquo\">\u201e<\/span>Mit <em>Six fois deux<\/em> hat Godard sechs\u00admal zwi\u00adschen den Bildern und T\u00f6nen die Fluchtlinie sch\u00f6p\u00adfe\u00adri\u00adschen Handelns auf\u00adblit\u00adzen las\u00adsen, und mit ihr hat er das Fernsehen ent\u00adf\u00fchrt.\u201c (Gilles Deleuze)<\/p>\n<p>Zusammen mit Anne-Marie Mi\u00e9ville gr\u00fcn\u00adde\u00adte Jean-Luc Godard Anfang der sieb\u00adzi\u00adger Jahre in Grenoble die Videogesellschaft \u201eSonimage\u201c. Unter dem Eindruck der tech\u00adni\u00adschen M\u00f6glichkeiten des Videoformats ent\u00adste\u00adhen zahl\u00adrei\u00adche Filmprojekte, die anstel\u00adle des Kinos das Fernsehen adres\u00adsie\u00adren. Die expe\u00adri\u00admen\u00adtell ange\u00adleg\u00adte Serienproduktion \u201eSix fois deux [sur et sous la com\u00admu\u00adni\u00adca\u00adti\u00adon]\u201c (R: Godard\/Mi\u00e9ville, 1976, 610 Min.) skiz\u00adziert for\u00admal und inhalt\u00adlich neue Wege, das Fernsehen als dis\u00adkur\u00adsi\u00adves Medium zu etablieren.<\/p>\n<p>Gezeigt wer\u00adden die Episoden \u201ePhotos et cie\u201c und \u201eMarcel\u201c sowie Ausschnitte aus einem Interview, das Wilfried Reichart Ende November 1976 mit Godard in Grenoble f\u00fchr\u00adte. Der Vorf\u00fchrung geht eine Einf\u00fchrung von Wilfried Reichart und Thomas Helbig voraus.<\/p>\n<p><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b>Fr., 19.10., 19:30 Uhr \u2013 21:30<\/b><\/span><\/span><\/p>\n<p><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">VOR<\/span> <span class=\"caps\">ALLER<\/span>&nbsp;<span class=\"caps\">AUGEN<\/span><br>\n<\/b><\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><span class=\"caps\">BRD<\/span>, <sup class=\"numerator\">1982<\/sup>\u2044<sub class=\"denominator\">90<\/sub>, 60 Min., Regie: Heiner Mu\u0308hlenbrock&nbsp;<\/span><\/span><\/p>\n<p><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b>Sa., 20.10., 21:00&nbsp;Uhr<\/b><\/span><\/span><\/p>\n<p><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">THE<\/span> <span class=\"caps\">IMAGED<\/span> <span class=\"caps\">YOU<\/span> <span class=\"caps\">MISSED<\/span><\/b><\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><br>\nIrland\/<span class=\"caps\">FR<\/span>\/<span class=\"caps\">USA<\/span> 2108, 74 Min., Regie: Donal Foreman<br>\n<\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><i>Englisch\/Franz\u00f6sisch mit eng\u00adli\u00adschen Untertiteln<\/i><\/span><\/span><\/p>\n<p><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">JOHN<\/span> <span class=\"caps\">GARFIELD<\/span><\/b><\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><br>\n<span class=\"caps\">USA<\/span>\/<span class=\"caps\">FR<\/span>, 2002, 9 Min., Regie: Mark Rappaport<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">OUR<\/span> <span class=\"caps\">STARS<\/span><\/b><\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><br>\n<span class=\"caps\">USA<\/span>\/<span class=\"caps\">FR<\/span>, 2015, 27 Min., Regie: Mark Rappaport<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">SERGEI<\/span>\/<span class=\"caps\">SIR<\/span> <span class=\"caps\">GAY<\/span><\/b><\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><br>\n<span class=\"caps\">USA<\/span>\/<span class=\"caps\">FR<\/span>, 2017, 36 Min., Regie: Mark Rappaport<\/span><\/span><\/p>\n<p class=\"western\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><i>Englische Originalfassungen<\/i><\/span><\/span><\/p>\n<p><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b>So., 21.10., 21:00&nbsp;Uhr<br>\n<\/b><\/span><\/span><\/p>\n<p><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">PHOTO<\/span> <span class=\"amp\">&amp;<\/span>&nbsp;<span class=\"caps\">CIE<\/span><br>\n<\/b><\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\">Episode aus der TV-Serie <span class=\"caps\">6X2<\/span>, <span class=\"caps\">SUR<\/span> <span class=\"caps\">ET<\/span> <span class=\"caps\">SOUS<\/span> <span class=\"caps\">LA<\/span> <span class=\"caps\">COMMUNICATION<\/span>, <span class=\"caps\">FR<\/span>, 1976, 46 Min., Regie: Jean-Luc Godard et Anne-Marie Mi\u00e9ville<\/span><\/span><\/p>\n<p><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><b><span class=\"caps\">MARCEL<\/span><br>\n<\/b><\/span><\/span><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\">Episode aus der TV-Serie <span class=\"caps\">6X2<\/span>, <span class=\"caps\">SUR<\/span> <span class=\"caps\">ET<\/span> <span class=\"caps\">SOUS<\/span> <span class=\"caps\">LA<\/span> <span class=\"caps\">COMMUNICATION<\/span>, <span class=\"caps\">FR<\/span>, 1976, 55 Min., Regie: Jean-Luc Godard et Anne-Marie Mi\u00e9ville<\/span><\/span><\/p>\n<p><a name=\"_GoBack\"><\/a> <span style=\"color: #000000;\"><span style=\"font-family: Ariel, sans-serif;\"><span style=\"font-size: small;\"><i>Deutsche Synchronfassungen<\/i><\/span><\/span><\/span><\/p>\n<p>2<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this ent\u00adry is only available in Deutsch. Vortr\u00e4ge, Gespr\u00e4che <span class=\"amp\">&amp;<\/span> Filmvorf\u00fchrungen in der Denkerei und im fsk Kino in Berlin, 19. \u2013 21. Oktober Die Veranstaltung \u201eDer Essayfilm \u2013 sicht\u00adba\u00adres Denken\u201c wid\u00admet sich dem Essayfilm als expe\u00adri\u00admen\u00adtel\u00adler Filmform zwi\u00adschen Spiel- und Dokumentarfilm \u2013 jeder Abend geht mit einer Projektion im fsk Kino zu&nbsp;Ende.&nbsp;[\u2026]<\/p>\n","protected":false},"author":2,"featured_media":9764,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","wp_typography_post_enhancements_disabled":false,"slim_seo":{"title":"[:de]Der Essayfilm \u2013 sichtbares Denken [:] - fsk Kino","description":"[:de] Vortr\u00e4ge, Gespr\u00e4che &amp; Filmvorf\u00fchrungen in der Denkerei und im fsk Kino in Berlin, 19. - 21. Oktober Die Veranstaltung \u201eDer Essayfilm \u2013 sichtbares Denk"},"footnotes":""},"categories":[25],"tags":[],"class_list":["post-9762","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archiv"],"_links":{"self":[{"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/posts\/9762","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/comments?post=9762"}],"version-history":[{"count":0,"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/posts\/9762\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/media\/9764"}],"wp:attachment":[{"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/media?parent=9762"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/categories?post=9762"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/tags?post=9762"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}