{"id":8055,"date":"2018-02-15T18:27:45","date_gmt":"2018-02-15T17:27:45","guid":{"rendered":"https:\/\/fsk-kino.peripherfilm.de\/?p=8055"},"modified":"2021-08-31T11:43:41","modified_gmt":"2021-08-31T09:43:41","slug":"der-seidene-faden","status":"publish","type":"post","link":"https:\/\/fsk-kino.peripherfilm.de\/en\/der-seidene-faden\/","title":{"rendered":"Der seidene Faden"},"content":{"rendered":"

A film by Paul Thomas Anderson. In eng\u00adlish with ger\u00adman subtitles.<\/p>\n

Fashion desi\u00adgner Reynolds Woodcock (Daniel Day-Lewis) is the total packa\u00adge. He has the same per\u00adfec\u00adtion\u00adism when he works on his crea\u00adti\u00adons, goes to the bath\u00adroom, and has his break\u00adfast. Watching Reynolds Woodcack have his break\u00adfast means being wit\u00adness to a long\u00adstan\u00adding, fine\u00adly cali\u00adbra\u00adted rou\u00adti\u00adne that is ful\u00adly\u00ado\u00adri\u00aden\u00adted towards the needs of the sen\u00adsi\u00adti\u00adve geni\u00adus. Every dis\u00adcordant note, every tri\u00advia\u00adli\u00adty, could break off his crea\u00adti\u00adve flow.<\/p>\n

PHANTOM<\/span> THREAD<\/span> is set in 1950s England, which is more of an aes\u00adthe\u00adtic idea for Paul Thomas Anderson than any\u00adthing else. The direc\u00adtor of PUNCH-DRUNK<\/span> LOVE<\/span> and THE<\/span> MASTER<\/span> shows a hau\u00adte cou\u00adture king\u00addom with opu\u00adlent images which Reynolds is in char\u00adge of. Everything here is exqui\u00adsi\u00adte: the colors, the tex\u00adtures, the mate\u00adri\u00adals, the tapestry, the dou\u00adble doors, the lap\u00adsang souchong that is ser\u00adved at break\u00adfast. The tail\u00adors who enter the feu\u00addal House of Woodcock through the ser\u00advent ent\u00adrance every mor\u00adning are the loy\u00adal lie\u00adges, and Reynold\u2018s sis\u00adter Cyril (Leslie Manville) is the high com\u00adman\u00adder. The master\u2018s lovers play a sub\u00ador\u00addi\u00adna\u00adte role and are repla\u00adced when they start bothe\u00adring him. This chan\u00adges when Reynolds meets Alma (Vicky Krieps), a young eas\u00adtern European immi\u00adgrant. She beco\u00admes his model and his lover, and unli\u00adke her pre\u00adde\u00adces\u00adsors, she mana\u00adges to car\u00adve an indis\u00adpensable place in the master\u2018s world.<\/p>\n

Anderson tells a com\u00adplex, fetis\u00adhi\u00adstic love sto\u00adry whe\u00adre secret obses\u00adsi\u00adons are woven in like hid\u00adden mes\u00adsa\u00adges in the hem of a dress. Alma and Reynolds are in a love tri\u00adang\u00adle from the start \u2013 Reynolds crea\u00adti\u00adons are the third per\u00adson. Instead of a first sex sce\u00adne there\u2018s a fit\u00adting, a ritua\u00adli\u00adstic mea\u00adsu\u00adring whe\u00adre both know what it means. Being dres\u00adsed and having someone dress you beco\u00admes an ero\u00adtic act. Alma says\u201cI can stand for hours\u201c and \u201cI\u2018m beau\u00adtiful in his dres\u00adses,\u201c and Reynolds wat\u00adches her cat\u00adwalk with the eyes of a lover. This idyll does show rup\u00adtures when it beco\u00admes clear that Alma is her own per\u00adson and she dis\u00adrupts the iron rules of the House of Woodcock. Instead of respec\u00adting the holy sere\u00adni\u00adty of the break\u00adfast ritu\u00adal, she joyful\u00adly makes noi\u00adse and pours the tea from too high up, which makes a dis\u00adrup\u00adti\u00adve sound. When Reynolds runs off insul\u00adted, she says some blas\u00adphe\u00admous words to Cyril: \u201cI think he\u2018s too sensitive!\u201c<\/p>\n

THE<\/span> PHANTOM<\/span> THREAD<\/span> is a mul\u00adti\u00adface\u00adted, ira\u00adde\u00ads\u00adcent film. A hym\u00adnal-hedo\u00adni\u00adstic cele\u00adbra\u00adti\u00adon of color, form, and style. An iro\u00adni\u00adcal\u00adly amusing por\u00adtrait of nar\u00adcis\u00adsi\u00adstic mas\u00adcu\u00adli\u00adn\u00adi\u00adtiy. The con\u00ads\u00adtruc\u00adtion and decon\u00ads\u00adtruc\u00adtion of a geni\u00adus. But most of all, THE<\/span> PHANTOM<\/span> THREAD<\/span> is a gothic romance, an exu\u00adberant love sto\u00adry with mor\u00adbid aspects fil\u00adled with psy\u00adcho\u00adlo\u00adgi\u00adcal chasms. These chasms are what make the dis\u00adsi\u00admi\u00adlar cou\u00adple find a kind of balan\u00adce. The fan\u00adta\u00adsy of psy\u00adcho\u00adlo\u00adgi\u00adcal\u00adly sound model part\u00adners that always com\u00admu\u00adni\u00adca\u00adte respectful\u00adly with \u201cI feel\u201c mes\u00adsa\u00adges is coun\u00adte\u00adred here with a cou\u00adple in love who seem to fol\u00adlow their own, pos\u00adsi\u00adbi\u00adli\u00adty per\u00adver\u00adse-see\u00adming rules and mana\u00adge to make it work, held tog\u00ade\u00adther by a thread invi\u00adsi\u00adble to ever\u00adyo\u00adne else, the PHANTOM<\/span> THREAD<\/span>.<\/p>\n

Hendrike Bake, Translation: Elinor Lewy<\/p>\n

 
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\nCredits:<\/strong>
\nPhantom Thread<\/em>
\nUSA<\/span> 2017, 130 Min., engl. OmU<\/em>
\nRegie, Buch &<\/span> Kamera: Paul Thomas Anderson<\/em>
\nSchnitt: Dylan Tichenor<\/em>
\nmit: Daniel Day-Lewis, Camilla Rutherford, Lesley Manville, Vicky Krieps<\/em>
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\nTermine:<\/strong>
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  • noch kei\u00adne oder kei\u00adne mehr <\/li>\n\t<\/ul>\n\n\n

     
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