{"id":7824,"date":"2018-01-08T15:06:02","date_gmt":"2018-01-08T14:06:02","guid":{"rendered":"https:\/\/fsk-kino.peripherfilm.de\/?p=7824"},"modified":"2021-08-31T11:43:41","modified_gmt":"2021-08-31T09:43:41","slug":"the-woman-who-left","status":"publish","type":"post","link":"https:\/\/fsk-kino.peripherfilm.de\/en\/the-woman-who-left\/","title":{"rendered":"The woman who&nbsp;left"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-en\">Sorry, this ent\u00adry is only available in <a href=\"https:\/\/fsk-kino.peripherfilm.de\/de\/wp-json\/wp\/v2\/posts\/7824\" class=\"qtranxs-available-language-link qtranxs-available-language-link-de\" title=\"Deutsch\">Deutsch<\/a>.<\/p><p>Ein Film von Lav&nbsp;Diaz.<\/p>\n<p>Die Filme von Lav Diaz sind auf den gro\u00ad\u00dfen inter\u00adna\u00adtio\u00adna\u00adlen Festivals zu Hause und wer\u00adden auch ger\u00adne aus\u00adge\u00adzeich\u00adnet. 2014 gewann er mit From What Is Before in Locarno den Goldenen Leoparden, und <em>The Woman who left<\/em> war 2016 Sieger beim Filmfestival von Venedig. Die Filme zeich\u00adnen sich auch dadurch aus, dass sie sich alle Zeit neh\u00admen, die sie f\u00fcr ihre Geschichte brau\u00adchen. Waren das beim 2016 im Wettbewerb der Berlinale auf\u00adge\u00adf\u00fchr\u00adten <em>A Lullaby to the Sorrowful Mystery<\/em> noch 8 Stunden, l\u00e4sst sich die Geschichte von Horacia in nur 4 Stunden erz\u00e4h\u00adlen. 30 Jahre sa\u00df sie unschul\u00addig im Gef\u00e4ngnis, aber neue Beweise bele\u00adgen die Schuld ihres immer noch super\u00adrei\u00adchen Liebhabers aus Jugendtagen. Jetzt denkt sie, eine eigent\u00adlich zutiefst barm\u00adher\u00adzi\u00adge Frau, an&nbsp;Rache.<br>\n\u201eEine \u00dcberlebensgeschichte, ein Blick auf eine Gesellschaft, ihre Gewalt und Kriminalit\u00e4t und zugleich ein \u00dcber-Film, der die Mittel des Kinos in Richtung einer poe\u00adti\u00adschen Freiheit r\u00fcckt.\u201c Katja Nicodemus\/Die Zeit<\/p>\n<div id=\"gallery-1\" class=\"gallery galleryid-7824 gallery-columns-3 gallery-size-thumbnail\"><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon landscape\">\n\t\t\t\t<a href=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft7.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft7-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt srcset=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft7-150x150.jpg 150w, https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft7-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"><\/a>\n\t\t\t<\/div><\/figure><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon landscape\">\n\t\t\t\t<a href=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft6.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft6-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt srcset=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft6-150x150.jpg 150w, https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft6-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"><\/a>\n\t\t\t<\/div><\/figure><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon landscape\">\n\t\t\t\t<a href=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft5.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt srcset=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft5-150x150.jpg 150w, https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft5-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"><\/a>\n\t\t\t<\/div><\/figure><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon landscape\">\n\t\t\t\t<a href=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt srcset=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft3-150x150.jpg 150w, https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"><\/a>\n\t\t\t<\/div><\/figure><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon landscape\">\n\t\t\t\t<a href=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt srcset=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft2-150x150.jpg 150w, https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft2-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"><\/a>\n\t\t\t<\/div><\/figure><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon landscape\">\n\t\t\t\t<a href=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt srcset=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft1-150x150.jpg 150w, https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p><em>Ang Babaeng Humayo, Philippinen 2016, 228 min, phil\u00adip.&nbsp;OmU,<br>\nRegie, Kamera <span class=\"amp\">&amp;<\/span> Schnitt: Lav&nbsp;Diaz<br>\nBuch: Lav Diaz, nach der Erz\u00e4hlung von Leo Tolstoi (\u201eGott sieht die Wahrheit, aber sagt sie nicht sogleich\u201c)<br>\nmit: Charo Santos-Concio, John Lloyd Cruz, Michael De Mesa, Nonie Buencamino.&nbsp;<\/em><\/p>\n<p><strong>Termine:<\/strong><br>\n\n\n\t<\/p><ul id class=\"eo-events eo-events-shortcode\"> \n\t\t<li class=\"eo-no-events\"> noch kei\u00adne \/ oder kei\u00adne&nbsp;mehr&nbsp;<\/li>\n\t<\/ul>\n\n\n<div class=\"lyte-wrapper\" title=\"The Woman Who Left \u2013 Official Trailer\" style=\"width:640px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_MOopZgQuYz0\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FMOopZgQuYz0%2Fhqdefault.jpg\"><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/MOopZgQuYz0\"><meta itemprop=\"duration\" content=\"PT2M27S\"><meta itemprop=\"uploadDate\" content=\"2017-05-02T16:21:44Z\"><\/div><div id=\"lyte_MOopZgQuYz0\" data-src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FMOopZgQuYz0%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">The Woman Who Left \u2013 Official Trailer<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/MOopZgQuYz0\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FMOopZgQuYz0%2F0.jpg\" alt=\"The Woman Who Left \u2013 Official Trailer\" width=\"640\" height=\"340\"><br>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Opens May 19 at the Film Society of Lincoln Center in New York. Winner of the Golden Lion at the 2016 Venice Film Festival, Filipino filmmaker Lav Diaz\u2019s epic story of revenge deferred functions as a tale of urban theater and class warfare. After 30 years in prison, a woman discovers that her friend and fellow inmate committed the murder of which she was accused. This leads to her release and subsequent discovery of the man who framed her. Inspired by Tolstoy, The Woman Who Left is a sensitive expression of family and forgiveness.\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:640px;margin:5px;\"><\/div> film by Lav Diaz. In phil\u00adip\u00adpi\u00adne with ger\u00adman subtitles.\n<p>Winner of the Golden Lion at the 2016 Venice Film Festival, Filipino film\u00adma\u00adker Lav Diaz\u2019s epic sto\u00adry of reven\u00adge defer\u00adred func\u00adtions as a tale of urban thea\u00adter and class war\u00adfa\u00adre. After 30 years in pri\u00adson, a woman dis\u00adco\u00advers that her fri\u00adend and fel\u00adlow inma\u00adte com\u00admit\u00adted the mur\u00adder of which she was accu\u00adsed. This leads to her release and sub\u00adse\u00adquent dis\u00adco\u00advery of the man who framed her. Inspired by Tolstoy, The Woman Who Left is a sen\u00adsi\u00adti\u00adve expres\u00adsi\u00adon of fami\u00adly and forgiveness.<\/p>\n<div id=\"gallery-2\" class=\"gallery galleryid-7824 gallery-columns-3 gallery-size-thumbnail\"><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon landscape\">\n\t\t\t\t<a href=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft7.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft7-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt srcset=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft7-150x150.jpg 150w, https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft7-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"><\/a>\n\t\t\t<\/div><\/figure><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon landscape\">\n\t\t\t\t<a href=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft6.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft6-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt srcset=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft6-150x150.jpg 150w, https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft6-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"><\/a>\n\t\t\t<\/div><\/figure><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon landscape\">\n\t\t\t\t<a href=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft5.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt srcset=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft5-150x150.jpg 150w, https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft5-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"><\/a>\n\t\t\t<\/div><\/figure><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon landscape\">\n\t\t\t\t<a href=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt srcset=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft3-150x150.jpg 150w, https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft3-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"><\/a>\n\t\t\t<\/div><\/figure><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon landscape\">\n\t\t\t\t<a href=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt srcset=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft2-150x150.jpg 150w, https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft2-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"><\/a>\n\t\t\t<\/div><\/figure><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon landscape\">\n\t\t\t\t<a href=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt srcset=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft1-150x150.jpg 150w, https:\/\/fsk-kino.peripherfilm.de\/wp-content\/uploads\/2018\/01\/womanwholeft1-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\"><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>&nbsp;<br>\n<em>Ang Babaeng Humayo, Philippinen 2016, 228 min, phil\u00adip.&nbsp;OmU,<br>\nRegie, Kamera <span class=\"amp\">&amp;<\/span> Schnitt: Lav&nbsp;Diaz<br>\nBuch: Lav Diaz, nach der Erz\u00e4hlung von Leo Tolstoi (\u201eGott sieht die Wahrheit, aber sagt sie nicht sogleich\u201c)<br>\nmit: Charo Santos-Concio, John Lloyd Cruz, Michael De Mesa, Nonie Buencamino.&nbsp;<\/em><br>\n&nbsp;<br>\n<strong>Termine:<\/strong><br>\n\n\n\t<\/p><ul id class=\"eo-events eo-events-shortcode\"> \n\t\t<li class=\"eo-no-events\"> noch kei\u00adne \/ oder kei\u00adne&nbsp;mehr&nbsp;<\/li>\n\t<\/ul>\n\n\n<p>&nbsp;<br>\n<\/p><div class=\"lyte-wrapper\" title=\"The Woman Who Left \u2013 Official Trailer\" style=\"width:640px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_MOopZgQuYz0\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FMOopZgQuYz0%2Fhqdefault.jpg\"><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/MOopZgQuYz0\"><meta itemprop=\"duration\" content=\"PT2M27S\"><meta itemprop=\"uploadDate\" content=\"2017-05-02T16:21:44Z\"><\/div><div id=\"lyte_MOopZgQuYz0\" data-src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FMOopZgQuYz0%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">The Woman Who Left \u2013 Official Trailer<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/MOopZgQuYz0\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fsk-kino.peripherfilm.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FMOopZgQuYz0%2F0.jpg\" alt=\"The Woman Who Left \u2013 Official Trailer\" width=\"640\" height=\"340\"><br>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Opens May 19 at the Film Society of Lincoln Center in New York. Winner of the Golden Lion at the 2016 Venice Film Festival, Filipino filmmaker Lav Diaz\u2019s epic story of revenge deferred functions as a tale of urban theater and class warfare. After 30 years in prison, a woman discovers that her friend and fellow inmate committed the murder of which she was accused. This leads to her release and subsequent discovery of the man who framed her. Inspired by Tolstoy, The Woman Who Left is a sensitive expression of family and forgiveness.\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:640px;margin:5px;\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Sorry, this ent\u00adry is only available in Deutsch.Ein Film von Lav&nbsp;Diaz. Die Filme von Lav Diaz sind auf den gro\u00ad\u00dfen inter\u00adna\u00adtio\u00adna\u00adlen Festivals zu Hause und wer\u00adden auch ger\u00adne aus\u00adge\u00adzeich\u00adnet. 2014 gewann er mit From What Is Before in Locarno den Goldenen Leoparden, und The Woman who left war 2016 Sieger beim Filmfestival von Venedig. Die&nbsp;[\u2026]<\/p>\n","protected":false},"author":2,"featured_media":7828,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","wp_typography_post_enhancements_disabled":false,"slim_seo":{"title":"The woman who left - fsk Kino","description":"[:de]Ein Film von Lav Diaz. Die Filme von Lav Diaz sind auf den gro\u00dfen internationalen Festivals zu Hause und werden auch gerne ausgezeichnet. 2014 gewann er mi"},"footnotes":""},"categories":[25],"tags":[],"class_list":["post-7824","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archiv"],"_links":{"self":[{"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/posts\/7824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/comments?post=7824"}],"version-history":[{"count":0,"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/posts\/7824\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/media\/7828"}],"wp:attachment":[{"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/media?parent=7824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/categories?post=7824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fsk-kino.peripherfilm.de\/en\/wp-json\/wp\/v2\/tags?post=7824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}