A film by Philippe Van Leeuw. In ara\u00adbic with ger\u00adman subtitles.<\/p>\n
Energetic Oum Yazan is try\u00ading despera\u00adte\u00adly to keep tog\u00ade\u00adther her fami\u00adly life whilst out\u00adside a war is raging. The fami\u00adly sits tog\u00ade\u00adther around a lar\u00adge table at mid\u00adday, ever\u00adyo\u00adne try\u00ading to make them\u00adsel\u00adves heard abo\u00adve the can\u00adno\u00adna\u00adde of bombs and machi\u00adne gun fire. There is hard\u00adly any water and every trip out\u00adside the door spells dan\u00adger on account of the sni\u00adpers on the roof\u00adtops abo\u00adve. While Grandfather plays with his litt\u00adle grand\u00adchild, the oldest daugh\u00adter flirts with her boy\u00adfri\u00adend in her room. Next door a young cou\u00adple with a baby are plan\u00adning their escape. Up abo\u00adve, threa\u00adtening noi\u00adses can be heard. Who\u2019s that kno\u00adcking at the door? Could it be Oum Yazan\u2019s hus\u00adband who\u00adse return she has been anxious\u00adly awai\u00adting, or are the\u00adre stran\u00adge men out\u00adside, loo\u00adking for valu\u00adables? Just a few shots are neces\u00adsa\u00adry to draw the view\u00ader into the per\u00adma\u00adnent sta\u00adte of emer\u00adgen\u00adcy that is war. The apart\u00adment that was once a fami\u00adli\u00adar home has now beco\u00adme a pri\u00adson. Philippe Van Leeuw\u2019s huis clos descri\u00adbes peo\u00adp\u00adle in an extre\u00adme situa\u00adti\u00adon that gives rise to extre\u00adme beha\u00adviour. Every decis\u00adi\u00adon could be a mat\u00adter of life or death: is it moral\u00adly accep\u00adta\u00adble to sacri\u00adfice one mem\u00adber of the fami\u00adly to gua\u00adran\u00adtee the sur\u00advi\u00adval of the others?<\/p>\n
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