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A film by Romuald Karmakar.
\nIn ger\u00adman and french with ger\u00adman sub\u00adtit\u00adles. Some scree\u00adning with eng\u00adlish subtitles.<\/p>\n
For DJ<\/span> Roman Fl\u00fcgel his work is ever\u00ady\u00adthing and some\u00adthing that he would never com\u00adpro\u00admi\u00adse. Romuald Karmakar\u2019s new docu\u00admen\u00adta\u00adry takes a look at five pio\u00adneers of elec\u00adtro\u00adnic music for whom work is their rai\u00adson d\u2019etre. The film com\u00admen\u00adces with a still life of elec\u00adtro\u00adnic equip\u00adment in which we find our\u00adsel\u00adves loo\u00adking for seve\u00adral minu\u00adtes at a wide shot of cables, con\u00adso\u00adles, ampli\u00adfiers, key\u00adboards and \u2018con\u00adtrol\u00adlers\u2019 as Ricardo Villalobos \u2013 who was the sub\u00adject of Karmakar\u2019s 2009 film \u2013 will later call the flas\u00adhing switch\u00adboards in the back\u00adground. In bet\u00adween elo\u00adquent thoughts from the musi\u00adci\u00adans in inter\u00adviews, quiet obser\u00adva\u00adtions of them at work at their DJ<\/span> home, and images of swea\u00adting mas\u00adses at raves, a sel\u00adec\u00adti\u00adve image gra\u00addu\u00adal\u00adly and very quiet\u00adly emer\u00adges of a music sce\u00adne in tran\u00adsi\u00adti\u00adon. Ata descri\u00adbes the cur\u00adrent music sce\u00adne as a vast, den\u00adse\u00adly woven car\u00adpet, the end of which is out of sight. It is a sce\u00adne which, sin\u00adce the 1990s has dif\u00adfe\u00adren\u00adtia\u00adted and evol\u00adved into some\u00adthing far more com\u00adplex and hard to grasp. Karmakar does not attempt to pro\u00advi\u00adde a seam\u00adless his\u00adto\u00adri\u00adcal sur\u00advey, rather he allows his images and his prot\u00adago\u00adnists to speak for themselves.<\/p>\n <\/p>\n
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