{"id":21868,"date":"2023-05-25T15:26:37","date_gmt":"2023-05-25T13:26:37","guid":{"rendered":"https:\/\/fsk-kino.peripherfilm.de\/?p=21868"},"modified":"2023-12-20T14:37:23","modified_gmt":"2023-12-20T13:37:23","slug":"die-verachtung-le-mepris","status":"publish","type":"post","link":"https:\/\/fsk-kino.peripherfilm.de\/en\/die-verachtung-le-mepris\/","title":{"rendered":"Die Verachtung \u2013 Le M\u00e9pris"},"content":{"rendered":"

A film by Jean-Luc Godard. In French with German subtitles.<\/p>\n\n\n\n

[Credits<\/a>] [Tickets &<\/span> Termine<\/a>] [Trailer<\/a>] [indie\u00adki\u00adno club<\/a>]<\/p>\n\n\n\n

A 1963 French New Wave dra\u00adma film writ\u00adten and direc\u00adted by Jean-Luc Godard, based on the 1954 Italian novel Il disprez\u00adzo <\/em>(A Ghost at Noon) by Alberto Moravia.[6] It stars Brigitte Bardot, Michel Piccoli, Jack Palance, and Giorgia Moll.
Plot<\/p>\n\n\n\n

Paul Javal, a young French play\u00adw\u00adright who has found com\u00admer\u00adcial suc\u00adcess in Rome, accepts an offer from vul\u00adgar American pro\u00addu\u00adcer Jeremy Prokosch to rework the script for German direc\u00adtor Fritz Lang\u2019s screen adapt\u00ada\u00adti\u00adon of the Odyssey.<\/p>\n\n\n\n

Paul\u2019s wife, Camille Javal, joins him on the first day of the pro\u00adject at Cinecitt\u00e0. As the first dis\u00adcus\u00adsions are com\u00adple\u00adted, Prokosch invi\u00adtes the crew to join him at his vil\u00adla, offe\u00adring Camille a ride in his two-seat sports\u00adcar. Camille looks to Paul to decli\u00adne the offer, but he sub\u00admis\u00adsi\u00adve\u00adly with\u00addraws to fol\u00adlow by taxi, lea\u00adving Camille and Prokosch alo\u00adne. Paul does not catch up with them until 30 minu\u00adtes later, explai\u00adning that he was delay\u00aded by a traf\u00adfic acci\u00addent. Camille grows unea\u00adsy, secret\u00adly doubting his hones\u00adty and suspec\u00adting that he is using her to cement his ties with Prokosch. Her mis\u00adgi\u00advings are heigh\u00adten\u00aded when she sees Paul gro\u00adpe Prokosch\u2019s secre\u00adta\u00adry, Francesca. Back at their apart\u00adment, Paul and Camille dis\u00adcuss the subt\u00adle unea\u00adsi\u00adness that has come bet\u00adween them in the first few hours of the pro\u00adject, and Camille sud\u00adden\u00adly announ\u00adces to her bewil\u00adde\u00adred hus\u00adband that she no lon\u00adger loves him.<\/p>\n\n\n\n

zur\u00fcck<\/p>\n\n\n\n

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\"Le<\/a><\/figure>\n\n\n\n
\"Le<\/a><\/figure>\n<\/figure>\n\n\n\n
<\/a>Credits<\/strong>:<\/code><\/pre>\n\n\n\n
FR<\/span>. 1963, 105 Min., frz. OmU
Regie: J.-L. Godard
Kamera: Raoul Coutart
mit: Michel Piccoli, Brigitte Bardot, Jack Palance, Fritz Lang, Francesca Vanini, Georgia Moll<\/p>\n\n\n\n
<\/a>Trailer<\/strong>:<\/code><\/pre>\n\n\n
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DIE<\/span> VERACHTUNG<\/span> \u2013 LE<\/span> M\u00c9PRIS<\/span> | Trailer \/ Deutsch | Jean-Luc Godard | ARTHAUS<\/span><\/div><\/div>
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