{"id":15965,"date":"2021-07-06T12:27:27","date_gmt":"2021-07-06T10:27:27","guid":{"rendered":"https:\/\/fsk-kino.peripherfilm.de\/?p=15965"},"modified":"2021-08-26T10:40:08","modified_gmt":"2021-08-26T08:40:08","slug":"der-rausch","status":"publish","type":"post","link":"https:\/\/fsk-kino.peripherfilm.de\/en\/der-rausch\/","title":{"rendered":"Der Rausch"},"content":{"rendered":"
<\/a><\/code><\/pre>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
A film by Thomas Vinterberg<\/em>. Starts July 22nd at the fsk. In Danish with German subtitles.<\/p>\n\n\n\n
[Credits<\/a>] [Tickets &<\/span> Termine<\/a>] [Trailer<\/a>]<\/p>\n\n\n\n
What do Winston Churchill, Franklin D. Roosevelt, and Ernest Hemingway have in com\u00admon? All three are examp\u00adles used by Martin, the midd\u00adle-aged hero of DRUK<\/span>, to demons\u00adtra\u00adte the trans\u00adfor\u00adma\u00adti\u00adve power of alco\u00adhol \u2013 while also being excu\u00adses to get was\u00adted hims\u00adelf. He works as a tea\u00adcher at a Danish high school, whe\u00adre he has lost his focus over the years and been strugg\u00adling with his fro\u00adzen mar\u00adria\u00adge. Rather sur\u00adpri\u00adsin\u00adgly, alco\u00adhol beco\u00admes his cata\u00adlyst for a new way of life \u2013 albeit only if he mana\u00adges not to mess up on it. As in most of their films, Vinterberg and his wri\u00adter Tobias Lindholm look out for ano\u00adther weak spot in bour\u00adgeois self-con\u00adcep\u00adti\u00adon, with \u201ceveryman\u2019s favo\u00adri\u00adte drug\u201d taking the lime\u00adlight this time around. Their approach, howe\u00adver, is very Danish: DRUK<\/span> is not the stu\u00addy of a loner, but rather a bit\u00adters\u00adweet dra\u00adma of male fri\u00adend\u00adship, as Martin and his tea\u00adcher-pals try to con\u00adtrol their con\u00adsump\u00adti\u00adon within a group expe\u00adri\u00adment; they are out to rese\u00adarch its social (and marital) effects, from one level of into\u00adxi\u00adca\u00adti\u00adon to the next. For Vinterberg, this is a ligh\u00adter, more loo\u00adse\u00adly direc\u00adted film than usu\u00adal, with a pen\u00adchant for male debauch\u00adery. For Mikkelsen, it\u2019s an espe\u00adci\u00adal\u00adly rewar\u00adding part, as he fol\u00adlows a tra\u00adjec\u00adto\u00adry from ten\u00adder bro\u00adken\u00adness to the eupho\u00adria of a fan\u00adta\u00adstic dance sce\u00adne \u00e0 la Fred Astaire. (Dominik Kamalzadeh)
<\/p>\n\n\n\n
<\/p>\n\n\n\n