{"id":12936,"date":"2020-02-03T18:37:21","date_gmt":"2020-02-03T17:37:21","guid":{"rendered":"https:\/\/fsk-kino.peripherfilm.de\/?p=12936"},"modified":"2021-02-15T13:49:02","modified_gmt":"2021-02-15T12:49:02","slug":"jenseits-des-sichtbaren-hilma-af-klint","status":"publish","type":"post","link":"https:\/\/fsk-kino.peripherfilm.de\/en\/jenseits-des-sichtbaren-hilma-af-klint\/","title":{"rendered":"Jenseits des Sichtbaren \u2013 Hilma af Klint"},"content":{"rendered":"

A film by Halina Dyrschka<\/em>.  In Swedish, English and German with German subtitles.<\/p>\n

[Credits<\/a>] [Tickets &<\/span> Termine<\/a>] [Trailer<\/a>]<\/p>\n

The art world made a sen\u00adsa\u00adtio\u00adnal dis\u00adco\u00advery \u2013 unfort\u00adu\u00adna\u00adte\u00adly a cen\u00adtu\u00adry too late. In 1906, Swede Hilma af Klint pain\u00adted her first abs\u00adtract work, long befo\u00adre Kandinsky, Mondrian, or Malevich. She crea\u00adted more than 1,000 abs\u00adtract pain\u00adtings that remain\u00aded hid\u00adden to posteri\u00adty until now. How can it be that a woman foun\u00added abs\u00adtract pain\u00adting at the begin\u00adning of the 20th cen\u00adtu\u00adry and nobo\u00addy took noti\u00adce? This cine\u00adma\u00adtic approach to this pio\u00adneer, who\u00adse sen\u00adsu\u00adal oeu\u00advre is artis\u00adti\u00adcal\u00adly fasci\u00adna\u00adting, pres\u00adents her lifel\u00adong search for mea\u00adning, see\u00adking under\u00adstan\u00adding of life bey\u00adond what is visi\u00adble. Hilma af Klint\u2019s extra\u00ador\u00addi\u00adna\u00adry intellec\u00adtu\u00adal world ran the gamut from bio\u00adlo\u00adgy, astro\u00adno\u00admy, and theo\u00adso\u00adphy to the Theory of Relativity, ther\u00adeby wea\u00adving a fasci\u00adna\u00adting cos\u00admos of sen\u00adsa\u00adtio\u00adnal pain\u00adtings and notes. A stag\u00adge\u00adring body of work that neces\u00adsi\u00adta\u00adtes the rewri\u00adting of art history.<\/p>\n

\n\t\t\t
\n\t\t\t\t<\/a>\n\t\t\t<\/div><\/figure>
\n\t\t\t
\n\t\t\t\t<\/a>\n\t\t\t<\/div><\/figure>
\n\t\t\t
\n\t\t\t\t<\/a>\n\t\t\t<\/div><\/figure>
\n\t\t\t
\n\t\t\t\t<\/a>\n\t\t\t<\/div><\/figure>
\n\t\t\t
\n\t\t\t\t<\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n

[nbsp]
\n<\/a>Credits:<\/strong><\/p>\n

DE<\/span> 2019, 93 Min., schwe\u00addisch, eng\u00adlisch, deut\u00adsche OmU<\/em>
\nRegie: Halina Dyrschka<\/em>
\nKamera: Alicja Pahl, Luana Knipfer<\/em>
\nSchnitt: Antje Lass, Mario Orias<\/em><\/p>\n

<\/a><\/strong>[nbsp]
\n<\/a>Trailer:<\/strong><\/p>\n