Category Archives: online

First Cow

A Film by Kelly Reichardt. In English with German subtitles.

[Credits] [Tickets & Termine] [Trailer]

The waters of a river flow pla­cid­ly by. On its banks, time rewinds, brin­ging buried sto­ries to light. At the begin­ning of the 19th cen­tu­ry, fur trap­pers are not the only ones to ven­ture into the wilds of Oregon; there’s also a taci­turn cook, a loner who finds an able entre­pre­neur and fri­end in a Chinese immi­grant. The two start a small trade in “oily cakes”, which turns out to be a gre­at suc­cess in the rough West. The only catch: the raw mate­ri­al they use is acqui­red ille­gal­ly. Director Kelly Reichardt co-wro­te the screen­play with Jonathan Raymond, aut­hor of the novel upon which the film is based. First Cow con­firms her talent for tel­ling sto­ries of an America fil­led with pro­mi­se, far from the big cities. Like a Western, the film pays tri­bu­te to cha­rac­ters on the mar­gins of socie­ty who must take desti­ny into their own hands – only here, ins­tead of guns, there’s a spoon­ful of honey and a pail of milk. Thus, the­se out­laws pre­sent the fron­tier, that screen onto which America pro­jects its natio­nal dreams, not as a place of eco­no­mic or mate­ri­al con­quest, but as a mee­ting place. A sple­ndid alter­na­ti­ve sce­na­rio, which today acqui­res par­ti­cu­lar civil and poli­ti­cal significance.

Credits:

US 2019, 122 Min., engl. OmU
Regie: Kelly Reichardt
Kamera: Christopher Blauvelt
mit: John Magaro, Orion Lee, Toby Jones, Scott Shepherd, Gary Farmer, Lily Gladstone

Trailer:

nach oben

Kunst kommt aus dem Schnabel wie er gewachsen ist

A film by Sabine Herpich. In German with English subtitles.

[Credits] [Termine] [Verleihseite] [Trailer]

At the Mosaik art stu­dio in Berlin, artists with disa­bi­li­ties are absor­bed in their work. Sabine Herpich obser­ves the artists in the cour­se of crea­ti­on and directs her gaze at the insti­tu­ti­on its­elf: its pro­ces­ses, staff and spaces. The film suc­ceeds in main­tai­ning its focus on the art its­elf rather than the han­di­caps of its crea­tors. It is around the­se works that the insti­tu­ti­on takes form, thus coming into view first and fore­most as an insti­tu­ti­on for art, not one for peo­p­le with disa­bi­li­ties. The idea of art beco­mes holi­stic, encom­pas­sing the peo­p­le who make it as well as the places whe­re it is crea­ted; it means loo­king at the works, and tal­king about them, but also art as work, com­ple­te with working hours and wage. The film­ma­ker hers­elf is not invi­si­ble. She asks the artists about their thoughts, ide­as, methods. As the artists befo­re the came­ra meet the gaze of the film­ma­ker, a heigh­ten­ed sen­se of atten­ti­on and sen­si­ti­vi­ty is pro­du­ced – for the moods of the works, their crea­tors and obser­vers, as well as for this film about art its­elf, with its gent­le, yet not timid, pre­cise yet non-rest­ric­ti­ve form.

DOKKA dokKa-Preis der Stadt Karlsruhe
Duisburger Filmwoche: 3sat-Preis sowie eine loben­de Erwähnung der Arte-Jury
Nominiert für den Preis der deut­schen Filmkritik 2020

Verleih geför­dert durch:

[nbsp]
Credits:

DE 2020, 106 Min.

Mit: Adolf Beutler, Suzy van Zehlendorf, Gabriele Beer, Till Kalischer, Nina Pfannenstiel u. a.
Regie, Kamera, Montage: Sabine Herpich

O‑Ton Schnitt, Mischung: Marilyn Janssen
Color Grading: Florian Lampersberger
Titel- und Plakatgestaltung: Ulrike Damm
Produktion: Sabine Herpich, Tobias Büchner

Freigegeben ohne Altersbeschränkunge (FSK Prüfkarte: pdf)

Termine:

ab 12. August 2021

[nbsp]
Trailer (vor­läu­fig):

Kunst kommt aus dem Schnabel wie er gewach­sen ist from Büchner Filmproduktion on Vimeo.